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lex24's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
What I Loved: The first part of this book was incredible, earning an easy five-star rating. Paullina Simons masterfully crafts a vivid, immersive world where you truly feel present with the characters. Her prose is beautifully descriptive without becoming distracting. The emotions, struggles, and triumphs of the characters are palpable, making for an engaging and heartfelt reading experience.
What I Hated: The second part of the book felt like it was written by a completely different author. The characters became 2-dimensional and unbearable, and the narrative was bogged down by lengthy, gratuitous sex scenes, that added nothing to the story. The dynamic between the protagonist and her love interest, already problematic, devolved into something I found deeply troubling. Despite my efforts to push through, even resorting to skipping sections, I ultimately couldn't continue. The shift in tone and content not only disappointed but also detracted from the excellence of the first part.
In conclusion, this started as a five-star read but lost its way, leaving me frustrated and unable to finish the story. Proceed with caution.
Graphic: Child abuse, Child death, Death, Domestic abuse, Emotional abuse, Mental illness, Sexual content, Terminal illness, Toxic relationship, Violence, Grief, Medical trauma, Stalking, and War
kbookish's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Death of parent and War
Moderate: Death, Medical content, Alcohol, and Injury/Injury detail
Minor: Alcoholism, Domestic abuse, Violence, Blood, Pregnancy, Fire/Fire injury, Toxic friendship, and Injury/Injury detail
emptzuu's review against another edition
The initial encounter between Alexander and Tatiana, where he essentially stalks her, raises questions about the romanticism of their relationship. Throughout the narrative, Alexander's actions reveal a concerning pattern of control. During social gatherings, he imposes expectations on her, insisting she serves him tea and dictating her actions, with threats looming if she dares to defy him. His possessiveness reaches alarming levels as he becomes enraged when she shows attention to other boys.
The first sexual encounter between them, significant as Tatiana's first time, is fraught with dialogue where she expresses anxiety and hesitation, repeatedly asking him to stop. However, he disregards her requests, insisting and pressuring her further, showing insensitivity to her discomfort and boundaries.
What exacerbates the problematic nature of this scene is Alexander's fixation on Tatiana's youth and purity. He repeatedly questions her about her past experiences, displaying a disturbing obsession with her sexual history, which feels objectifying and uncomfortable, especially considering the age gap between them.
Alexander consistently undermines Tatiana's individuality and autonomy. He effectively erases her personhood, reducing her to a vessel for his desires and a servant to cater to his needs. And if this isn't enough, Alexander takes his egregious behavior to the next level. In a fit of rage, he physically intimidates Tatiana and asserts his entitlement over her body.
I married you so I could fuck you anytime I felt like it! . . . Anytime, Tania! What else do you think a soldier on furlough could possibly want? And if I hadn’t married you, all of Lazarevo would now be calling you my whore!
This culminates in an act of non-consensual penetration and while he eventually apologizes, the fact that he expects absolution after practically assaulting her is deeply unsettling. Tatiana's silence and lack of response speak volumes, and the reader is left feeling disgusted by his actions. It's no wonder that, at this point, one begins to wish for his demise in the war.
The book continues to depict unhealthy interactions between the husband and wife, normalizing and even promoting abuse and manipulation. The lack of condemnation for Alexander's actions and the constant apologies from the female lead for upsetting him further exacerbate the issue.
Overall, the book sells itself as a love story but portrays a dynamic where the female lead is only shown love when she behaves according to her husband's wishes, serving him and acquiescing to his desires without question.
Graphic: Death, Domestic abuse, Emotional abuse, Misogyny, Physical abuse, Rape, Sexual assault, Suicidal thoughts, Suicide, Toxic relationship, Stalking, and War
unsweetener's review against another edition
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
The romance element is strong, but I wouldn't recommend it if you are looking for something with a HEA or if you are uncomfortable with sex scenes (you could safely skim a large portion though). It's also not the most progressive couple; their dynamic is fun to read, but not exactly aspirational. There are some messed up family dynamics as well, but the messiness of the characters is what makes the story work overall. Come for the angst, the improbable rescues, the genuinely gutting war setting, and
A note on the audiobook: I really enjoyed James Langton's narration. Alexander's accent was inexplicably Scottish-ish, but it's probably better than an
Graphic: Death, Sexual content, and War
Minor: Child death and Domestic abuse
awelise's review against another edition
1.5
Graphic: Death, Domestic abuse, Sexual harassment, and War
rylieg3's review against another edition
- Loveable characters? It's complicated
2.0
Graphic: Domestic abuse, Emotional abuse, Misogyny, Rape, Sexual assault, Toxic relationship, and Violence