Reviews tagging 'Abortion'

Die Zeuginnen by Monika Baark, Margaret Atwood

9 reviews

kateburgers's review against another edition

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inspiring reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

5.0


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ahixon1's review against another edition

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dark reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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leonormsousa's review against another edition

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adventurous inspiring mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.5


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james1star's review against another edition

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challenging dark hopeful reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? No

4.25

Did The Handmaid’s Tale (THT) need a sequel? No 
Was this my vision / the best sequel? No 
Was it a satisfactory sequel? Yes 
Is it a good book? Yes 

Margaret Atwood once agains transports us back to Gilead, and Canada, via her incredible use of descriptive and psychological writing. This was an encapsulating novel and entertaining read with great world-building, character studies with a good plot. 

Thankfully we don’t have Offred as a character which really wouldn’t have bode well with me - we left her entering the darkness… or perhaps the light, this ambiguity is one of my favourite parts of THT and picked up on in the historical notes with the icon line of ‘are there any questions?’ Yes we have many! Instead the testaments follows the stories of three women: aunt Lydia, Agnes (this we believe to be Offred’s first child Hannah who was taken from her when captured trying to escape) and Nicole/Daisy (this ‘is’ Offred and Nick’s child who was smuggled to Canada as a baby) and how they each played a role in the downfall of Gilead. The plots and storylines are well written, entertaining and makes you want to read on but they do lack the psychological pull THT had. Additionally, some of the plot twists are kind of telegraphed and the stories all fit together a bit too well and cleanly… made for a tv adaptation? Maybe? I missed the messiness and uncertainty and inner fear that Offred experiences in THT. 

Another difference is how the Testaments is more action-focused and hopeful than the original - it’s the suffragettes to THT’s suffragists if you get what I mean. I liked this for sure and it’s entertaining but I did miss the inner pull and heartache, this separation of mind and body with Offred taking ownership of her mental body is her rebellion in a society where all that matters is her body and this is her power. Whereas information and smuggling is the power here, among other things. This actionness also makes the events and characters less realistic to THT but still ‘speculative’ in ways. 

Of the three perspectives, aunt Lydia’s is by far the best and most encapsulating. That’s not to say Agnes and Nicole’s aren’t - they are and Atwood writes teenaged so well and lifelike for someone in their 80s. I wanted, I needed, I should have hated aunt Lydia. She is horrible and vindictive and did so many immoral things in THT and the Testaments but I couldn’t. I loved her. She’s so cunning, so knowledgeable, so focused, so powerful. She’s a badass. I don’t only like her for her crucial role in Gilead’s downfall but also her demeanour and personality despite being a villain in a sense. But also we got to see her story, how she was forced into this position - this or death and she chose to live, to thrive in fact, to hold power behind the scenes in a country where women lost all the power they had. 

Overall, I definitely enjoyed this book and would totally recommend it. It’s a good book for sure and an adequate sequel to such an amazing literary classic but doesn’t compare in impact - how could it?  

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chamaeleontis's review against another edition

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dark emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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sapphic_reads's review against another edition

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challenging dark emotional reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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celisabell's review against another edition

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adventurous dark tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.0

I deeply enjoyed knowing more about Gilead's rising and fall. The way the different stories connected gave it a very good flow, and I just couldn't stop reading. It made me want to go back and read the Handmaid's tale once more.

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bradypus's review against another edition

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challenging dark emotional mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

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reb_reads's review against another edition

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mysterious reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.5

Spoiler I feel like this book, although entertaining, didn't have the same value as the first. I was hoping that Atwood's resurrection of such an iconic text would add to the conversation of its source text and update it for modern feminism but it was still lacking in any sort of intersectional critique. Whereas the original played an important role in the conversation about reproductive rights in the 1980s, non of this was updated for a less white feminist view. It is still an important issue but I was disappointed Atwood didn't go beyond this. Furthermore, the use of Aunt Lydia felt like poor character development and that it actually undermined the work of the first book.  The lack of continuity felt purely like a fan grab for shock factor, rather than creating a new and more genuine character to fill this role. Name dropping June at the end of the book also felt like a moment of fanfiction rather than a complex plot point, and I would have preferred this left ambiguous. The entire plot didn't need to continue to revolve around these two original characters to be valuable to their previous narrative.
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