Reviews tagging 'Self harm'

The Deep by Rivers Solomon

55 reviews

judassilver's review against another edition

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dark emotional hopeful reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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3eggomelet's review against another edition

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adventurous emotional reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

Maybe I can attribute this to the book being hyped up by others, but it was kind of a let-down. I expected more substance or more plot.
The ending felt like the easy way out. I thought Yetu and Oori were going to be together, but Oori being able to physically change so drastically was unbelievable.

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crispr_breadboard's review against another edition

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adventurous inspiring reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.25

I didn’t hate it, but I typically prefer more depth and complexity to plots and characters. The allegorical symbolism didn’t go unnoticed (ie, understanding the complex emotions produced by generational trauma of the oppressed due to white supremacy). I enjoyed the portions that leaned into that message, but looking beyond that I felt the story lacked. Which made it feel simple- more like a grim fable than a novel. Probably intentional, but doesn’t mean I have to like it 😅

Truthfully, the afterword made me appreciate the novel more than actually reading it. 

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kirstieanya's review against another edition

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dark emotional mysterious sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

2.75

This novel has strong thematic ideas and a great general concept, but I found it really difficult to get into (despite its short length).

I couldn't put my finger on why until I read another review discussing the writing style. The writing is not varied regarding sentence structure, making it not particularly engaging.

As mentioned, the premise is incredibly strong, poignant, and thought-provoking. I just wish it were written in a slightly more engaging way. I wanted to love this book, but unfortunately, I didn't.

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gandalf_a's review

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challenging dark emotional hopeful inspiring mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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artemis7's review against another edition

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emotional mysterious reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75


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bucketsjen's review against another edition

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dark emotional inspiring sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

The children of pregnant African women thrown overboard by slavers have adapted to the water and built their own society. They appoint one person every generation to be the Historian that holds all of their memories - but the current historian is struggling as the only person holding the awareness of pain and history. She returns the memories and flees, leaving her people to grapple with their history alone as she tries to find herself... but of course, their unprocessed pain effects everything.  

Has themes of cultural, generational, and personal trauma, the pain of being the only one who Knows and Understands, and processing/healing to move forward.  It's REALLY well done. While the subject matter is heavy, it's managed deftly and the book is surprisingly healing to read.

I really recommend the audiobook for this one. Daveed Diggs does an incredible job, and the work's musical history really lends it to auditory retelling.  There's an Afterward by Diggs which was an awesome addition to the story (he's funny and insightful).
 

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ramreadsagain's review against another edition

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challenging dark emotional reflective sad fast-paced
  • Diverse cast of characters? Yes

4.0

I really enjoyed this book, it has a fantastic concept and has a lot to say about the dangers of forgetting your past, while also acknowledging the burdens of knowledge and generational trauma. 

My main critique is that I feel it's the wrong length. It should have either been shorter—and just focuson the central plotline—or a bit longer. If it was longer, we could have had more development of the events that happen during a different time in this book and perhaps some more character interactions. My gut feeling though is that it should have been shorter and really pack a quick punch. 

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jays_bookshelf's review against another edition

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adventurous challenging dark emotional hopeful inspiring reflective sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0


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pacifickat's review against another edition

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adventurous dark emotional hopeful informative reflective sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

This was a wonderfully original fantasy novella with excellent world building, a unique culture, and themes of collective memory and belonging in tension with the main character's desire for self-determination and autonomy. It is also set against the horror of the trans-Atlantic slave trade and the cruel deaths of so many abducted Africans at sea. The Wajinru, children of African pregnant mothers thrown overboard by cruel captors and transformed into merpeople, have a history marked by tremendous grief. What I liked best about the storytelling was the lyrical style employed when describing the Wajinru in the first half of the story, and again toward the end. As a chorus, their voice is stunningly rendered.

However, there was a section toward the middle where
Yetu, the main character and ‘memory keeper’ for her people, is separated from the rest of her culture. This was less interesting to me in terms of style, but necessary for the plot of the story. Yetu longs for self-determination, individual freedom, and to be an ‘I’ in a culture of ‘we’. It is her voice that annoyed me a bit, the inclusion of details about her romantic inclinations and sexual preferences as well as her personal curiosity regarding biological distinctions between humans and merpeople. I found the unique history and anthropology of the Wajinru far more captivating than the nitty gritty of their biology. Yet Yetu’s individuality is part of the point of the story, that she doesn’t want to be swallowed up and erased in a collective oneness with her people. And what is more individual than that which a person chooses to love, and how they choose to express their affection?
 

Ultimately this is a story about finding balance, between a traumatic past and a hopeful future, between individual and communal identity, between colonizing forces and indigenous cultures, and between the land and sea itself. It is also about remembering.

"Remember. […] That was all remembering was, prodding them lest they try to move on from things that should not be moved on from. Forgetting is not the same as healing.” - Yetu

"One can only go so long without asking, ‘Who am I? Where do I come from? What does all this mean? What is being? What came before me, and what might come after?’ Without answers there is only a hole, a whole where a history should be that takes the shape of an endless longing. We are cavities.” - Amamba

Yetu bears all of her people’s generational trauma, that is her role as ‘memory keeper’ in a society where long-term memory has largely been erased to give her people the freedom to thrive in the present unhindered by a painful past. She is their matriarch, but she is ill-suited for the role.
Out of an instinct for self-preservation, being unable to hold all of her peoples’ pain alone, she ultimately is the one to bring the wisdom of balance to the Wajinru.
 

"She couldn’t determine which was worse, the pain of the ancestors or the pain of the living. Both fed off her.”

"She learned how to make an inch for herself.”

"She touched each one of them, figuring out how each Wajinru was outside of the oneness the remembrance brought. That mattered. Who each of them was mattered as much as who all of them were together.”

"They could bear it all together.”

It is also a story about the function of memory in culture-making and identity. 
One poignant detail is that Yetu and her romantic human interest, Oori, turn out to have come from the same distant ancestors. When Oori’s homeland is swallowed up by the sea, their history washed away, both characters lost something deep and sacred. However, they gained something as well, in the relationship they chose to forge in the present together.
 

In the afterward, The Deep is described as “a game of cumulative telephone.” The concept began as a song and was adapted over time by different musical groups until this novelization was produced.

“Each new telling of The Deep has been productive rather than destructive, and each new iteration has been carried out with admiration for the previous, […] happily taking on adaptations of each new interpreter into the future.”

This is a wonderful description of culture-making, the turning of ‘I’ into ‘we’, of carrying our stories, traumas, and longings together, erasing loneliness in the context of a communal tribe. It is forming collective memory, adapting a shared history into a cohesive perspective, a meaningful and unifying mythology.

"The living put their own mark on the dead.”
 

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