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readingwithkaitlyn's review against another edition
adventurous
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Confinement, Mental illness, Misogyny, Violence, Blood, Grief, Death of parent, Murder, Injury/Injury detail, and Classism
Moderate: Body shaming, Hate crime, Racism, Self harm, Sexual content, Medical content, Stalking, Car accident, Fire/Fire injury, and Alcohol
Minor: Ableism, Bullying, Cancer, Child abuse, Domestic abuse, Drug use, Gun violence, Homophobia, Incest, Slavery, Suicide, Terminal illness, Xenophobia, Medical content, Kidnapping, Murder, and Cultural appropriation
jefferz's review against another edition
dark
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Immersive, atmospheric, imaginative and of course gothic, Alix E. Harrow is an amazing storyteller and it's immediately clear to me why The Starling House has its following. The estate's vivid descriptions and Eden's somber setting set a distinctive scene that envelopes the reader in its quiet and character-focused narrative. The book's is also full of elements that feels specially catered towards millennial/gen z contemporary readers; excessive footnotes (this one peeved me though), heavy emphasis and themes on mental health, stigmatism and judgement against those who are different, cynicism of the American dream/working economy), and several LGBTQ+ characters (though one character's bi/pansexuality feel randomly tossed it and has nothing to do with anything apart from checking genre/bookTok boxes). Despite the cover and synopsis heavily focusing on the title house, the story is mostly a character-driven one focused on the world and people seen through Opal’s eyes as she struggles to make ends meets for her brother Jasper's sake. Unfortunately, this novel lives and dies by Opal's character and both her character and the tone of the story were not for me (subjective opinions, objectively this book is well-written).
The majority of the book heavily hinges on Opal's feeling of being judged, neglected, and a "it's the whole world against me" mentality. At first I found this to be an interesting character read which was enhanced by Harrow's detailed internal character voice and monologues. A good chunk of the story revolves around past memories/events that are triggered by sights or people Opal experiences. There’s countless details of her upbringing, the community, past residents, the world in the Starling House was so well constructed and thought out. Unfortunately, as someone who is not emotionally focused, Opal's character started to try my patience (or perhaps the female-focused rage and petty angst against everyone around her was too much). Written in a first-person present tense, the entire narrative was shaped by her perspective which I wasn’t very fond of, heavily affecting the overall reading experience for me.
Ordinarily it takes more than an abrasive main character to drop a book for me, however Starling House's plot moved very slowly, and I found the core content to be lacking for me. Despite having an imaginative fantasy plot, the actual fantasy elements don't show up until over 2/3 of the way through and nearly the entire first half is completely Opal-focused. Once the actual magical elements and mechanisms of the Starling House/estate are explored, it felt a bit too whimsical and seemingly random. Details involving the mine, the rivers of Eden, the strange supernatural occurrences are explored, but the "why" is mostly left to "it is because it is so". A lot of early details are introduced and hinge on Opal’s favorite childhood book Underland written by Eleanor Starling, however the plot reveals started to feel progressively more out of left field without the proper setup compared to previous clues like the Arthur’s Mom’s letters or the receipts in the library archives. The villains' motives and interest in the Starling House itself are also never fully explained beyond a basic monetary interest which I found to not match the sheer desire and intensity they have for the property (or perhaps these characters were just thinly constructed compared to Opal/Arthur). Upon finishing the book, I felt as if the book's priority was setting/ambiance > character voice > contemporary/bookTok appeal > romance > plot and mystery, in that specific order.
What kept me from DNFing however was Harrow's vivid descriptions of Eden. From the mist to the sepia-stained colors, the town of Eden and the Starling House themselves could be considered characters in and of themselves for how distinctive they feel. The iconic bridge overlooking the river and the smoke-covered sunset skies are visuals that are so dramatic, placing you right in the rural Kentucky forest. I read Starling House via an ebook copy but I would imagine this would make a fantastic audiobook or old-school adapted radioplay. The house is also described in so many more ways than just being eerie or spooky. Harrow’s portrayal of the house is nuanced and varied and the way she describes the house as being alive was great. I recently read Keeper of Enchanted Rooms which was a novel that featured a similar unusual/sentient house; it made me appreciate how skillful and well-executed Starling House was written after seeing how lackluster the concept can potentially be.
Ultimately there were aspects of Starling House that I loved (unfortunately despite Opal rather than because of her) apart from elements that didn’t work for me like they were clearly intended for a contemporary reading audience. In hindsight I feel like this novel perhaps could've worked better as a YA book rather than an adult novel due to the lack of details in the back half of the book and the sparse plot. The romance does have a certain scene that goes a bit beyond the YA but if you swap out two paragraphs, it makes no difference. However, regardless of my distaste for the tone, it's clear that Harrow is an excellent and imaginative writer and the book is objectively well-done. If you're looking for a slow, mildly haunting read with an angsty and abrasive lead (I will say, at least she’s not a boring meek female protag in a weird house), Starling House is a great choice!
The majority of the book heavily hinges on Opal's feeling of being judged, neglected, and a "it's the whole world against me" mentality. At first I found this to be an interesting character read which was enhanced by Harrow's detailed internal character voice and monologues. A good chunk of the story revolves around past memories/events that are triggered by sights or people Opal experiences. There’s countless details of her upbringing, the community, past residents, the world in the Starling House was so well constructed and thought out. Unfortunately, as someone who is not emotionally focused, Opal's character started to try my patience (or perhaps the female-focused rage and petty angst against everyone around her was too much). Written in a first-person present tense, the entire narrative was shaped by her perspective which I wasn’t very fond of, heavily affecting the overall reading experience for me.
Ordinarily it takes more than an abrasive main character to drop a book for me, however Starling House's plot moved very slowly, and I found the core content to be lacking for me. Despite having an imaginative fantasy plot, the actual fantasy elements don't show up until over 2/3 of the way through and nearly the entire first half is completely Opal-focused. Once the actual magical elements and mechanisms of the Starling House/estate are explored, it felt a bit too whimsical and seemingly random. Details involving the mine, the rivers of Eden, the strange supernatural occurrences are explored, but the "why" is mostly left to "it is because it is so". A lot of early details are introduced and hinge on Opal’s favorite childhood book Underland written by Eleanor Starling, however the plot reveals started to feel progressively more out of left field without the proper setup compared to previous clues like the Arthur’s Mom’s letters or the receipts in the library archives. The villains' motives and interest in the Starling House itself are also never fully explained beyond a basic monetary interest which I found to not match the sheer desire and intensity they have for the property (or perhaps these characters were just thinly constructed compared to Opal/Arthur). Upon finishing the book, I felt as if the book's priority was setting/ambiance > character voice > contemporary/bookTok appeal > romance > plot and mystery, in that specific order.
What kept me from DNFing however was Harrow's vivid descriptions of Eden. From the mist to the sepia-stained colors, the town of Eden and the Starling House themselves could be considered characters in and of themselves for how distinctive they feel. The iconic bridge overlooking the river and the smoke-covered sunset skies are visuals that are so dramatic, placing you right in the rural Kentucky forest. I read Starling House via an ebook copy but I would imagine this would make a fantastic audiobook or old-school adapted radioplay. The house is also described in so many more ways than just being eerie or spooky. Harrow’s portrayal of the house is nuanced and varied and the way she describes the house as being alive was great. I recently read Keeper of Enchanted Rooms which was a novel that featured a similar unusual/sentient house; it made me appreciate how skillful and well-executed Starling House was written after seeing how lackluster the concept can potentially be.
Ultimately there were aspects of Starling House that I loved (unfortunately despite Opal rather than because of her) apart from elements that didn’t work for me like they were clearly intended for a contemporary reading audience. In hindsight I feel like this novel perhaps could've worked better as a YA book rather than an adult novel due to the lack of details in the back half of the book and the sparse plot. The romance does have a certain scene that goes a bit beyond the YA but if you swap out two paragraphs, it makes no difference. However, regardless of my distaste for the tone, it's clear that Harrow is an excellent and imaginative writer and the book is objectively well-done. If you're looking for a slow, mildly haunting read with an angsty and abrasive lead (I will say, at least she’s not a boring meek female protag in a weird house), Starling House is a great choice!
Content Warnings
Minor: Classism
echolliot's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death, Racism, Grief, Car accident, Fire/Fire injury, and Classism
Moderate: Alcoholism, Domestic abuse, Drug use, Emotional abuse, and Death of parent
Minor: Incest, Rape, Sexual assault, Suicide attempt, and Gaslighting
embersbooknook's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
This book surprised me in so many ways - as such, hard to get my thoughts wrapped around it. Interesting, thought provoking, and intense. Would recommend to anyone looking for a good gothic read with a gritty, real world feel.
Content Warnings
Graphic: Car accident and Classism
Moderate: Incest, Mental illness, Racial slurs, Racism, Slavery, Violence, Blood, Religious bigotry, Death of parent, Murder, Lesbophobia, Alcohol, and Injury/Injury detail
kelisabeth's review against another edition
adventurous
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Addiction, Animal death, Bullying, Child abuse, Child death, Confinement, Cursing, Death, Domestic abuse, Emotional abuse, Gore, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Racism, Rape, Self harm, Sexism, Sexual content, Slavery, Suicidal thoughts, Blood, Vomit, Medical content, Grief, Car accident, Suicide attempt, Death of parent, Murder, Fire/Fire injury, Gaslighting, Abandonment, Alcohol, Colonisation, Injury/Injury detail, and Classism
anni_banani's review against another edition
adventurous
dark
funny
lighthearted
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Alix E Harrow Fan here so this is a rave and well earned!
Yes girl! This was what i call a well executed book. Harrow not only accomplished what she set out to to but totally surpassed my expectations. If you are like me and have read other Harrow novels you know you are in for a MC who talks back, Kentucky, men with sexy tattoos on their forearms, worlds that bend to magic, generational curses (being broken), and a refresh from sexist tropes in fantasy. On top of all that which I already love, this book was a masterclass in pacing, I never got bored even during rising action or other slower parts of the story. I was thoroughly impressed. Her books always immerse me in the world which I attribute to how Harrow pulls us in by all 5 of our senses; totally enveloped. 5 stars is easy for me
Of course, I was so moved by the emotional message of this book, it brought me back to Ten Thousand Doors of January and The Once and Future Witches. It will keep you on your seat at the end with its twists and then have you chuckle “Oh Alix. I was most surprised by how much I loved the romance and that I was 100% rooting for them. it always impresses me when an author can so completely 180 flip my opinion so sincerely. I also really appreciated not one but both love interests are unattractive characters and have such a compelling love story.
-If you are tired of MCs who are somehow gloriously angelic-ly gorgeous, this is for you.
Other things to love
Yes girl! This was what i call a well executed book. Harrow not only accomplished what she set out to to but totally surpassed my expectations. If you are like me and have read other Harrow novels you know you are in for a MC who talks back, Kentucky, men with sexy tattoos on their forearms, worlds that bend to magic, generational curses (being broken), and a refresh from sexist tropes in fantasy. On top of all that which I already love, this book was a masterclass in pacing, I never got bored even during rising action or other slower parts of the story. I was thoroughly impressed. Her books always immerse me in the world which I attribute to how Harrow pulls us in by all 5 of our senses; totally enveloped. 5 stars is easy for me
Of course, I was so moved by the emotional message of this book, it brought me back to Ten Thousand Doors of January and The Once and Future Witches. It will keep you on your seat at the end with its twists and then have you chuckle “Oh Alix. I was most surprised by how much I loved the romance and that I was 100% rooting for them. it always impresses me when an author can so completely 180 flip my opinion so sincerely. I also really appreciated not one but both love interests are unattractive characters and have such a compelling love story.
-If you are tired of MCs who are somehow gloriously angelic-ly gorgeous, this is for you.
Other things to love
- A grumpy cat
- Homage to creepy children’s lit
- Smashing patriarchy classism
- Reclaiming white washed history
- A fun charming lighthearted and very fast read- not to be taken too seriously
Great if you love fantasy and want a standalone - as with most Alix E Harrow
Cons-
Cons-
- I love Opals arc but yeah she is so stuck in her ways that I barely let it slide. Lots of eye rolls and chuckles at her self sabotage and stubbornness.
- I hold it against opal that her entire motivation in the book, sending jasper to the private school was something completely in the dark from him. I disagree with Harrow to make this choice. The scene where her and jasper finally talk was disappointing on opals half especially. I loved the development for Jasper overall but in this scenes especially. I don’t get why Opal didn’t at least acknowledge and take accountability for sending that Token Brown Kid photo
- Often the commentary on race in this book falls short
Hope you keep writing for a long time Ms Harrow!
Content Warnings
Graphic: Sexism, Blood, Death of parent, and Fire/Fire injury
Moderate: Alcoholism, Racism, Vomit, Grief, Abandonment, and Classism
Minor: Incest and Slavery
kmoz's review against another edition
hopeful
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death of parent
Moderate: Body horror, Cursing, Blood, Car accident, and Classism
Minor: Fire/Fire injury
crushh's review against another edition
dark
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I thought this was a romance, but it's not! It's a fantastic horror.
Content Warnings
Minor: Racism, Self harm, Car accident, Death of parent, and Classism
_david_'s review against another edition
adventurous
dark
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
This book reminds me of Life is Strange 3: True Colors. If you enjoyed either, you will also enjoy the other.
I thoroughly enjoyed the logic used by the characters in the book. If they're acting irrational or making assumptions, they're aware of it and/or it's challenged later on. For a second I thought a cliché (key location hidden in plain sight) would be dragged out, but then a main character just plainly said "of course I already looked there, duh" a few pages later.
I thoroughly enjoyed the story and the house. It reminded me of Encanto's house but in a horror setting. You'll probably enjoy the characters if you like YA's. They have a lot of growth to do with big impacts of their lives. At certain moments, the main character's self-pity annoyed me andshe never seemed to get that it was selfish to push so much of her own identity and values onto her brother . Some of the antagonists are just almost pure evil without nuance, so you'll have to be okay with that.
The big lessons are a bit obvious in the book, but the main character actually points it out and sounds like she needs it, so I don't mind it as much.
A warning to people with trauma related to drowning or corruption (e.g. being blackmailed). Both are big themes in the book.
I thoroughly enjoyed the logic used by the characters in the book. If they're acting irrational or making assumptions, they're aware of it and/or it's challenged later on. For a second I thought a cliché (key location hidden in plain sight) would be dragged out, but then a main character just plainly said "of course I already looked there, duh" a few pages later.
I thoroughly enjoyed the story and the house. It reminded me of Encanto's house but in a horror setting. You'll probably enjoy the characters if you like YA's. They have a lot of growth to do with big impacts of their lives. At certain moments, the main character's self-pity annoyed me and
The big lessons are a bit obvious in the book, but the main character actually points it out and sounds like she needs it, so I don't mind it as much.
A warning to people with trauma related to drowning or corruption (e.g. being blackmailed). Both are big themes in the book.
Content Warnings
Graphic: Cursing, Death, Forced institutionalization, Blood, Police brutality, Grief, Stalking, Car accident, Death of parent, Fire/Fire injury, Gaslighting, Injury/Injury detail, and Classism
Moderate: Addiction, Alcoholism, Body horror, Misogyny, Racism, Suicidal thoughts, Xenophobia, Murder, Abandonment, and Alcohol
Minor: Adult/minor relationship, Child abuse, Incest, and Slavery
Drowning, water Mines, claustrophobia Corruption: blackmailing, bribing, rich people fucking over local area/nature/people for the sake of earning more moneyteajay_'s review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Body horror, Racism, Slavery, Blood, Grief, Death of parent, and Alcohol
Minor: Incest, Sexual content, and Classism