Reviews tagging 'Medical content'

A Clockwork Orange by Anthony Burgess

22 reviews

sweetchocolatez's review against another edition

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dark reflective sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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odreadingtime's review against another edition

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adventurous dark medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0


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kingspite618's review

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challenging dark reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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mossbird's review against another edition

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challenging dark reflective sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

There's so much to say about A Clockwork Orange, I'm not entirely sure where to start.

I'll preface this review with the following: I've never seen the film and have limited exposure to Kubrick's works in general so I went into this novel relatively blind. I'd only heard of the film by name with no real explanation as to what it was about, making my first experience with Burgess' work a standout and leads me solidly into the camp of wishing the final chapter had been included in the film.

A Clockwork Orange is, at its core, a story about morality. We begin the novel with our protagonist, Alex, and his gang of lackies. Immediately from the jump, you're completely immersed in their world as Burgess spares no moment to explain anything from the setting to the distinct dialect we see used throughout the book's pages. To say I found it a touch hard to follow in the beginning would be an understatement. This, however, ended up adding to my overall takeaway from the novella. Bear with me, we'll get there. Spoilers to follow.

The story follows Alex, beginning our tale when he's the humble age of 15 and ending shortly after his 18th birthday. Throughout the course of its first chapters, the reader very quickly gains the understanding that Alex is not a good person. There are explicit, once you understand the dialect, depictions of murder, rape, and violence in general and Burgess makes no attempt to make you feel any amount of pity. It's explicitly clear that not only does Alex do these things of his own volition, he genuinely enjoys them too. The novella is written as though Alex himself is writing it, he refers to himself as "Your Humble Narrator" throughout the length of its pages, making the experience feel almost autobiographical in a way as if he takes pleasure in detailing his crimes.

This all changes however when Alex is arrested for the murder of an elderly woman and it is here that Burgess' delicate dance with morality begins. We see a short bit of Alex's time in prison, generally with the theme that he'll serve his years and then get back to how his life was before, though he exhibits a newfound enjoyment for the Bible and religion during his time behind bars. Burgess truly begins to challenge the reader's moral compass when Alex is taken into a State Center for Prison Reform.

There is really only one way I could describe Alex's 'treatment' in guise of reform. Alex is tortured and Burgess lays all out to bear. The question then becomes this. Does Alex's former involvement and perpetration of objectively heinous crimes entitle him to a fortnight of psychological torture? Does the perpetration of a crime warrant the criminal to undergo treatment of debatably the same severity? Why is this torture sanctioned and encouraged? Is it moral to sanction psychological torture if the outcome is a reformed criminal? Does it not just strip the individual of independent thought? Does the repentance of a murderer retain any meaning if the repentance is brought on by repeated Pavlovian conditioning and not the perpetrator's free thought?

Burgess continues to explore this as we follow Alex after his release, his 'reform' having been deemed successful. We see him return home only to find a stranger in his place next to his parents, the welcome he was expecting turned cold and unaccepting in reality. We follow Alex next as he revisits many of the places he and his cronies frequented in the book's opening pages, culminating ultimately in his brutalization and abandonment by his former 'friend' and former enemy. It is here Alex returns to a very prominent place in his story: the home of a man whose wife he brutally attacked and gang raped years ago which led to her untimely death.

At first, the man, a writer of a novel of the same name as the one I review now, doesn't recognize Alex and instead takes him in under a guise of kindness with the plan of using Alex and his story as a political pawn. And he does just that, handing our protagonist off to three of his colleagues just as he begins to realize Alex's true identity. It is with these three colleagues that Alex's mistreatment continues, culminating in the youth's attempted suicide. After a short stay in the hospital, Alex is released once again with the assurances of safety from the very people who initiated his first bout of torture in the name of 'reform'.

Unfortunately for them, Alex's suicide attempt seems to have undone a majority of the classical conditioning embedded into his psyche with much of his bloodlust and love for violence returning as he lays in his hospital bed. What we see now though, as Alex leaves the hospital, is a brief return to his former criminal compulsions before we see a genuine change in our protagonist. The final chapter of the novel, omitted from the film, shows us that, despite all he's undergone, Alex has grown. He longs for a family, specifically a son, and we end the novel with a final farewell from our leading man.


TL;DR: The ending of A Clockwork Orange is one that left me deeply contemplative and to say it didn't affect me would be a lie. Burgess' entrancing playfulness with language and the detailed horrific mistreatment undergone by his protagonist provides a haunting dichotomy that lingers with the reader as they near its final pages and leaves them pondering many sociological ideas, truly exploring the limits of human morality and what it means to make a choice.

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theodoreeeeeeads's review

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adventurous challenging dark emotional funny mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

What a horrorshow vetsch. Lots ittying on with krovvy scenes and gullivers spinning physically and metaphorically, I defo smecked a malenky whilst viddying the pages. A tolchock in the yarbles when it got intense but I do recommend it to all the lewdies!! (this is what the whole book is like hehehe)

Now returning from the Nadsat language to English, wowowoeeee what a book, well-written, thought provoking, funny at moments and with a fantastic plot. The story poses lots of moral dilemmas and philosophical questions.

It’s terrifically dark, the phrase “ultra-violence”, as used many times in reference to gang activities, is very accurate. 

Easy to read classic (except the whole new language lol). Would massively recommend. 

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pssworded's review against another edition

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challenging dark reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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cjfooks's review against another edition

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

You know what, I actually enjoyed this. I got to say - I wasn’t expecting to.
It was one of those books I wanted to read to say I’d read it and to watch the movie, which I know is a cult classic (although tbh I don’t feel the need now). The only other thing I knew about it going in, was that it was very graphically violent - and wow it definitely is, but not in the way you’d expect
Firstly, the first part is quite confusing because by this point, not only are you still trying to understand the book’s world and meet characters, but the language is actually its own unique dialect of English. 
They mention it at some point, but it’s the young people slang of this fictional world and includes a lot of Russian-derived words in place of English ones. This means most commonly used nouns and verbs are totally incoherent at the start. But towards the middle and end I actually really enjoyed this part of it and now, after reading, sort of miss listening to it, in the way you might miss hearing an Irishmen speak after visiting Ireland for a week. 
I’m also really glad I read it  for the first time as an audiobook for this reason - I think I understood it quicker and better this way. 
When it comes to all the violence though, it’s dampened considerably by the language factor in a very clever way, never using the words like ‘r*pe’, ‘screaming/crying’ or ‘bl**d’ instead ‘the ol’ in-out-in-out’, ‘screeching’ and ‘krovvy’. Between this and the matter-of-a-fact narration about atrocities from Alex (the main character) i think the point here is to try and make the reader read in Alex’s detached perspective, instead of their own. 
The language does change throughout the book and, man the way it’s written is so a unique, that I can’t help but respect the heck out of it (which is also why I don’t think the movie could ever do it justice). 
Once Alex goes through ‘rehab’, the language he hears and starts using, changes to the ‘ugly’ words we’re used to (I.e. r*pe, etc.) and, this, combined with Alex’s correlated nausea, makes the impact of the violence that much stronger.
In terms of plot, it’s heavily a character development, rather than plot. And seems to be making some sort of a point but I’ll admit - I still don’t really get it.
To me overall, it’s a cleverly written story about morality, cruelty, karma and a very clever use of language. 
I wasn’t expecting to say I’d read this again but I think I would - and would recommend it in certain cases - but only for horror fans (though I wouldn’t actually call this horror) who can stomach a lot of violence in books. 

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supremedemon's review against another edition

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adventurous dark reflective tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25

A disturbing story. The 21st chapter (omitted in some publications) is a must and ties the book together. Uses a lot of Russian-based slang, so it's easier to read if you know some Russian. 

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georgwithey's review against another edition

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challenging dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25

A difficult read at first but a classic nonetheless.

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rissasreading's review against another edition

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challenging dark emotional funny fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

Reading this was a trip lol. I've seen the movie adaptation of this quite a few times and I've always enjoyed it (minus that one scene I fast forward through) so I was excited to read the book. Surprisingly the adaptation was pretty truthful and honest to the source.

I could picture the characters and the scenes from the movie while reading this, plus the way it was written really felt like you were in his head / he was talking to you directly. Highly enjoyable read.

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