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heather667's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Ableism, Chronic illness, Infidelity, Racism, Vomit, Medical content, and Grief
Moderate: Death, Terminal illness, Death of parent, and War
Minor: Abortion and Pregnancy
caseythereader's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Ableism, Chronic illness, Cursing, Sexual content, Vomit, and Medical content
Moderate: Infidelity, Death of parent, and Alcohol
Minor: Homophobia and Racism
psydneigh's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Ableism, Chronic illness, Infidelity, Death of parent, and Abandonment
marysbookinit's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Ableism, Chronic illness, Infidelity, Sexual content, Vomit, Medical content, Grief, and Death of parent
Moderate: Pregnancy
marisacarpico's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
A lot of telling and not showing to the point that certain emotional stakes or beats are reiterated over and over to the point of frustration. You could cut a hundred pages probably just by trimming paragraphs that tell us what we already know either as set up or summary after a conversation or event.
This is especially prominent for me in the choices Ryan makes about what to relay in detail and what gets summarized in a paragraph or two of description. Ryan writes very good smut, but there were a number of times where she would favor that over what felt like to me the big moments to really convince us of Neevah and Canon’s connection. There’s a scene where they spend some time together on a secret vacation where she mentions that they have a conversation about dreams, life, history, etc. that is just relayed in passing and it made me want to actually read that conversation rather than be told about it. I suppose there’s a lot to buy into their relationship through their heat and their shared views on their work, but there are so many missed opportunities like that feel like a chance to build the romance in a more complete way.
That said, there are instances where Ryan does that really well. The section where they talk about Halle Berry’s Dorothy Dandridge movie thrilled me–not just because I watched that movie a million times as a kid–but because it represents this perfect example of their shared interests, history and goals as artists. Ryan mentions in her end note that a major goal of the book is to highlight the history of black performers who paved the way and were then erased by history and, unfortunately, not every instance is as seamless as that scene. The texture the idea of Dessi Blue adds to the story is really wonderful, but I do think she sacrifices the strength of the personal story she’s telling for that goal in the ending especially.
Despite those critiques, I do think there is so much to like here. I really appreciate that Ryan never falls into the lazy conflicts of so many romances. No contrived miscommunications or misunderstandings here. Neevah and Canon are damaged, but they are adults and she treats them that way. I do think Neevah’s conflict with her sis ther is too childish for too long simply because she makes a big plot move to resolve it in the final chapters, but it diminishes Neevah in the long run. I will also admit Canon perhaps reads a bit too perfect in his reaction to suddenly being in love with someone who is chronically ill. I suppose we are assuming he’s dealt with the trauma of his mother’s death by then, but perhaps a mention of that work or some scene where he reaches out to someone for emotional support would make him a more complete person.
The thing I like most about this, and unreservedly so, is the way these characters do, in their building blocks, feel so specific and real. So many romances feel the same and this not only delivers two BIPOC leads, but does so in a way that understands their experiences with a depth so many romances with a non-white characters don’t seem to. So many romances veer into tokenism and this never does even when a character gets very little screen time. Like I actually want to hear more about Linh and I’d love to see Ryan pursue the romance she’s possibly setting up for her with Evan.
Overall, I do think I’m really digging into this one because there is so much potential here and I really wish some more fine tuning allowed this to really soar. Ryan is already so good and it feels like she’s only going to get better and better from here.
Graphic: Chronic illness and Racism
Minor: Ableism and Abortion