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unwisely's review against another edition
3.0
So I complained that the protagonist was sort of a jackass in the last book, and he was good for about 10 pages (stating that he made the girl the HR chick so she could recruit and train and go in the field). And then without seeming to even think about it, he does a fairly horrible backstabby maneuver on his relationship. Like, seriously, why did you do that?
And the plot gets more implausible and convoluted. It's usually enough to carry you along in its wake even though it doesn't make any d***** sense if you think about it, but, man, try not to think. Also, did I mention that the main guy is sort of worthless?
I finished it. I'm not sure I can finish this series, though.
And the plot gets more implausible and convoluted. It's usually enough to carry you along in its wake even though it doesn't make any d***** sense if you think about it, but, man, try not to think. Also, did I mention that the main guy is sort of worthless?
I finished it. I'm not sure I can finish this series, though.
sbwright's review against another edition
5.0
We pick up the story from the end of the first novel. Steven de Selby is the newly appointed (if that's the right word) Death for the Australian region.
He's put off a regional apocalypse but Mortmax Australia is in a bit of a shambles, and so is de Selby. The Stirrer god is coming, Steve is hitting the bottle, testing the strength of his relationship with his newly resurrected girlfriend and despite having the powers of a Regional Manager someone is still trying to kill him.
Not to mention he's trying to organise a Death Moot.
What I liked
This book is perfectly paced and as good an execution of a second book as as your likely to find. You could read this book without having read Death most Definite, or indeed if you can't quite remember what happened(I read them within a week of each other). It can become tiresome when an author has to recount the story of the first or preceding book, but Jamieson manages well the weaving of major action and plot points of the first novel into the telling of this tale.
Managing Death also gives us more information of the workings of the Orcus and the Mechanics of the Underworld. Jameison's vision is distinctly refreshing while having solid ties to the familiar cultural mythology surrounding Death and the Underworld.
There is a lot more action in Managing Death and it slips further away from black humor and urban fantasy and into horror. I think by the final book it will be mayhem and death with a capital D.
Final thoughts
If you liked or enjoyed Death most Definite, I think you would be doing yourself a disserice not to read Managing Death. The humor is diminished and we can begin to feel the ominous approach of a climactic battle in the final book but it's still the reluctant hero de Selby, handling things in a uniquely Australian fashion.
This book was supplied at no cost to myself by Orbit Australia.
madlovenovelist's review against another edition
3.0
Dude has more than nine lives !
After being so excited over the debut of this series, I picked up the next in the franchise with eager hands… Trent Jamieson’s novel approach to the Grim Reaper with this urban fantasy set in the streets of Brisbane, Australia; saw Steven De Selby once again face enemies gunning to knock him off his throne as a General Manager in the Death Business.
While ‘Managing Death’ wasn't as good as the first book, it maintained all the elements I enjoyed in ‘Death Most Definite’ except for the romance between Steven and Lissa. Their relationship is still in the forefront of the story line, but had lack-luster shine in comparison to the first book in the series. I liked the edgy, snarky thing they had going with an undercurrent of true passion – it didn’t have that same feel in this novel. I guess because there was just so much going on. Talk about action and politics… we had it in spades. I’m not alluding world politics, I’m talking Death politics… and that’s a whole other ballgame; and it has to be read to be believed.
With Jamieson’s writing style, it was graphically and gloriously colorful as always, however the exposition dragged in parts. Also it felt like there was a lot of repetition in the narrative in rehashing history or facts... once is enough! (But many sequels suffer this fate, but it was a little too much for me.)
The build-up felt slower, despite there being a lot of action (I blame the unnecessary rehashing). I nearly got fed up with it, but the story managed to keep my interest with its twists and turns.
Still loving the mythology, as I did with the first novel. You get more in ‘Managing Death,’ and deeper into the story behind Death and its origins, plus heaps more of the fantasy aspect. Totally enrapturing.
The climax nearly blew me away, and it’s certainly a compelling reading. I was twitching and tense (and one scene with a razor left me green to the gills - look out for that one).
I have mixed feelings about the next book, I am pining for the tone set out in the first book. Initially the Deathworks series was meant to be a trilogy, but have since found out number 4 is already published and Trent is hard at work on installments 5 & 6… so let’s see where it leads us. I’ve yet to get copies of the next book(s) but will read and review as soon as I do.
Not the outstanding follow-up I was hoping for, but one Hell of a story! (Pun intended) And I can see it’s setting things up for a much more interesting plot… dun, dun, duuuuuuhh!
After being so excited over the debut of this series, I picked up the next in the franchise with eager hands… Trent Jamieson’s novel approach to the Grim Reaper with this urban fantasy set in the streets of Brisbane, Australia; saw Steven De Selby once again face enemies gunning to knock him off his throne as a General Manager in the Death Business.
While ‘Managing Death’ wasn't as good as the first book, it maintained all the elements I enjoyed in ‘Death Most Definite’ except for the romance between Steven and Lissa. Their relationship is still in the forefront of the story line, but had lack-luster shine in comparison to the first book in the series. I liked the edgy, snarky thing they had going with an undercurrent of true passion – it didn’t have that same feel in this novel. I guess because there was just so much going on. Talk about action and politics… we had it in spades. I’m not alluding world politics, I’m talking Death politics… and that’s a whole other ballgame; and it has to be read to be believed.
With Jamieson’s writing style, it was graphically and gloriously colorful as always, however the exposition dragged in parts. Also it felt like there was a lot of repetition in the narrative in rehashing history or facts... once is enough! (But many sequels suffer this fate, but it was a little too much for me.)
The build-up felt slower, despite there being a lot of action (I blame the unnecessary rehashing). I nearly got fed up with it, but the story managed to keep my interest with its twists and turns.
Still loving the mythology, as I did with the first novel. You get more in ‘Managing Death,’ and deeper into the story behind Death and its origins, plus heaps more of the fantasy aspect. Totally enrapturing.
The climax nearly blew me away, and it’s certainly a compelling reading. I was twitching and tense (and one scene with a razor left me green to the gills - look out for that one).
I have mixed feelings about the next book, I am pining for the tone set out in the first book. Initially the Deathworks series was meant to be a trilogy, but have since found out number 4 is already published and Trent is hard at work on installments 5 & 6… so let’s see where it leads us. I’ve yet to get copies of the next book(s) but will read and review as soon as I do.
Not the outstanding follow-up I was hoping for, but one Hell of a story! (Pun intended) And I can see it’s setting things up for a much more interesting plot… dun, dun, duuuuuuhh!
bexmontgomery's review against another edition
4.0
Harry Potter for Grown-Ups Has Arrived!
The Short of It
The unendingly creative, and hilarious Jamieson brings us the second book in his Death Works series. Fantastic and fun, Managing Death feels a bit like reading Harry Potter for Grownups, while riding Mr. Toad's Wild Ride, and listening to Aerosmith (maybe just a little drunk on booze). The writing is superb, featuring tight plots, boundless imagination and witty charm. He gives us sterling characters woven through a wonder of new mythologies, which they navigate with perfect pacing. The book manages to be at times funny, at times scary and over-all profound. He counts among a handful of living fantasy writers who can juggle all that so well.
The Review
I have to confess...I've pretty much stayed away from books that hint that they may involve rituals, demonic gods or blood lust. Why? It's simple. I scare really, really easily. I'm afraid of the stuff seeping into my dreams and taking over. I honestly got creeped out by The Hobbit when I read it in Jr. High, just for an example of how very wussy I really am.
But, in this case the publisher's description seemed too delicious to pass up, and I decided if the book was half as entertaining as the potential the concept offered, I'd chance a few nightmares. After all, surviving Mockingjay relatively unscathed, (ha!) I'm kinda feeling like I can take on the world. So yes, I took a chance on this book on the strength of the publisher's description alone. I knew nothing about the series or the author, but a quick Googling, (google-ing? Am I making up words again? Yes.) took me to his entertaining website complete with funny you-tube vids where he talks to himself whilst shamelessly plugging the book. Encouraged, I dove in.
I'm so glad I did.
Oh, and before we start - let me clear something up; No demons in the book. Not a one. Some other scary fantastical characters...yes, but nothing I would consider truly demonic.
The Concept
The whole idea of Death being managed in modern times by a multi-national conglomerate was genius. It takes the back-stabbing of office politics to a whole new level. One of the most fun things about the book was that I never knew who to trust. And Steven de Selby, our main character who is finding his feet in his new position as Regional Death for Australia, is just as unsure.
“So I rule the land and the sea around Australia as Death, because once there were warriors and they killed Death itself.”
“No, you cannot kill Death, only shape it’s form. And no, you do not rule the sea.”
Harry Potter for Grownups? Really?
Really. I was in a state of childlike wonder reading most of the book at not only the humor with which it was told, but the sheer magic of the thing. Self-healing buildings and magical powers aside, The whole underworld and death mythology that Jamieson has created is so well-built up, so layered, so deep. He takes us to an entirely new, incredibly creative world in which nothing is quite what you expect. He takes known mythologies like the character of Death and the classical underworld concept and bends and twists them in the most fascinating ways. His writing also reminded me a bit of Neil Gaiman, especially his Anansi Boys for the dark, timeless myth. Throw in some Zombies, more than a little magic and a stellar cast of characters and you've got something really great.
Bedtime Stories?
Err...No. It is indeed something I would consider an adult book. I do think it’s a touch too scary for the younger set. There’s a bit of adult humor and language, which serve to really hammer in the humanity of the main character. It’s also on the gorier side of my reading list. Without giving away too much about the book, I’ll just say that it does contain a fair amount of blood. But one of the things I appreciated about it is that it didn’t feel at all gratuitous. It was mostly essential to the storyline, to the job description, to the pain & growth of the characters. I never felt like it was just there for shock value. There are, though some very creative ways that people manage to die in this book. We’ll just leave it at that. The twelve-year-old me would have had plenty of nightmares.
“Sometimes I would like a job that involved less stabbing.”
Scones in Brisbane
Most of the characters in this book were so well-developed. I know it was a sequel so a few of them carry over from the first book, but there were plenty of new additions, and each one was interesting, complex and intriguing. I especially liked some of the more fantastic creatures that he created like the fatally flawed Aunt Neti, spidery guardian of the Underworld, who bakes the best damn scones around. I also enjoyed the morally ambiguous other RM’s who made up the Orcus. Trying to figure out what they were after was great fun. They all pulled at my imagination.
I would have liked to have seen a bit more from the love interest Lissa in this book, because I felt I didn’t get to know her that well...but I suppose that is my fault for not having read the first book, where I get the idea she has more than her share of page-space.
The setting of this story was fun for me too. Not only have I never been to Brisbane, I’ve never read a single book set there. (Crazy!) So, it was fun for me to get to know a bit about that city (and the Underworld below)
The Series
I was slightly afraid I would be lost in this book, by once again jumping in mid-series. I wasn't. Simply because Jamieson writes a series as a series truly should be, each book is capable of standing alone, and yet together they form an epic arc. Having finished Managing Death, I can't wait to get my hands on Death Most Definite, the first book in the series and am happily awaiting the September US release of The Business of Death (book #3). I'd still suggest reading them in order, simply because some of the necessary back story that seeps into Managing, gives away what are I'm sure major plot points of Definite.
The Author
Even though this is only his second novel, Trent Jamieson is hardly new to this fiction thing. He has published over 60 short stories in the past decade, 2 of which were winners of Aurealis Awards. (No, not from us silly!) He also works as a bookseller, fiction editor and creative writing teacher. Now, why am I telling you all of this? Because it absolutely shows. The writing is mad good. It comes across the work of a seasoned pro.
Cover Story: B
The good news is: I just received confirmation from the author that the cover on display on Goodreads and Amazon is wrong. The correct US cover is {{the alternate showing as a foreign here on GR}} Although I do like this version better, I still want something a bit more from a book that’s hitting Best Urban Fantasy lists left and right. Still, it’s kinda growing on me, especially alongside the cover for the first book. It's also the kind of cover you really need to see close up for the detail. Check out the author's website for a closeup view.
Okay, that’s more than enough from me on the subject. Go. Read the book, and I'd love to know what you think of it.
Review Copy Provided Courtesy of Publisher (Orbit) (via NetGalley)
This review originally appeared on Aurelia (http://aurelmedia.wordpress.com) Jan 7, 2011.
The Short of It
The unendingly creative, and hilarious Jamieson brings us the second book in his Death Works series. Fantastic and fun, Managing Death feels a bit like reading Harry Potter for Grownups, while riding Mr. Toad's Wild Ride, and listening to Aerosmith (maybe just a little drunk on booze). The writing is superb, featuring tight plots, boundless imagination and witty charm. He gives us sterling characters woven through a wonder of new mythologies, which they navigate with perfect pacing. The book manages to be at times funny, at times scary and over-all profound. He counts among a handful of living fantasy writers who can juggle all that so well.
The Review
I have to confess...I've pretty much stayed away from books that hint that they may involve rituals, demonic gods or blood lust. Why? It's simple. I scare really, really easily. I'm afraid of the stuff seeping into my dreams and taking over. I honestly got creeped out by The Hobbit when I read it in Jr. High, just for an example of how very wussy I really am.
But, in this case the publisher's description seemed too delicious to pass up, and I decided if the book was half as entertaining as the potential the concept offered, I'd chance a few nightmares. After all, surviving Mockingjay relatively unscathed, (ha!) I'm kinda feeling like I can take on the world. So yes, I took a chance on this book on the strength of the publisher's description alone. I knew nothing about the series or the author, but a quick Googling, (google-ing? Am I making up words again? Yes.) took me to his entertaining website complete with funny you-tube vids where he talks to himself whilst shamelessly plugging the book. Encouraged, I dove in.
I'm so glad I did.
Oh, and before we start - let me clear something up; No demons in the book. Not a one. Some other scary fantastical characters...yes, but nothing I would consider truly demonic.
The Concept
The whole idea of Death being managed in modern times by a multi-national conglomerate was genius. It takes the back-stabbing of office politics to a whole new level. One of the most fun things about the book was that I never knew who to trust. And Steven de Selby, our main character who is finding his feet in his new position as Regional Death for Australia, is just as unsure.
“So I rule the land and the sea around Australia as Death, because once there were warriors and they killed Death itself.”
“No, you cannot kill Death, only shape it’s form. And no, you do not rule the sea.”
Harry Potter for Grownups? Really?
Really. I was in a state of childlike wonder reading most of the book at not only the humor with which it was told, but the sheer magic of the thing. Self-healing buildings and magical powers aside, The whole underworld and death mythology that Jamieson has created is so well-built up, so layered, so deep. He takes us to an entirely new, incredibly creative world in which nothing is quite what you expect. He takes known mythologies like the character of Death and the classical underworld concept and bends and twists them in the most fascinating ways. His writing also reminded me a bit of Neil Gaiman, especially his Anansi Boys for the dark, timeless myth. Throw in some Zombies, more than a little magic and a stellar cast of characters and you've got something really great.
Bedtime Stories?
Err...No. It is indeed something I would consider an adult book. I do think it’s a touch too scary for the younger set. There’s a bit of adult humor and language, which serve to really hammer in the humanity of the main character. It’s also on the gorier side of my reading list. Without giving away too much about the book, I’ll just say that it does contain a fair amount of blood. But one of the things I appreciated about it is that it didn’t feel at all gratuitous. It was mostly essential to the storyline, to the job description, to the pain & growth of the characters. I never felt like it was just there for shock value. There are, though some very creative ways that people manage to die in this book. We’ll just leave it at that. The twelve-year-old me would have had plenty of nightmares.
“Sometimes I would like a job that involved less stabbing.”
Scones in Brisbane
Most of the characters in this book were so well-developed. I know it was a sequel so a few of them carry over from the first book, but there were plenty of new additions, and each one was interesting, complex and intriguing. I especially liked some of the more fantastic creatures that he created like the fatally flawed Aunt Neti, spidery guardian of the Underworld, who bakes the best damn scones around. I also enjoyed the morally ambiguous other RM’s who made up the Orcus. Trying to figure out what they were after was great fun. They all pulled at my imagination.
I would have liked to have seen a bit more from the love interest Lissa in this book, because I felt I didn’t get to know her that well...but I suppose that is my fault for not having read the first book, where I get the idea she has more than her share of page-space.
The setting of this story was fun for me too. Not only have I never been to Brisbane, I’ve never read a single book set there. (Crazy!) So, it was fun for me to get to know a bit about that city (and the Underworld below)
The Series
I was slightly afraid I would be lost in this book, by once again jumping in mid-series. I wasn't. Simply because Jamieson writes a series as a series truly should be, each book is capable of standing alone, and yet together they form an epic arc. Having finished Managing Death, I can't wait to get my hands on Death Most Definite, the first book in the series and am happily awaiting the September US release of The Business of Death (book #3). I'd still suggest reading them in order, simply because some of the necessary back story that seeps into Managing, gives away what are I'm sure major plot points of Definite.
The Author
Even though this is only his second novel, Trent Jamieson is hardly new to this fiction thing. He has published over 60 short stories in the past decade, 2 of which were winners of Aurealis Awards. (No, not from us silly!) He also works as a bookseller, fiction editor and creative writing teacher. Now, why am I telling you all of this? Because it absolutely shows. The writing is mad good. It comes across the work of a seasoned pro.
Cover Story: B
The good news is: I just received confirmation from the author that the cover on display on Goodreads and Amazon is wrong. The correct US cover is {{the alternate showing as a foreign here on GR}} Although I do like this version better, I still want something a bit more from a book that’s hitting Best Urban Fantasy lists left and right. Still, it’s kinda growing on me, especially alongside the cover for the first book. It's also the kind of cover you really need to see close up for the detail. Check out the author's website for a closeup view.
Okay, that’s more than enough from me on the subject. Go. Read the book, and I'd love to know what you think of it.
Review Copy Provided Courtesy of Publisher (Orbit) (via NetGalley)
This review originally appeared on Aurelia (http://aurelmedia.wordpress.com) Jan 7, 2011.
kaje_harper's review against another edition
4.0
This is the second book in a new urban fantasy series with a fresh trope (psychopomps for the dead, with management infighting, Stirrers who want to take over dead bodies, etc.) The hero and his friends and enemies are engaging characters. The author is not afraid to include big events and changes (characters died right and left in the first one, and came to life -quite a range of surprises.) The main character, Steven, is interesting, unusual in the degree to which he is a slacker and not ready or willing to step up to the plate when he should, but not to where you don't like and sympathize with him. There is a lot of dry humor in the books, interesting creations (a cherub tattoo on the hero's arm that comes independently alive only in the Underworld, for example,) and a plot that will keep you guessing. I didn't get as emotionally engaged in this book as some of my favorite 5-star reads, for some reason, but I found it enjoyable, entertaining, and will read the next one.
melbsreads's review against another edition
4.0
There's a possibility that I did a happy dance in the library when I saw that the sequel to Death Most Definite was finally on the shelf. Steven de Selby is back, only he's not a Pomp any more. Sure, he can still pomp the dead and banish stirrers. But he's now the Australian regional manager. It's just before Christmas, and there's a convention of all 13 regional managers on his turf in less than a week. And there's trouble looming.
I really enjoyed this. It wasn't quite as hectic as the first book, in which Steve is on the run for his life. There was more focus here on the impact that becoming the RM has had on him, and on him learning how to use his new powers. There's the usual blood lettings and dead bodies, but somehow they didn't seem as graphic as in the first book. I'm not sure whether they actually ARE less graphic, or if I've just become complacent about it.
Basically? I can't wait to track down the final book in the series.
I really enjoyed this. It wasn't quite as hectic as the first book, in which Steve is on the run for his life. There was more focus here on the impact that becoming the RM has had on him, and on him learning how to use his new powers. There's the usual blood lettings and dead bodies, but somehow they didn't seem as graphic as in the first book. I'm not sure whether they actually ARE less graphic, or if I've just become complacent about it.
Basically? I can't wait to track down the final book in the series.
alanbaxter's review against another edition
4.0
I'm really enjoying this series by Trent Jamieson. This is the second of three and it did have a bit of a middle book feel. For the first two thirds or so I was interested, but not gripped like I had been by the first one. The last third of the book, however, really picked up and interesting stuff happened. I'm really excited now for the last book, with the long arc of the series ramping up to be a very exciting confrontation.
Ideally I'd give this book 3 1/2 stars - being a bit "middle book", it's not really a 4 star in my mind, but it's better than a 3. As the option doesn't exist on Goodreads, I'm giving Jamieson the benefit of the doubt and erring to 4 stars. These books are well worth your time and money.
Ideally I'd give this book 3 1/2 stars - being a bit "middle book", it's not really a 4 star in my mind, but it's better than a 3. As the option doesn't exist on Goodreads, I'm giving Jamieson the benefit of the doubt and erring to 4 stars. These books are well worth your time and money.