adverb17's review against another edition

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informative mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25

The application of the ideas surrounding Frankenstein were intriguing here: vengeance, guilt and innocence, humanity's collective anger and grief.  The rest of the book didn't really live up to the promise of this premise: I'd say there were too many plot lines and I wasn't very invested in any of them.  The clunky translation also brought the reading experience down.

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tessieferro's review against another edition

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dark funny reflective medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

“They all dreamed something about Hasib. Parts of one dream made up for parts missing in another. A little dream filled a gap in a big one, and the threads stitched together to recreate a dream body for Hasib, to go with his soul, which was still hovering over all their heads and seeking the rest it could not find.”

Beautiful, somewhat comical in a twisted way, an unexpected twist on an overused concept. Some parts fell short, but the concept made up for all of it. 

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roenfoe's review against another edition

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dark reflective sad medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

I wanted to love Frankenstein in Baghdad so, so badly. The blurb was witty, darkly tantalizing, and hinted at an upsetting, modern take on a familiar Western classic. Unfortunately, the actual novel fell very short of my expectations and said summary.

First off, the prose was staccato and largely devoid of flavor. It was difficult to imagine the titular Baghdad, as the luscious descriptions of decaying architecture and its unsettling inhabitants were largely absent. There was a mystery element, but very little intrigue generated. The supernatural elements were not frightening or dark- rather they were discussed in a dry, matter-of-fact way. I read several reviews and papers that classify Frankenstein in Baghdad as a modern Gothic novel, but in my opinion it is severely lacking the crucial Gothic elements to classify it as such. However, after consulting a friend with some expertise, it seems this may have been due to a poor English translation. Over 100 pages were cut from the original text, which likely included some of the meat I felt it lacked. 

The characters were one-dimensional and each felt the same as the next. Beyond their initial descriptions, their unique characteristics or personalities were never expounded upon, resulting in a cast of virtually identical men (and a handful of women). The most memorable character was Elishva, and I still had to google her name just now because I couldn't remember. The list of names and roles at the beginning of the book is a necessary tool to understand the story at all. Because these characters all felt the same, I was not invested in any of them and struggled to care about the problems they faced. Even the monster (called Whatsitsname) had the same character voice as the rest of the crew. 

It may seem that this book was terrible, but the themes were fascinating: the banality of violence, creation (and the morality of creation), survival in the face of collapse, ritual, religion, and belief, the decay of norms under occupation... I just wish that the author had done something more interesting with them within the story. 

I can't remember the ending other than it was underwhelming and gave us no answers. A book doesn't need to do the latter, but after such a drag of a read I was hoping for something good at the end. Part of me thinks I should have DNFed this one, but it was extremely short and I wanted to love it so badly. 


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lizlikesfrogs's review against another edition

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adventurous challenging dark emotional informative inspiring mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75


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cviii's review against another edition

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challenging dark emotional reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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annemaries_shelves's review against another edition

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challenging dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

As a retelling of Frankenstein and its philosophy - who is the monster, what does it mean to be a person and to purse justice, how do you reconcile your past with your future, the balance of nature vs nurture - Frankenstein in Baghdad did a good job. 
I can see why people think it's brilliant and how it won awards, but for me personally, it's fine as a novel. Nothing too special in my reading experience. 

As with the original, the monster is the most interesting character and we never get enough time with him. There are a lot of tangents and other character povs, which may be annoying to some readers. I enjoyed how all the characters added to the sense of place and time and the exploration of the American invasion of Iraq and subsequent impacts of war on society. However, this detracted from the framing device of the monster - an extra 20-30 pages with the monster's perspective would've been great. 

My favourite characters were Hadi (his story and resolution made me so sad) and Elishva, whose enduring love for her long lost/dead son was bittersweet. I do wish there were more female characters pov than just Elishva, who was painted as the "crazy old woman." Mahmoud - my least favourite and most common pov - had a really awful perspective on women and "love" (aka obsession) that was delusional, disrespectful, and all too common among many men. He frustrated and engaged me as a character. 

Overall, an interesting and thought-provoking read that probably won't stick with me too long. I'm glad I finally read this off my shelves. 

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directorpurry's review against another edition

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challenging dark hopeful reflective sad slow-paced

5.0


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mengzhenreads's review against another edition

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challenging mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

I really loved the concept and execution of this book, it was horrifying and thought-provoking and just a great exploration of the logic of violence and vengeance. This was definitely a difficult read but it was absolutely worth it. 

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aegireads's review against another edition

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dark reflective sad medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0


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mme_carton's review against another edition

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challenging dark emotional hopeful mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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