Scan barcode
tangleroot_eli's review against another edition
adventurous
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
Big mixed feels about this one. I like so many things about it: January herself; Ade and Yule Ian's story - actually, I found all of the characters fairly well written.
But I struggled with the pacing, especially in the first 2/3. While January is an interesting character, her story kept me less engrossed than Ade and Yule Ian's, even though she's ostensibly the main character. For me, the story really starts in the last third, when everyone's threads come together.
Ultimately, my biggest disappointment with the book is the the conventionality of Harrow's other worlds. They're "completely different from our own," but in very limited ways. Where were the worlds with people but without capitalism? Where were the worlds where people weren't "somewhere in between [men and women]" but just people? The refuges in Arcadia clearly include same-sex couples; were none of them looking for a world where that was the norm, or did the idea of such a world not occur to Harrow? It often seems like, in Harrow's mind, the best a queer and/or BIPOC character can hope for is a world where their identity is ignored or, at best, tolerated, rather than one where it's celebrated.
In 2001, astronauts carry paper notebooks because Arthur C Clarke, however vast his imagination, couldn't conceive of computers so small they fit in the palm of our hands. In The Ten Thousand Doors of January, all worlds, no matter how superficially different from our own, at core are quite similar, because Alix E Harrow, however vast her imagination, couldn't conceive of what real, fundamental difference looks like.
But I struggled with the pacing, especially in the first 2/3. While January is an interesting character, her story kept me less engrossed than Ade and Yule Ian's, even though she's ostensibly the main character. For me, the story really starts in the last third, when everyone's threads come together.
Ultimately, my biggest disappointment with the book is the the conventionality of Harrow's other worlds. They're "completely different from our own," but in very limited ways. Where were the worlds with people but without capitalism? Where were the worlds where people weren't "somewhere in between [men and women]" but just people? The refuges in Arcadia clearly include same-sex couples; were none of them looking for a world where that was the norm, or did the idea of such a world not occur to Harrow? It often seems like, in Harrow's mind, the best a queer and/or BIPOC character can hope for is a world where their identity is ignored or, at best, tolerated, rather than one where it's celebrated.
In 2001, astronauts carry paper notebooks because Arthur C Clarke, however vast his imagination, couldn't conceive of computers so small they fit in the palm of our hands. In The Ten Thousand Doors of January, all worlds, no matter how superficially different from our own, at core are quite similar, because Alix E Harrow, however vast her imagination, couldn't conceive of what real, fundamental difference looks like.
Content Warnings
Graphic: Animal cruelty, Child abuse, Confinement, Death, Racism, Forced institutionalization, Xenophobia, Medical content, Grief, Medical trauma, Death of parent, Cultural appropriation, Abandonment, Colonisation, and Classism
Moderate: Gun violence, Racial slurs, and Pregnancy
Minor: Police brutality and War