Reviews with content warning for Car accident - The Shards

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The Shards by Bret Easton Ellis

11 reviews

levtitticus's review against another edition

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dark mysterious tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

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nomonbooks's review against another edition

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challenging dark mysterious tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.5

This was well written, I just didn't like it. I didn't enjoy the gore and the tone or the people. I wanted to keep reading and that's pretty significant given what I didn't enjoy but also I'm so so glad I finally finished it. People who like thrillers may like this.

Also in regards to what happened (spoilers for ending)

I am like 100% sure in my mind at least that the trawler were the adult cult members and this was a story about a bunch of messed up kids left to their own devices too much, not cared for and adultified resulting in horrible conclusions. Everyone (of the children) was a victim here. The violent crime we see on page committed by a child is Brett murdering Robert. And that was a huge failure of every adult involved that let it get to that point. (And I know he's old enough to take responsibility for that somewhat but as with any crime in the real world committed by a 16 year old thecl context is so so important - and I know Robert has been accused of sexual abuse and I'm not absolving him from that responsibility but acknowledging that he was a victim here too from his father, and from the cult).

I don't think Brett attacked Susan and Thom, as it seems a bit random and out of character for him and it's more a further example of how things can are and will spiral in absence of I don't know, adult responsibility and supervision and putting it all on kids. The paranoia that seeped into their relationships and lack of trust for eachother and I think in the world generally to look after them.

They consistently had absent parents, drug addict parents, parents who are perpetrators of sexual abuse, alcoholic parents. The level of neglect is overwhelming, the absence of modeling of healthy interactions and relationships. The total lack of guidance from any adult in my opinion is what got them to where they ended up.

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aristarcodisamo's review against another edition

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dark mysterious tense medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

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fmoffiziell's review against another edition

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dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

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emiliaborsikova's review against another edition

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challenging dark emotional tense slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.5

Almost a dnf. The first half of this book is pretty much just buildup and an insight into the lives of the characters. Anything of specific significance happens in the last 70 pages. Which is terrible considering this book is 600 pages. Ultimately nothing happens except a bunch of privileged teenagers doing drugs, drinking and being rich. Except one day Bret, the narrator, randomly decides he thinks the new kid at school is a deranged psychopath murderer with very limited evidence (evidence being basically just delusion). For some reason Bret doesn’t actually believe his friendships are real and usually prefers to spend his time alone high on drugs. Half the book is basically him complaining about his supposedly perfect girlfriend who actually loves him but he’s gay and he is just using her, him doing drugs and drinking (everyone is so high all the time they apparently don’t care about girls being kidnapped and then them and animals/pets being brutally mutilated), graphic gay content, tireless music references and Susan being called numb every 3 lines. Not to mention that the dialogue is bland and vague. The Trawler is randomly introduced and a bunch of information is dumped on you before it’s back to random scenes of the characters. The Trawler and the home attacks and the cult didn’t have a clear connection and the narrative felt blocky. Most of the time the plot of Robert and The Trawler seemed like a side plot. It’s about 80% filler and buildup (towards pretty much nothing actually) and 20% shocking graphic descriptions of gore (of both humans and animals). This book could have been 200 pages shorter and as my first Bret Easton Ellis book i’m a bit disappointed. Spoiler- Not to mention that there’s some vague reference that Bret, the narrator, may actually be the psychopath here (the arm bite mark scene) which had no effect other than to confuse me- The end tries to explain everything at once and I just think that the plot had so much potential but it was executed very badly - overwritten and vain.

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katherineflitsch_'s review against another edition

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dark mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Flaws of characters a main focus? Yes

5.0

Utterly chilled. If Stephen King isn’t dark or gory enough for you, if The Secret History wasn’t twisted or dramatic enough for you, if The Talented Mr. Ripley wasn’t mysterious or suspenseful enough for you, then Bret Easton Ellis’s THE SHARDS must be.

It’s been a while since a book has shocked me as much as this one did. It’s been a long while since a book has left me feeling so unsettled. I don’t know what much to say without giving away spoilers. But in the end you feel just as Susan feels holding Bret’s hand in that room. In the end you feel scared and horrified and dizzy with realization, with denial, and nausea. In the end you nearly want to be sick.

(In, like, a totally good way!)

Bret does suspense incredibly well. And he has mastered horror here, too. He blends evil with high school in such a glorious (and glittering) way: a student masks his violent identity just as a student masks his homosexuality in 1981; a teen boy is convinced his friend’s new boyfriend is a serial killer just as as teen boy is convinced his friend’s new boyfriend isn’t good enough for her; a boy grieves heartbreak just as a boy grieves the brutal murder of his first love. These layers pass over one another as delicately and fluidly as curtains sliding over one another moved by wind. In high school, you are terrified of things that you one day grow out of fearing, but in the moment of teenage psyche, the terror and horror of these things is crippling. In THE SHARDS, those teenage terrors are indistinguishable from actual tangible death and mutilation and evil. Bret contorts teenage angst into “legitimate” horror.

I read once somewhere that the difference between fear, terror, and horror is this (and I’m paraphrasing from murky memory): fear is walking in the woods at night and knowing that a wolf is prowling; terror is walking in the woods and seeing the wolf before you; horror is walking in the woods and realizing you have stepped right into the wolf’s trap. Bret Easton Ellis’s THE SHARDS encapsulates all three.

(Warning though: it is quite graphic.)

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