Reviews tagging 'Medical trauma'

The Kingdom of Copper by S.A. Chakraborty

13 reviews

singalana's review against another edition

Go to review page

adventurous reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.0

Even though I listened to it as an audio, I had to SLOG through this book!

It has been about a year since I listened to the first part of the trilogy. It was a huge mistake to wait that long because I spent about the first 20 % of the book wondering who that character was, what that word meant and what happened in the last book.

After I got over that, the book started dragging for a different reason: NOTHING MEANINGFUL HAPPENS! It feels like there are no stakes, and so much time is spent on describing the most meaningless things. As one reviewer pointed out, everything that the characters try to do is thwarted by someone more powerful. 

About 60 % in, I realized that I do not care about any of these characters. Except maybe for Dara, because he is at least a little bit interesting. There’s no real feeling of danger, and I knew nothing bad would happen to the characters. The main character, Nahri, is insufferably righteous, the same as Ali. As one reviewer put it: 99 % of the characters are magical racists, religious fanatics or war criminals. Not exactly a likeable bunch.

Spoilers!
SpoilerIf I remember correctly, there’s a little bit of romance between Nahri and Dara in the first book, and I started rooting for Dara. In this book, Nahri is forced to marry King Ghassan’s son, and we get to see how evil and manipulative Ghassan is. Dara is brought back to life to serve Manizheh, who plans to oust the Qahtanis and restore Nahid rule to Daevabad. HOWEVER, it turns out that Manizheh is the evil one, and when she and her forces attack Daevabad, ALL of the characters forget what kind of  a**hole Ghassan was, and everyone is very sad that he’s dead. RIP. Nahri is, of course, a smart and spunky heroine and saves the day, yay!
 

But in all seriousness, I could not give a damn about any of these characters, especially since they are all so infuriatingly dramatic all the time. It sucks out any real impact a really dramatic scene should have when the characters are gasping and staring in shock about half of the book. If the author succeeded in something, it was when in the first book, I started to like Dara, even though he is practically a war criminal. Then, in the second book, I’m supposed to root for the Qahtanis, I guess? 

In addition to that, this book is all over the place about the shafit, the “mixed-bloods”, who are part human. The shafit are treated as something to be saved, and when they lash out for being treated like cattle, they are suddenly wild animals.

This book has way too many elements, it’s way too slow, and everything is so damn dramatic all the time. I’m so glad this is over. Let’s see if I pick up the last part of this series in a year or so after I have forgotten how messy and frustrating this was. 

Expand filter menu Content Warnings

meg_leigh's review against another edition

Go to review page

2.0

I so enjoyed this author's Adventures book, and The City of Bronze. But this one was just disappointing.

Every. Single. Character. Is so deeply selfish and unlikeable. And the level of violence against children, the sheer number of children dying, borders on trauma porn.

Half the characters' choices make no sense or have any consistency from page to page. 

I already bought the third book, such was my excitement, so I'll read it and hope this installment was just an unfortunate misstep. 

Expand filter menu Content Warnings

erebus53's review against another edition

Go to review page

adventurous challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Wading back into the fraught and politically interwoven world of the Daeva, could begin to get overwhelming. I was very interested to see what happened to my favourite characters though.

This book finally sees people talking about what happens when the heir to the kingdom, Muntadhir, falls in love with a man art arms. Dammit why can't you all just let them be happy! And wait, in the last book didn't we find out that Jamshid has even more secrets about his person that even he is probably unaware of...? I had to find out more, and I do wish it took less that 20 chapters to unfold! But there is so much to unfold in a place where you arrange marriages for political reasons, and when everyone is lying to each other - things get messy in a great bit hurry.

Meanwhile back in the small desert town of Bir Nabat, the exiled prince finally seems to have stopped getting regular visits from assassins. He's knuckled down in serious service to the community as an irrigator and well builder and is starting to bring prosperity to a place that was dwindling into the dust. Less said about magical water powers the better, but everyone close to him knows that he doesn't come up for air nearly enough to seem.. normal, and he's awfully good at falling asleep in random places and accidentally waking up having "found" a brand new spring. 

And then one of his rich cousins turns up with a year's worth of taxes in cursed salt, that only someone with their bloodline can return to Daevabad, and if it doesn't get there then there might be military retribution so .. he's wrangled back to his home city, consequences be damned.

Seems that everyone is preparing for the biggest festival in decades, and also that everyone who ever wanted to attack anyone is waiting for that time to do all their "plans".

Nahri petitions her father-in-law Ghassan, to bankroll a rebuild of the hospital her people once used, and to be able to treat the half-blood Shafit there as well as anybody else.  She and Ali are working to try and patch up relations within the city, but their idealism can only get people so far..

Civil unrest is at an all time high, and meanwhile, plotting in the background Manizheh has her own plans, and central to them is re-re-resurrecting Darayavahoush. Again. Poor b*stard. We get to find a bit more about the history and magic of the land, the nature of Ifrits and the Marid.

Oooh this gets messy. I'm not a super fan of battles, but I do like big reveals. It's tense and frustrating when you have enough information to cobble together what's going on, but the characters haven't been told yet. Why do revolutions have to be so messy!!? That poor library. That tower... hey people were using that! I might ned a bit of a break before I delve into future volumes.

Expand filter menu Content Warnings

ariel790's review against another edition

Go to review page

adventurous emotional slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Set 5 years after the events of the first, Nahri is subjugated to deal with the politics of Davabad in order to survive. 

Book 2 is more about the ins and outs between royalty. Brothers torn between their father, Nahri pulled between them, the king, queen, and people of her heritage. 

Compared to the first, the authors writing has matured. Conversations between characters have a better flow, descriptions of settings, objects have more details. I feel she really captured the essence of sibling rivalry. However, due to the change of focus, the pacing is a lot slower. It isn't until about 70% in where everything comes together and the action hits. Makes for a different, yet complimentary story. The 1st still my favorite of the two, but 2 was still exciting and has me wanting to read the 3rd.

Expand filter menu Content Warnings

brynalexa's review against another edition

Go to review page

adventurous dark emotional tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

5.0

I was consistently shocked through the  entire book. The story never goes where you’re expecting it to. Somehow a cast of treacherous characters making terrible decisions works. Brilliant. 

Expand filter menu Content Warnings

nabecker13's review against another edition

Go to review page

  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0


Expand filter menu Content Warnings

laurenkimoto's review against another edition

Go to review page

adventurous dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Spoilerwow I’ve been reading too much contemporary romance that I forgot that high fantasy has themes and/or acts of genocide</>spoiler 

Expand filter menu Content Warnings

tinybluepixel's review against another edition

Go to review page

adventurous dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


Expand filter menu Content Warnings

claudiamacpherson's review against another edition

Go to review page

adventurous emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


Expand filter menu Content Warnings

just_one_more_paige's review against another edition

Go to review page

adventurous emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

 
It has been, embarrassingly, years since I read City of Brass. In my defense, this book wasn't published yet, at the time, for me to have continued with the series then (though I do remember wishing it was). Anyways, as with The Poppy War series, I waited wayyyy too long between the first and second books (I had to find more than one summary/review, outside of my own, to read and recap so I remembered enough of the characters and details to feel ready to continue). But, silver lining (in both cases actually), the third and final book has also been published now, so I can jump right to it! And let me tell you, I plan to do just that. 
 
While the novel starts with a short intro that gives some small insight into the immediate aftermath of the events of book one (Nahri's marriage, Dara's death, Ali's banishment), it jumps very quickly to "five years later." Nahri is doing her best to survive her life at court, basically confined to her healing rooms both physically and in action/attention, without any of the allies that made her first days in court bearable, trapped and powerless within the city and palace that are hers by right. Ali managed to survive a brutal introduction to the arid lands of his ancestors, as well as a slew of assassins, and has made a sort of life for himself, leaning into (while keeping very secret) the water-based gifts given to him by the marid. Dara was brought back from the dead (again) by a very unexpected hand, to help train and lead a force (of partially dubious provenance) with the goal of returning Daevabad's riginaly rulers to their rightful place. These three storylines unfold simultaneously, and slowly in convergence, against a complex political/religious/personal backdrop, coming to a head with violent consequences as a once-per-century djinn celebration kicks off. 
 
Well, if I finished the first book thinking that Chakraborty was a star with world-building, I am finishing this second book convinced that very few are as good as she is. The setting is so alive. Daevabad itself remains as vivid and gilded as before, but with 600 more pages of layered history, descriptions, and interactions of the peoples. Plus, we get additional "outside the city" perspectives and growth more here as well, with Ali's time in Am Gezira and his mother's home (Ta Ntry) and tribe (the Ayaanle). As a major part of this spectacular world-building, I must mention the complex and detailed political (and religious, though mostly in overlap) maneuvering/machinations/plotting/scheming. There is so much “trading decency for a throne” …or power in these pages. You can, quite simply, lose yourself in it. But like, in the best way. With this comes some very deep familial cruelty and misguided loyalty that is heartbreaking to read at times. We always hurt the ones we love the most, when threatened. And so many times here, acting to protect someone you love, especially by withholding truth/information, ends up doing more harm than good. Thematically tough, but so real. Overall, just some of the most lush world-building I've ever read. 
 
Character-wise, I have only similar praise to give. Nahri, Ali and Dara all benefit greatly, in terms of depth, throughout this novel. And I remain very into the way they subvert what the normal love triangle looks like. There is additional attention paid to side characters, originals like Muntadhir and Zaynad and Hatset and Jamshid and Kaveh, but also some newly introduced ones like Aqisa, the ifrit, some shafit, and a few others that I won't necessarily name, in order to avoid spoilers. I loved it all. And I have to say, I was least into Nahri's development, honestly. I wanted her to be...more. But I guess I understand her constraints, she did stay consistent with her goal of saving lives (any lives), and she did have a few breakout moments towards the end, so I am hoping that the final book does her arc a little more justice.  
 
As far as the plot is concerned, I almost have to say that, at least for the first like two thirds of the novel, there wasn't one. Now, don't get me wrong, I was deeply invested in the development of place and character, and the build-up of it all, because I knew something was coming. There was a deep feeling of unrest, almost anticipatory uneasiness, both in the story/characters and within myself as a reader. And I loved the way that feeling escalated as we got closer and closer to what I just knew was impending doom. However, outside that feeling, very little actually happened...so I would caution you to be sure that's the type of book you are in the mood for, before picking this one up. However, of note, when the action began, with about a quarter of the book left (ish), things got real. The pacing, with perspectives jumping from Dara to Ali to Nahri with perfect timing, was phenomenal. Edge of one's seat type reading. Worth the wait in the build-up for sure. And with the cliffs that each of our main characters end on (plus, some additional "characters to watch," including both of Ali's siblings, Zaynab and Muntadhir, as well as Jamshid and Aqisa), I am quite ready to pick up the final installation, and watch the ending unfold, as soon as possible.  
 
Chakraborty puts a deep focus on uncovering/unveiling the truth of history and the stories that are now accepted as truth, despite what the reality actually was, for reasons of maintaining power or avoiding guilt. She really demonstrates how only with the correct information can current consequences of violent/unfair history be rectified. Because after generations and centuries of curses and revenges and betrayals and death, how else (better than the endless examples of how those who are oppressed and given no other option/recourse will rise up with violence, without mercy) can people(s) overcome a legacy like that? (Ummmm, sound familiar to present day much? I think big yes.) 
 
With captivating storytelling, intricate political and locational detail, discerning character development, and well-paced (when it arrives) action, Chakraborty transports the reader on a fantastic Middle Eastern history and culture inspired journey. It's a mythical, magical and entirely absorbing adventure. I cannot wait to see how it ends! 
 
“People do not thrive under tyrants, Alizayd; they do not come up with innovations when they're busy trying to stay alive, or offer creative ideas when error is punished…” 
 
“You don’t need to be a weapon to be an asset.”   
 
“I’m tired of everyone in this city feeding on vengeance. I'm tired of teaching our children to hate and fear other children because their parents are our enemies. And I'm sick and tired of acting like the only way to save our people is to cut down all who might oppose us, as if our enemies won't return the favor the instant power shifts.” (Basically, sums up all of Ali/Dara/Nahri's vibes in this book.) 

Expand filter menu Content Warnings