The design and UX isn't done, Rob and Abbie, okkurrrr! 😌
achay91's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Chronic illness, Classism, Body horror, Pandemic/Epidemic, Injury/Injury detail, War, Religious bigotry, Toxic friendship, Toxic relationship, Blood, Death, and Miscarriage
Moderate: Death of parent, Gore, Murder, and Pregnancy
Minor: Child death, Forced institutionalization, Sexual content, Alcohol, and Alcoholism
chronicacademia's review against another edition
- Diverse cast of characters? Yes
Moderate: Stalking, Animal death, Ableism, Death, Grief, Blood, Gore, Pregnancy, Infertility, Miscarriage, Torture, Violence, and War
georgialee01's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
Moderate: Miscarriage, Injury/Injury detail, Murder, Pregnancy, War, and Violence
Minor: Alcoholism, Infertility, Sexual content, Gore, Pandemic/Epidemic, Blood, and Death
kyleighf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
World building was long and drawn out and at times in the first 200 pages I’d wonder how the heck I was to remember so much detail. Maps and timelines and more maps and a glossary(!) and an index of people. Plus 4 different narrators with subtle indication of who was at the forefront each chapter.
This book was a test of my strength, memory, will, stubbornness, but it will forever be worth it.
Some of the BEST LGBTQ+ representation I’ve read, and that’s not even close to the focus of the story. It’s refreshing to read about a sapphic couple who are not a plot point in the story but treated as any heterosexual couple would be.
I think this was the first time I put down a book to start another in the middle which is part of why it took so long, but I’m so glad I powered through.
Characters are fleshed out, the character development is immaculate and to die for. The ending leaves you satisfied but curious. Everything wraps up sensibly and doesn’t feel forced. Pieces intertwine and disconnect and intertwine, it’s very satisfying to watch the threads build a tapestry.
Here’s to (eventually) reading the prequel. Not anytime soon, but eventually.
Graphic: Death of parent, Child death, Murder, Blood, Body horror, Death, Grief, Miscarriage, Pandemic/Epidemic, Gore, Pregnancy, and War
_persephone's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: War, Gore, and Grief
Moderate: Pregnancy and Miscarriage
Minor: Alcoholism
internationalreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Death, Death of parent, Miscarriage, Sexual content, Suicidal thoughts, Animal death, Blood, Bullying, Confinement, Murder, Pregnancy, Fire/Fire injury, Gore, Grief, Infertility, Injury/Injury detail, Violence, and War
travis_zalesky's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
The characters were believable, if somewhat flat and over the top. I am willing to give Priory a pass though on character development because of the epic nature of the tale. An epic fantasy of the scale of Priory calls for over the top characters, sometimes verging on caricature. The cast is lovable and Shannon does a great job of helping the reader see both sides of a conflict, but don't go looking for massive character growth or a treatise on the human condition.
Set in a matriarchal society, and infused with modern feminist theory, I found the world of Priory to be novel, inspired, and refreshing. The narrative was believable and immersive, and only occasionally did it come off as preachy or tiresome. The magic was convincing and consistent with a plausible internal logic for slowly ramping up the power throughout the story. However, there were several plot holes,and a few noticeable contrivances which would occasionally take me out of the story. One of my biggest criticism is seemingly inconsistent travel times. While there are differing modes of transportation that could partially account for these differences, at times a character might take days or even weeks to traverse a short distance on the island on Inys, while at other times they blaze across leagues of Lysia seemingly in an instant
While a few nit-pick criticisms prevent Priory of The Orange Tree from being a 5-star read I thoroughly enjoyed it from beginning to end, and found myself eagerly devouring the last few hundred pages. I would not hesitate to recommend it to any fans of the genre, and I would be shocked if it does not get picked up for a major movie deal soon. Priory will certainly be long regarded as a classic of modern fantasy.
Graphic: Fire/Fire injury, Violence, and Gore
Moderate: Sexual content
Minor: Suicide
hannahpings's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
at the same time though, for me it's cursed with having been a good book that also could have been better. overall, priory's pacing is good––it comes out swinging and still manages a good amount exposition, the action is well-timed, it's engaging every step of the way––but there are significant gaps and skips throughout, and especially so in the final third. journeys that once took immense narrative tolls and lasted close to 40 pages are reduced to quotidian, one-sentence tasks that seem to exist only because not mentioning them would render the plot unadvanceable. characters make choices that, while you can see how they might make sense given the adequate development, are complete opposites of their intentions up until that point without the text taking the time or putting in the work to achieve that development. things that are given immense weight and word counts early on are not held to the same standard later and are treated like whims, if they're acknowledged at all. (the story's climax is overly convenient too, but it was an emotionally satisfying one, even if a little more mess was to be desired.)
samantha shannon has created a worthy fantasy epic; it's a wold i don't want to leave, a necessary addition to the genre, and one both accessible (even for folks who don't like fantasy or who may be revisiting it for the first time in years) and that made me excited to have to flip to the map or appendices every few pages. all the same, it's hard not to feel that by the end of the book, shannon was ready to be done with it, and glossed over chunks of the narrative accordingly. priory is a story and scope worthy of three, 300–400-page books, and it's hard to understand why it wasn't given the adequate time to breathe and grow into itself.
ultimately though, that's not my decision, and in the end i'm still happy with what we got: something relatively well-written, intercultural and anti-hegemonic, compelling and whose characters it's impossible not to root for, and to whose world i can't wait to return.
Graphic: Pandemic/Epidemic, War, Animal death, Alcohol, Fire/Fire injury, Miscarriage, Religious bigotry, Terminal illness, Bullying, Grief, Infidelity, Injury/Injury detail, Medical trauma, Violence, Gore, Incest, Kidnapping, Pregnancy, Xenophobia, Blood, Classism, Death, Racism, Infertility, Medical content, and Sexual content
Moderate: Rape, Alcoholism, Death of parent, Torture, Trafficking, Suicide, and Panic attacks/disorders
incest/rape:aksmith92's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Regardless, just like the prequel, this book follows four narrators, all from different parts of the world (two being from the "West"), that Shannon sets up for us. Each area - East, South, West, has its own religion and customs, which were very intriguing to read about. We have the West, which has a pretty cutthroat religion about someone named Galian who slayed the "Nameless One," a wyrm that came to destroy the continent about 1,000 years ago. They view him as the Saint. Then, we have the South, which actually believes that his love, Cleolind, is the one who slays the Nameless One. They call her the Mother. The East is disconnected from the bigger Continent by water, and they worship dragons, different from wyverns who follow the Nameless One. It was so intriguing to read about these different cultures and how they intersect.
I think the characters are built amazingly, and I really feel like I'm in their world. Like the prequel, a lot of this novel is setting up the characters, world-building, and plot, and therefore, it may feel slow for some people in the beginning. Additionally, there are a decent amount of characters and sub-plots to follow throughout, which may be confusing in the beginning. For these reasons, I shied away from giving it a full five stars. The beginning was just tough for me, but after about 15-20%, I hit the ground running and became fully immersed.
I really enjoyed the magical system, the connectedness of the continent, and others questioning their faiths based on new information. While it didn't seem totally realistic that folks from certain religions would be more than happy to accommodate others (sorry, the real world just sank in too much to find it believable), I will say I thought that the characters were strong and layered. The plot made a lot of sense, and I was excited to see it in this way as opposed to A Day of Fallen Night, where we are mostly left with more questions (which is totally acceptable for a prequel). I just had such a great time reading this and have fallen in love with this series. I can't wait to read more once other books are out!
Graphic: Gore and Miscarriage
Moderate: Alcoholism
fanboyriot's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Graphic: Blood, Alcoholism, Fire/Fire injury, Animal cruelty, Body horror, Pandemic/Epidemic, Miscarriage, Death, Infertility, Child death, Confinement, Religious bigotry, Medical content, Violence, Murder, Grief, Gore, Death of parent, Torture, Sexual content, War, Pregnancy, Injury/Injury detail, and Xenophobia
Moderate: Medical trauma, Kidnapping, Emotional abuse, Homophobia, Genocide, Bullying, Outing, Alcohol, Terminal illness, Suicide attempt, Domestic abuse, Classism, Mental illness, Misogyny, Physical abuse, Suicide, Suicidal thoughts, Animal death, Incest, Infidelity, Addiction, and Gaslighting
Minor: Dementia, Sexual assault, Self harm, Toxic relationship, Excrement, Adult/minor relationship, Drug use, Rape, Cursing, Panic attacks/disorders, and Sexism