Reviews tagging 'Adult/minor relationship'

The Southern Book Club's Guide to Slaying Vampires by Grady Hendrix

421 reviews

tiernanhunter's review against another edition

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dark emotional funny hopeful inspiring medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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nico_29's review against another edition

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challenging dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0


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thebookwormclub's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

Incredibly violent. If I had known prior to picking this up how violent it was going to be I wouldn't have gotten it. I'm not a squeamish person, but this book made me very uncomfortable 

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happyknitter2020's review against another edition

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adventurous challenging dark emotional funny sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

A female mid life bookclub challenge vampire, all husband's don't support them, children and people living experiencing poverty were more at risk. A fantastic story, enjoyed yhe audio reader, she brought the characters to life.

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madisus's review against another edition

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challenging dark tense medium-paced
  • Strong character development? Yes
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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byrdy's review against another edition

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dark mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5


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gretchenbell's review against another edition

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adventurous dark mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.25


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victoriamark's review against another edition

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adventurous dark mysterious sad tense medium-paced
  • Strong character development? Yes

4.25


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tinaclayton's review against another edition

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dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0

Excellent narrator. I’ve never read an audiobook with actual jump scares like this one. Gory. Gruesome. And really fun. 

Content warning: I’m taking off a star for the children, plot wise I don’t see why a vampire would target children, why he needed their femoral artery, and most importantly why he needed to be naked to feed. It all felt a little pedo.

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billyjepma's review against another edition

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dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

2.25

For the first 50-100 pages, I was assuredly in this book's corner. The writing was snappy, the setting sharp, and the looming threat of something sinister palpable. It had me in the palm of its hand, and then only intermittently, and then not at all. Some of that degradation is due to the rises and falls of the suspense, which could be tiresome to wade through since Hendrix doesn't give his reader any space to second-guess the facts of what's happening in the story, lessening the suspense somewhat. It's a narrative decision I want to admire, and I did initially since it firmly places the women driving the story in the right. But after that story humiliated or tortured them for the umpteenth time, I struggled to see the point. 

There are hints of promise, specifically in the strength of female friendship and solidarity, but Hendrix's writing is so rooted in a shallow faux-feminism that it sabotages the book at every turn. For one thing, he can't help but describe women's bodies in detail, even when the context would make such specificity frivolous at best. It's a symptom of a larger problem, though, and only gets worse as the story approaches the climax, where Hendrix resorts to the threat of sexual violence or the act itself to ramp up the tension in ways I found to be distasteful. The book wants to paint a picture of how men have historically abused women, treating them like objects or tools for their pleasure or pursuit of power. I'm all for that, especially in a "vampire" period piece like this. But when that book also has a habit of treating its women the same way as the men it condemns, any semblance of commentary quickly deteriorates.

It doesn't help that the characters are predominantly defined by their genders and the traits stereotypically associated with them. Those aren't bad traits for a character to have, mind you, but I struggle to believe that women in the era were exclusively defined by their roles as wives and mothers. The insistence on defining all these characters by different shades of those characteristics was disappointing, especially since Hendrix failed to give the women any interior lives or depth beyond the basest impulses projected onto them. At the very least, though, he knows his way around the genre, and his fast-paced, zippy writing makes this an easy page-turner. He also has a knack for setting up nail-biting scenarios that gross you out just as much as they keep you flipping pages. Granted, some of those scenarios end up falling into the same problems I had with the rest of the book, but the build-up was there, at least. If Hendrix had more self-awareness about his limits and strengths, this could've been a pulpy banger of a book, but alas.

None of these problems are unique to this book, though—I recognize many of his worst impulses from some of Stephen King's earlier works, alongside plenty of other male horror writers. But we (meaning white men like myself) can do better than this, and it's frustrating when I find books that seem to tell me otherwise.

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