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judassilver's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Self harm, Slavery, Grief, and War
Moderate: Child death, Genocide, Suicide attempt, Death of parent, Colonisation, and Injury/Injury detail
Minor: Animal death, Violence, Xenophobia, and Fire/Fire injury
3eggomelet's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Moderate: Death, Racism, Self harm, Violence, and Dysphoria
Minor: Pregnancy and Abandonment
crispr_breadboard's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.25
Truthfully, the afterword made me appreciate the novel more than actually reading it.
Graphic: Slavery
Moderate: Animal death, Suicidal thoughts, Grief, Stalking, Abandonment, and Colonisation
Minor: Self harm, Sexual content, Violence, and Suicide attempt
kirstieanya's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.75
I couldn't put my finger on why until I read another review discussing the writing style. The writing is not varied regarding sentence structure, making it not particularly engaging.
As mentioned, the premise is incredibly strong, poignant, and thought-provoking. I just wish it were written in a slightly more engaging way. I wanted to love this book, but unfortunately, I didn't.
Graphic: Animal death, Child death, Death, Racism, Self harm, Sexual violence, Slavery, Suicidal thoughts, Torture, Blood, Suicide attempt, and Abandonment
gandalf_a's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Genocide, Slavery, Grief, and Pregnancy
Moderate: Mental illness, Panic attacks/disorders, Suicidal thoughts, Toxic relationship, Violence, Suicide attempt, Murder, Abandonment, and War
Minor: Animal death, Child death, Eating disorder, Racism, Self harm, Sexual content, Blood, Fire/Fire injury, and Injury/Injury detail
artemis7's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Slavery
Moderate: Self harm, Suicidal thoughts, and Grief
Minor: Murder
bucketsjen's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Has themes of cultural, generational, and personal trauma, the pain of being the only one who Knows and Understands, and processing/healing to move forward. It's REALLY well done. While the subject matter is heavy, it's managed deftly and the book is surprisingly healing to read.
I really recommend the audiobook for this one. Daveed Diggs does an incredible job, and the work's musical history really lends it to auditory retelling. There's an Afterward by Diggs which was an awesome addition to the story (he's funny and insightful).
Graphic: Slavery and Grief
Moderate: Animal death, Child death, Death, Self harm, Suicidal thoughts, Violence, and Suicide attempt
Animal death, Attempted suicide, Grief, Hallucinations, Slavery (past), Self-harm, Trauma (personal, generational, cultural), violence, references to familial death.ramreadsagain's review against another edition
- Diverse cast of characters? Yes
4.0
My main critique is that I feel it's the wrong length. It should have either been shorter—and just focuson the central plotline—or a bit longer. If it was longer, we could have had more development of the events that happen during a different time in this book and perhaps some more character interactions. My gut feeling though is that it should have been shorter and really pack a quick punch.
Graphic: Slavery and Violence
Moderate: Self harm, Suicide attempt, and Pregnancy
jays_bookshelf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Minor: Self harm
pacifickat's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
However, there was a section toward the middle where
Ultimately this is a story about finding balance, between a traumatic past and a hopeful future, between individual and communal identity, between colonizing forces and indigenous cultures, and between the land and sea itself. It is also about remembering.
"Remember. […] That was all remembering was, prodding them lest they try to move on from things that should not be moved on from. Forgetting is not the same as healing.” - Yetu
"One can only go so long without asking, ‘Who am I? Where do I come from? What does all this mean? What is being? What came before me, and what might come after?’ Without answers there is only a hole, a whole where a history should be that takes the shape of an endless longing. We are cavities.” - Amamba
Yetu bears all of her people’s generational trauma, that is her role as ‘memory keeper’ in a society where long-term memory has largely been erased to give her people the freedom to thrive in the present unhindered by a painful past. She is their matriarch, but she is ill-suited for the role.
"She couldn’t determine which was worse, the pain of the ancestors or the pain of the living. Both fed off her.”
"She learned how to make an inch for herself.”
"She touched each one of them, figuring out how each Wajinru was outside of the oneness the remembrance brought. That mattered. Who each of them was mattered as much as who all of them were together.”
"They could bear it all together.”
It is also a story about the function of memory in culture-making and identity.
In the afterward, The Deep is described as “a game of cumulative telephone.” The concept began as a song and was adapted over time by different musical groups until this novelization was produced.
“Each new telling of The Deep has been productive rather than destructive, and each new iteration has been carried out with admiration for the previous, […] happily taking on adaptations of each new interpreter into the future.”
This is a wonderful description of culture-making, the turning of ‘I’ into ‘we’, of carrying our stories, traumas, and longings together, erasing loneliness in the context of a communal tribe. It is forming collective memory, adapting a shared history into a cohesive perspective, a meaningful and unifying mythology.
"The living put their own mark on the dead.”
Graphic: Death, Self harm, Sexual content, Slavery, Suicidal thoughts, Toxic relationship, Violence, Blood, Trafficking, Kidnapping, Grief, Suicide attempt, Murder, Pregnancy, Colonisation, War, and Injury/Injury detail
Moderate: Ableism, Animal death, and Fire/Fire injury
drowning, shark attacks, birth, biting, neurodivergence, generational trauma, collective trauma