Scan barcode
shugentobler's review against another edition
adventurous
challenging
dark
emotional
inspiring
reflective
sad
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Death and Violence
Moderate: War
Minor: Sexual content
love_thy_libra_librarian's review against another edition
challenging
dark
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
4.0
- most compelling intro to a book I've read in a long time
- fucking brilliant afterword that is all the more appreciated after reading Afrofuturism: A History of Black Futures
- the juxtapositions and complications of one's relationship to time(s) is very well handled
Content Warnings
Graphic: Racism, Violence, Grief, Murder, and War
Moderate: Suicidal thoughts and Suicide attempt
archaicrobin's review against another edition
challenging
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
An intricate and beautifully written story about a mermaid, called Wajinru, that is forced to remember everything for her people. Unable to bear the pain of all these memories alone she flees and finds solace in a two-legs who helps her realize the importance of belonging.
Alot of this story I don’t want to give away because the secrets are revealed as you go through Yetu’s rememberings. While focused on magical elements there is so much more to this novella then that and I highly recommend to anyone looking for something unique, lyrical, and moving.
Alot of this story I don’t want to give away because the secrets are revealed as you go through Yetu’s rememberings. While focused on magical elements there is so much more to this novella then that and I highly recommend to anyone looking for something unique, lyrical, and moving.
Content Warnings
Graphic: Racism, Violence, Colonisation, and War
kanthereader's review against another edition
adventurous
informative
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.0
Content Warnings
Graphic: Grief
Moderate: Animal death, Death, Self harm, Slavery, Blood, Pregnancy, and Abandonment
Minor: Suicide attempt and War
building_a_bookdom's review against another edition
challenging
dark
emotional
hopeful
inspiring
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Animal death, Death, Eating disorder, Genocide, Mental illness, Panic attacks/disorders, Self harm, Slavery, Suicidal thoughts, Violence, Blood, Grief, Suicide attempt, Abandonment, and War
Moderate: Body horror, Child death, Confinement, Emotional abuse, Gore, Mental illness, Panic attacks/disorders, Racism, Death of parent, Murder, Pregnancy, Colonisation, and Injury/Injury detail
pages_and_cacti's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.5
The Deep by Rivers Solomon
Yetu, the Historian for the Wajinru, descendants of pregnant African slave women that were thrown into the ocean by slavers, wants to live a life of freedom from the history she holds for her kind. She must learn that her history is what makes the Wajinru who they are.
My thoughts: I actually enjoyed the story as a whole and the meaning of the importance of one’s history. I love the line, “We cannot understand a people that would willingly choose to cut itself off from its history, no matter what pain it entails”. Our history is who we are and should never be lost. The problem I had with the book, other reviews touted this as an LGBTQ+ book and I am not as convinced. While Yetu and Oora did develop a relationship, Oora was human and Yetu was a “mermaid”. The Wajinru were described as fish, had both sex organs, and also called an “animal” in the writing. This relationship would seem to be more like beastiality than a lesbian relationship. I understand that this is likely not what the writer meant to portray, but it came across that way to me.
Content Warnings
Moderate: Animal cruelty, Animal death, Child abuse, Child death, Death, Genocide, Self harm, Sexual content, Slavery, Suicidal thoughts, Suicide, Vomit, Suicide attempt, Murder, Pregnancy, Cultural appropriation, Abandonment, War, and Injury/Injury detail
chalkletters's review against another edition
challenging
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
Many years ago, after Twilight and Blood and Chocolate ushered YA paranormal romance through its vampire and werewolf phases, somebody in publishing promised me that mermaids would be next. As far as I’m aware, mermaids never hit those heights, but I was very excited to read The Deep, eve thoughts the focus of the novel was on more serious matters than romance.
The Deep’s creatures call themselves wajinru, rather than mermaids, and their origin is the pregnant slaves thrown overboard during the crossings of transatlantic slave ships. They are their own kind of fantasy creature, with their own history, culture and traditions, rather than drawing from existing mermaid folklore. Their struggle to deal with the traumatic memories of their species is obviously a metaphor for handling intergenerational trauma, and different characters deal with it in very different ways: by getting angry, by divorcing themselves from the history, by trying to protect others.
Fittingly, the narrative isn’t strictly linear. While Rivers Solomon writes mostly from Yetu’s perspective, her role as historian means the reader also experiences other lives. Zoti’s memories of the discovery and foundation of wajinru society, and their first encounter with humans, are particularly compelling. Yetu’s conversations with Oori, another human, were similarly well executed.
As is often the case with novellas, the story feels a little unbalanced. Yetu spends a lot of time thinking about the problem of the memories, which is all perfectly paced, and then the solution and ending all turn on a dime without really being given room to breathe. That said, it’s obvious from much earlier what the solution is likely to be, so it doesn’t feel out of place. While it would have been nice for Yetu to be able to brainstorm solutions, it’s thematically appropriate that she had to come to an answer on her own.
The Deep is a painful, hopeful book saying interesting things about truly important topics, and I would definitely recommend it.
Content Warnings
Moderate: Death and Slavery
Minor: Animal cruelty, Animal death, Suicide, Blood, Pregnancy, and War
ahbmacgregor's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Moderate: Slavery, Suicide, Violence, Suicide attempt, Murder, Pregnancy, War, and Injury/Injury detail
angelkisses's review against another edition
challenging
dark
hopeful
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
this is amazing. rivers solomon is 3 for 3 in my books now. their work is absolutely phenomenal. try and go to this experience with as minimal explanation as possible. this novella is an explicitly sapphic, gender/sex diverse (interspecies? kinda?) monster romance a la the shape of you (mermaids<3). While I enjoyed those passages elaborating on Yetu and Ooris budding relationship, the bulk of this story discusses the legacy of slavery and the impact of intergenerational trauma on marginalised communities. There is also a large seed of hope sown throughout this story, much in the same way that hope is weaved throughout Solomon's other work. I am grateful for their perspective on such heavy topics, as they provide a distinct feeling of possibility.
Seriously, no more talking about this book because this review should only be read quickly before any of you reading finally make the push to prioritise this off your TBR!
Seriously, no more talking about this book because this review should only be read quickly before any of you reading finally make the push to prioritise this off your TBR!
Content Warnings
Graphic: Violence and Murder
Moderate: Misogyny, Racism, Slavery, and War
Minor: Genocide
discarded_dust_jacket's review against another edition
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Wow. Ok, let me collect my thoughts.
This story is an incredibly imaginative and deeply moving study of generational trauma, the struggle between the importance of remembering and the need to survive, and the power of community—of a people, as one, sharing the weight of history together, grieving and celebrating together.
And beyond that, I love how this book, like its characters, can’t exist on its own. Solomon openly embraces the direct inspiration that birthed the story’s central mythology: a song of the same name by clipping., who, in turn, acknowledges its origins in the work of Detroit-based musical duo Drexciya.
The afterword puts it beautifully:
This story is an incredibly imaginative and deeply moving study of generational trauma, the struggle between the importance of remembering and the need to survive, and the power of community—of a people, as one, sharing the weight of history together, grieving and celebrating together.
And beyond that, I love how this book, like its characters, can’t exist on its own. Solomon openly embraces the direct inspiration that birthed the story’s central mythology: a song of the same name by clipping., who, in turn, acknowledges its origins in the work of Detroit-based musical duo Drexciya.
The afterword puts it beautifully:
“We prefer to imagine each of these objects as artifacts—as primary sources—each showing a different angle on a world whose nature can never be observed in totality. … Experiencing these works requires labor—something like that of an archaeologist who’s discovered multiple texts about the Drexciyan civilization [the underwater society descended from the children of drowned, pregnant enslaved women that forms this story] and is tasked with assembling a picture of that civilization.”
Content Warnings
Graphic: Death, Gore, Self harm, Slavery, Violence, Blood, Grief, Suicide attempt, and War