Reviews with content warning for Infertility - The Light Between Oceans

I think the book had a great set up, and the characters were compelling at first with complicated feelings, motives, and pasts...until second half/last third. A book disappoints me most when the ending is super rushed and doesn't make any sense with where the characters are. The ending was incredibly anticlimactic after an initially fascinating build up.

Spoilers:

After having to give up Lucy, there was no reason to keep Tom and Isabel together. There was irreparable harm done. And if they were married 30 more years, then it would've been nice to see them heal and grow together instead of literally ending it with: "And then Isabel died before Lucy got the chance to see her again, but that's life."

And why didn't we then get to see Hannah grow and heal? Why didn't we get to see Lucy learn to love her birth mother?</spoilers>

I wouldn't recommend this book unless you're content with only 80% of a story.

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abigailnoack's review against another edition

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challenging emotional reflective sad slow-paced

Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

I've owned this book for several years and had gotten to a point where I told myself I had to either read it or get rid of it. And I don't remember exactly why I bought it so long ago, I've never heard a lot about it.
For the most part I liked it. It's a pretty complex story about having the life you want and fighting for what's right. I didn't particularly relate to any of the characters but they were interesting enough to read about it.
I don't know exactly how to feel about it. Really this book isn't my usual type. I don't read much adult fiction (which isn't really the problem here), but it's the kind of story that isn't about the journey, it's about how it all ends up. I wanted to keep reading to find out how everything works out. So it works. It kept me reading. However, I really love feeling engaged through a whole story and want to be satisfied through every page, not just at a just ending.
One little note - It really annoyed me the way that Lucy was written as a young child. I just didn't get the impression that the author had spent much time around children (not to say he hasn't, I have no idea), just the way she talked and interacted with Isabel and Tom felt so unnatural.

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kmc359's review against another edition

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dark emotional hopeful reflective sad slow-paced

Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.25

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chalkletters's review against another edition

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emotional sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

Though there’s not a lighthouse on the cover of The Light Between Oceans, it’s very much a lighthouse book. It might even be the book to kick off the trend of historical lighthouse books, especially as it was made into a film. For this reason, the setting is an automatic win for me. I just love books about lighthouses, and I especially enjoyed seeing Lucy reflect that love right back out of the pages. She calls herself ‘Lulu Lighthouse’, which is adorable, and talks about the light being a star. It even inspired me to make a soundscape.

The Light Between Oceans is a very well-structured book and the story is compelling, especially once M L Stedman gets to the inciting incident which introduces a tension between Tom and Isabel that just keeps winding tighter and tighter until the climax. I would have liked a bit more of the courtroom drama that was hinted at, but there’s enough there to whet the appetite.

The character development is exceptionally well-paced. Just as I had decided I didn’t trust Isabel to do the right thing, M L Stedman inserted a scene to soften her just enough that I was genuinely unsure which way she was going to go. Both times I’ve read this, I’ve cried at the ending, which is heart-wrenching, but not so unjust that it leaves a bad taste in my mouth.

Unfortunately, despite all these good things, I just couldn’t get past the prose. The narrative starts several sections in the present tense, then slips into the past tense in the middle of a paragraph. Since third person past tense is my default for narrative fiction, every time M L Stedman switched back into the present, it brought me out of the story. This happened all the way through and, while I’m sure there was a stylistic justification, I couldn’t track when the different tenses were used. There were issues with the perspective, too, jumping back and forth between characters. Early on, I noticed that we’d jumped from Isabel’s head to somehow knowing how cold Tom felt. I’m not sure if that persisted, perhaps I just stopped noticing it.

The Light Between Oceans is a good book, but I am uniquely qualified to say that it’s not the best lighthouse book available. At least for now, Skylarking by Kate Mildenhall remains my favourite book with a lighthouse on the cover. That said, The Light Between Oceans does give us the perspective of the lighthouse keeper, rather than one of his family, and it gets extra points for that.

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