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hjb_128's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Misogyny, Sexism, and Toxic relationship
Moderate: Domestic abuse, Suicidal thoughts, and Terminal illness
Minor: Sexual harassment and Classism
hades_hotline's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.25
Graphic: Misogyny and Sexism
gkcnoble's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
[following her]. Come, come, my little skylark must not droop her wings. What is this! Is my little squirrel out of temper? [Taking out his purse.] Nora, what do you think I have got here?
NORA.
[turning round quickly]. Money!
HELMER.
There you are. [Gives her some money.] Do you think I don’t know what a lot is wanted for housekeeping at Christmas-time?
NORA.
[counting]. Ten shillings—a pound—two pounds! Thank you, thank you, Torvald; that will keep me going for a long time.
HELMER. Indeed it must.
NORA.
Yes, yes, it will. But come here and let me show you what I have bought. And all so cheap! Look, here is a new suit for Ivar, and a sword; and a horse and a trumpet for Bob; and a doll and dolly’s bedstead for Emmy,—they are very plain, but anyway she will soon break them in pieces. And here are dress-lengths and handkerchiefs for the maids; old Anne ought really to have something better.
Pp 6
In A Doll’s House Ibsen explores the complexities of the Victorian era through Torvald and Nora Helmer’s porcelain marriage. Ibsen’s play serves as a brutal metaphor for the fragile nature of the Victorian patriarchal society, highlighting the constraints placed on women's autonomy. Ibsen red-flags the obstacles women face in surviving a legal system that predominantly favours men in areas such as marriage, divorce, financial control, and child custody. Nora, for instance, assumes the role of a brainless, superficial wife to meet her husband's expectations, all the while secretly borrowing money to maintain the family's financial stability. As expected, men are not exempted from the patriarchal belief system, which hinders individuals like Torvald from loving Nora as an equal. He diminishes Nora’s sex, labels her a ‘skylark’, a ‘squirrel’, and ‘sweet little spendthrift’, and then emotionally blackmails her when she points out his flaws. In Torvald’s eyes, Nora is both a pretty doll satisfying his caprices and a nail upholding the androcentric hierarchy. However, by the play's conclusion, Nora outwits Torvald, no longer allowing herself to be subjected to his tyranny.
Ibsen’s play embodies the ‘undomesticated’ spirit of renowned feminist and advocate of women's rights, Mary Wollstonecraft (1792), who once said: "I do not wish women to have power over men; but over themselves."
Graphic: Death, Domestic abuse, Sexism, Toxic relationship, Grief, Gaslighting, and Classism
roxanne_beznosiuk's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Moderate: Misogyny, Suicidal thoughts, Terminal illness, and Toxic relationship
Minor: Sexism, Sexual content, Sexual harassment, and Classism
booksanna's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Sexism and Toxic relationship
katewhite77's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I would not have attempted a play like this were it not for the Audrey guide holding my head throughout and giving me extra context.
Moderate: Sexism, Suicidal thoughts, and Gaslighting
lleer's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Misogyny and Sexism
Moderate: Suicidal thoughts
ashley_1206's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.75
Moderate: Sexism, Suicidal thoughts, and Toxic relationship
theaceofpages's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
Graphic: Mental illness, Misogyny, Sexism, and Toxic relationship
Moderate: Confinement, Domestic abuse, Suicidal thoughts, and Death of parent
Minor: Classism
mixuchi's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Graphic: Misogyny and Sexism
Moderate: Suicidal thoughts
Minor: Death of parent and Abandonment