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rakizaka's review against another edition
dark
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
ending felt rushed
Graphic: Child abuse, Child death, Death, Violence, Blood, Suicide attempt, and Murder
Moderate: Fatphobia, Sexism, Transphobia, Xenophobia, Grief, Pregnancy, Alcohol, and Injury/Injury detail
Minor: Alcoholism, Eating disorder, Racial slurs, Sexual content, and Medical content
nelleaalto's review against another edition
challenging
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Child abuse and Child death
Moderate: Racial slurs and Racism
Minor: Domestic abuse, Rape, and Sexual violence
writtenontheflyleaves's review against another edition
dark
mysterious
reflective
sad
tense
slow-paced
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Lullaby by Leïla Slimani 🔪
🌟🌟🌟
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I finished this one before work this morning - overall a quick and engaging read but not one that fully captivated me!
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🔪 The plot: Louise has always seemed like the perfect nanny. She is quiet and efficient and transforms the lives of the families she works for for the better - until the day that she snaps and brutally murders the two children in her care. The novel assembles a fractured picture of the events leading up to the murders; of Louise herself, her employers, and the people drifting on the outskirts of the tragedy, trying to understand what happened.
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I’m usually a big fan of a mystery told backwards. It’s fun to know the destination but have no idea how you got there, and Lullaby is exceptional in its unravelling of the psychological webs that are woven between the characters. But what undoes this story for me is its ending. It took me by surprise how quickly it seemed to wrap up, and although I love some poignant ambiguity at the end of my novels, I don’t feel like the reader gets a satisfying answer for what drives Louise to such an atrocity. My lasting impression is of a sort of amorphous bleakness - it’s moving in its own way, but not especially satisfying.
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That said, there were lots of things I thought were masterful here. Slimani is completely unflinching in her portrayal of the power dynamics between employer and employee: the parents’ simultaneous admiration of Louise and their bourgeois disdain for her. There’s something sickening about all of the characters, but they all provoke pathos too, which is a really engaging thing for a thriller like this to do.
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👩👧👦 Read it if you like character-driven novels that are a bit on the dark side, and aren’t averse to some real open endings.
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🚫 Avoid it if you like your thrillers to be pacey and have a killer ending (no pun intended).
🌟🌟🌟
-
I finished this one before work this morning - overall a quick and engaging read but not one that fully captivated me!
-
🔪 The plot: Louise has always seemed like the perfect nanny. She is quiet and efficient and transforms the lives of the families she works for for the better - until the day that she snaps and brutally murders the two children in her care. The novel assembles a fractured picture of the events leading up to the murders; of Louise herself, her employers, and the people drifting on the outskirts of the tragedy, trying to understand what happened.
-
I’m usually a big fan of a mystery told backwards. It’s fun to know the destination but have no idea how you got there, and Lullaby is exceptional in its unravelling of the psychological webs that are woven between the characters. But what undoes this story for me is its ending. It took me by surprise how quickly it seemed to wrap up, and although I love some poignant ambiguity at the end of my novels, I don’t feel like the reader gets a satisfying answer for what drives Louise to such an atrocity. My lasting impression is of a sort of amorphous bleakness - it’s moving in its own way, but not especially satisfying.
-
That said, there were lots of things I thought were masterful here. Slimani is completely unflinching in her portrayal of the power dynamics between employer and employee: the parents’ simultaneous admiration of Louise and their bourgeois disdain for her. There’s something sickening about all of the characters, but they all provoke pathos too, which is a really engaging thing for a thriller like this to do.
-
👩👧👦 Read it if you like character-driven novels that are a bit on the dark side, and aren’t averse to some real open endings.
-
🚫 Avoid it if you like your thrillers to be pacey and have a killer ending (no pun intended).
Graphic: Child death and Violence
Moderate: Mental illness, Blood, and Grief
Minor: Racial slurs, Racism, and Suicide
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