Reviews with content warning for Suicide - Ihmisen teot

This is not for the faint of heart, with its fairly graphic descriptions of torture and military brutality.

In preparation for my upcoming trip to Korea, I decided to set aside some books on Korean history, fiction, and works written by Korean authors; this one did not disappoint and I was very deeply interested to learn about the Gwangju uprising of 1980. In America, Korean history is something that is only really glossed over in favor of western countries' - except for the Korean War - and I am ashamed to say, as a Korean American, that I have virtually no knowledge of my home country's past. I am hoping to rectify that with reading as much as I can get my hands om, starting with this book.

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eva_vva's review against another edition

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challenging dark emotional reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

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jayisreading's review against another edition

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dark emotional reflective sad medium-paced

4.75

I gave Deborah Smith some flak for her translation of The Vegetarian, and I admit that I entered Human Acts with some wariness (I mean, it didn’t help that the title alone is already a departure from the original title, which translates to The Boy Is Coming). However, unlike The Vegetarian, I found myself drawn into the quiet prose and translation of Human Acts. Perhaps it’s a result of how Kang decided to write the novel that it influenced Smith’s translation, but the writing felt more deliberate in getting the reader to slow down and think about the grief of each narrator across these chapters. As opposed to focusing on the Gwangju Uprising itself, Kang draws attention to the lasting grief and trauma of each narrator. In some ways, I have to admit that I think I actually prefer the title Smith decided to run with: Human Acts. Because, at its core, the novel reflects on the nature of humans and their actions, both violent and vulnerable.

I think some readers may find the different writing styles for each chapter a little off-putting (especially when it enters the second-person perspective), but I found it very effective in establishing the distinct voices of each narrator and how they were processing the shared connection they had across time. It was especially poignant to me that the novel ended with Kang herself as the narrator, who is from Gwangju.

This is definitely a novel I’d like to revisit in the future, perhaps in the original Korean, because I’m sure I will have missed some details. Overall, though, I found that this novel was utterly evocative and, at the time of reading this, timely, considering the ongoing protests and state violence that some protesters have faced.

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frooblie's review against another edition

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dark emotional reflective medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? No

5.0

Sometimes I read books in translation and feel like I’m watching a movie through a foggy window. This isn’t a reflection of the translation, but how much is lost when a story leaves its cultural and historical context. Han Kang isn’t writing for me, overseas, born the year after. There are pieces of the story her audience doesn’t need filled in that I floundered with. But the emotional rawness, the wounds, the loss…that hit me in the heart.

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dreamingpages's review against another edition

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challenging dark emotional sad tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes

4.0

This book is heartbreaking. Check the trigger warnings before reading.

I knew nothing about the Gwangju Uprising or the labor movement in South Korea before reading this book. It was really eye opening to see the hardships South Korea has faced in recent history.

Each chapter of this book takes place from a different character's perspective, each loosely tied to a central character: a boy who was killed during the Uprising. The chapters expand out in time, from 1980 to 2013. Choosing to write the book in this way encapsulates how these events ripple through time and S. Korean society; trauma like this doesn't just go away.

Han Kang examines the sheer staggering human capacity for cruelty and questions the existence of the soul. I cried several times and felt this book in my core.

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emerentina's review against another edition

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challenging dark hopeful informative inspiring reflective sad tense

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Flaws of characters a main focus? Yes

4.25

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georgw's review against another edition

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challenging dark emotional sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.0

It's a well-written novel but it's not my genre. I also think it's a bit weird to mix historical tales of horror and torture with ghost stories and spiritualism. I want to learn more about this event but with the mix of fact and fiction I'd do better just reading Wikipedia.

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