kirstenf's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Colonisation, Death, Blood, and Violence
Moderate: Injury/Injury detail, Domestic abuse, Grief, Emotional abuse, Murder, Classism, Physical abuse, and Slavery
Minor: Bullying, Vomit, War, Fire/Fire injury, Torture, Sexual assault, and Religious bigotry
shannnne_reads_words's review against another edition
- Plot- or character-driven? A mix
- Diverse cast of characters? Yes
3.25
Moderate: Grief, Toxic relationship, Violence, Colonisation, Fire/Fire injury, Blood, Classism, Death, Injury/Injury detail, and War
Minor: Death of parent, Vomit, Child death, Sexual assault, and Animal death
marleywrites's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Grief, War, Death, Animal death, Violence, Colonisation, Blood, and Injury/Injury detail
Moderate: Fire/Fire injury, Police brutality, Vomit, Torture, and Murder
Minor: Sexual harassment
Description of decomposing bodiescampisforever's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
5 word description: Lush. Gorgeous. Moving. Poignant. Inspiring.
This is such a lovely book with complex, dynamic characters. Ibrahim's skill with feelings, inspiring us to feel differently about different characters over the course of the story, is simply breathtaking! The story hits the major question at the heart of something like Black Panther--about isolation and solidarity. It marks the difference between an anti/decolonial narrative mediated by a white gaze versus one that isn't.
Graphic: Classism, Colonisation, Death, Grief, Violence, Animal death, Xenophobia, Police brutality, and Slavery
Moderate: Blood, Trafficking, Confinement, Fire/Fire injury, Injury/Injury detail, Racism, Medical content, Murder, Sexual assault, and Cultural appropriation
Minor: Torture, War, and Child abuse
All content warnings are in the context of an anticolonial narrative about resistance. It is worth noting that the classism is itself not contained to a colonizer/colonized divide, but a complex discussion of class oppression *within* a colonized society.azrah786's review
4.25
**I was provided with an ARC through Netgalley in exchange for an honest review**
CW: violence, blood, injury, death, animal death, colonisation, war, xenophobia, confinement, torture, slavery, police brutality, physical abuse, emotional abuse, domestic abuse, sexual assault, grief, toxic relationship, vomit
--
An exciting debut, Spice Road is a story exploring themes of family, privilege and colonialism that centres on characters from a hidden magical city venturing outside on a mission to the real world to save one of their own. Don’t you just love it when common tropes are switched up a little?
The leading protagonist Imani is a member of the Shields, a group of warriors who defend Qalia from the monsters and creatures that lurk in the city’s borders with the help of Misra – a magical spice that when infused in tea gives the drinker an affinity over a certain element. Imani’s has an affinity for steel which allows her to have an extraordinary mastery with weapons.
Imani’s elder brother was also an acclaimed Shield but upon being accused of stealing Misra - an act that has brought much shame to their family name - he disappeared and was presumed dead. However, when Imani stumbles upon evidence that her brother could still be alive she is determined to be part of the team sent outside the city walls to retrieve him, both out of love for him and in order to ensure the safety and security of her home from outsiders.
Through Imani’s quest Maiya Ibrahim gives us the lay of the vast Arabian inspired world that she has created, from the magic that these character’s lives are already accustomed to to the unknowns of everything outside of the Swallowing Sands that they come to face.
Magic based around tea will always instantly fascinate this tea lover and pair it with an elemental based power system and I am sold! However, as an already established part of the story I did feel like we didn’t get the full scope of it in this one book. With Imani being the solo POV that we follow throughout this story we mainly get an account of her power over steel – which was so cool, don’t get me wrong – but I’m definitely hoping that we get more extensive details and development of the world’s magic in the books to come.
The plot was without a doubt the strongest part of the story, Ibrahim is a really skilled storyteller. The journey from Qalia into the outside world was brilliantly paced and really well put together and I was immediately hooked in by all the action and the tensions of the mission. Despite the dialogue and inner monologue of the MC making the story feel a little clunky at times, I really enjoyed following Imani’s journey.
She is the impulsive sort, always charging in to do what she wants without much forethought of the consequences and a lot of her development comes down to unlearning her privilege. Of becoming more aware of the world around her and seeing the disparity in both the outside world as well as within her own community.
There was an interesting range of character dynamics and each supporting character informed Imani’s development in a different way. Her relationship with Taha is one of those that people are either going to be on board with or not. I have to say I wasn’t fully on board with the romance side of things but for the most part I enjoyed their back and forth and how it played a part in Imani’s character arc.
Sometimes things happened in the story a little too conveniently for how high the stakes were but all in all I had fun reading this book and I’m excited for more!
Final Rating – 4.25/5 Stars
Graphic: Violence, Injury/Injury detail, Xenophobia, Emotional abuse, Toxic relationship, Death, Animal death, Slavery, Grief, Physical abuse, Police brutality, Blood, Colonisation, Torture, and Confinement
Minor: Vomit and Sexual assault
kingdom_of_bookish_things's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
5.0
I love love loved this book. The worldbuilding, plot and characters, everything was absolutly perfect.
The way the author depicted the arab culture was chefs kiss. If I am not mistaken the specific arab culture in the book is from the levant area, like Syria, Lebanon etc. I will never get over the feeling of seeing my culture and language represented accuratly and with care. The worldbuilding was so imensly developed and well built that I felt as if I had been int the same places that the characters was. The magic system and portrayals of the goverments made so much sense.
Imani, the main charcter was in my opinion very lovabel and changed through the whole story. Her character developed and the way the author portrayed her changing world view was very realistic. I like how visibly her change was throughout the story and how she recognized her flaws and worked on them. She was also so much of a badass and very inspiring.
The way that the plot thickens throughout the story and the plotwists left me at the edge of my seat to the point I couldn't wait to turn the page. I also loved the authors writing style and how alive it made the story feel.
Overall this was definitly one of the best books I have read in a while and definitly will recomend to everyone I know. It also reminded me of Hafzah Faizal's We hunt the flame duology and Sabaa Tahir's An ember in the flame series, which if you haven't read you should definitely read but if you have read them and liked them then you should definitely read this one.
Graphic: Colonisation
Moderate: Grief, Violence, Animal death, Death, and Injury/Injury detail
Minor: War
bookwormbullet's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Moderate: Violence, Injury/Injury detail, and Torture
alyssasaurus's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
The world is fascinating and dark, and the mysteries around how it became what it is kept me guessing throughout. The magic system is unusual. I love the method of attaining magic through tea!
Ibrahim clearly is a talented writer. When she is on point, her prose is lovely and poignant. She doesn’t overdo the language, steering clear of the flowery descriptors often present in epic fantasy stories. The result for me was an easy-to-read book with lots of passages highlighted.
Where this book excelled was in depicting the horrors of oppression and colonization. It’s clear from the beginning Imani is going to need to go through a paradigm shift to succeed on her journey. She has such deep-seeded trust in the messages she has been told her whole life, that she has no idea how others could have a different perspective. Her starting point in the novel promises huge opportunity for her to grapple with privilege and lack, and what happens when the powerful abuse their position. This is the most realistic and insightful conflict in the book. I’d love for people to read it if only to get a compelling perspective of a character interrogating her own beliefs she once thought irrefutable facts.
Where this book faltered for me was in the character development. The characters are oddly changeable…they seem to have a basic defined identity, but the book rushes them through conflict and all the ensuing emotions at an unnatural pace. The result was characters I liked most of the time behaving in completely confusing and nonsensical ways for their circumstances and who they seemed to be. And once you step away from the main cast of travelers, the supporting characters start to feel somewhat thin and left me wanting…Farida in particular felt like a thin copy of an archetype I’ve seen time and again in stories.
I think I will likely read the next one. I hope that the character development and behavior improves as Ibrahim continues to write, because she really has created a vibrant cast of characters. I would like to see them grow and continue on their adventures.
Graphic: Confinement, Animal death, Excrement, Torture, Hate crime, Classism, Death, Drug use, Suicidal thoughts, Xenophobia, Injury/Injury detail, Physical abuse, Sexual assault, Misogyny, Grief, Gaslighting, Islamophobia, Medical content, Colonisation, Violence, Cancer, Genocide, Body horror, Domestic abuse, Vomit, Child death, Emotional abuse, Gore, Child abuse, Police brutality, and Slavery