The design and UX isn't done, Rob and Abbie, okkurrrr! đ
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
The worldbuilding is excellent, working with the characterization to set up a fantasy version of regency England (Avaland), complete with a magic-fueled but no less terrible history with fantasy Ireland (Machland), including calling out this fictional version of the potato blight and contributing policies as genocide. One of the core tensions in the book is that Kit's brother and current regent, Jack, is ignoring the frustrated calls for better treatment and redress of concerns from the Machlish. Niamh is a Machlishwoman, invited to Avaland for her magic and skills as a seamstress. She finds herself falling in love with Kit when she's supposed to be making the clothes for his wedding and the formal appearances leading up to the bit event. Rosa, his betrothed (from what I'm pretty sure is fantasy Catalan or perhaps Spain), is as personally uninterested in the wedding as Kit is, but they are both going through with the political union for the sake of others. This leads to a very fun narrative space where Niamh is trying to navigate her feelings for Kit, but isn't automatically breaking someone else's heart in pursuing her own happiness. The mysterious gossip columnist, on the other hand, keeps having something to say about it, driving the threats of scandal even if the parties directly involved don't see it that way.
I love Kit and Niamh's chemistry. I'm a sucker for most variants of grumpy/sunshine, and especially for brooding (masc) characters who get pulled out of their shell, and this one is excellent. As the story unfolds, Kit's initial combativeness and disdain makes much more sense. I laughed and laughed when I got to the part with the very first item Niamh made for Kit. It's such a fantastic bit of characterization and plot, just the idea of that coat as his first real introduction to her skill in a public-facing setting. They've both become used to putting aside their own wants and needs in order to sacrifice for others, but each of them has been going about it in different ways. Kit has been floundering and frustrated because none of his direct attempts make it through to his brother and he's oscillating between desperately trying and abandoning all hope. Niamh is using up her time and body by being reckless with her energy when she has a hereditary chronic illness which will eventually turn terminal. They've both been trading pieces of themselves to help other people, and their relationship is the first positive and selfish thing either of them has attempted in a long while.Â
I'm very pleased with the ending, it's even better than I could have hoped for and more than any of the characters dared to dream. I'm looking forward to what this author does next.
Moderate: Blood, Homophobia, Bullying, Cursing, Injury/Injury detail, Drug use, Chronic illness, Alcohol, Colonisation, Sexual content, and Xenophobia
Minor: Antisemitism, Drug abuse, Vomit, Death, Grief, Lesbophobia, Alcoholism, Child abuse, Infidelity, Genocide, War, and Death of parent
lastblossom's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
A charming fantasy romance with slow burn and a dash of magic.
Thoughts
This book is like a fairy tale. Usually when I say that, I mean it in the "dark, tragic, unsettling" sort of way, but this time I mean it in the "dreamy, beautiful, hopeful ending" sort of way. You've got your self-sacrificing heroine with a heart a gold and magic in her fingertips, a cranky prince surrounded by a wall of thorns (sometimes literally), and a kingdom in peril. The magic system doesn't get much detail, leaving the reader to have to accept that magic is magic, but the rest of the world building is solid - weighted heavily on real world history, including a frank look at colonization, classism, the fact that LGBT people have existed at every point in history. And yet even with all the weight, it remains a dreamy, sometimes cozy read about a gently blossoming romance between two lonely people.
Thanks to NetGalley and St. Martin's Press for an advance copy. All thoughts in this review are my own!
Graphic: Colonisation and Classism
Moderate: Blood and Death of parent
Minor: Homophobia and War
meganpbell's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Chronic illness
Minor: Violence, Injury/Injury detail, Grief, Alcoholism, Homophobia, Sexual content, Death of parent, Child abuse, Car accident, and War
chronicacademia's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
Moderate: Death, Grief, Ableism, Colonisation, Infidelity, Death of parent, Homophobia, Sexual content, and Terminal illness
mimimac's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
What worked for me in this book was the world building & magic system. I liked the world Allison created, itâs obviously regency influenced and that fully come across in the setting. I really liked the magic systems, linked to the characters emotions (and heritage too) is always interesting to see, but I especially loved Niamhâs magic, maybe because it was more of a developed idea, but something about someone embroidering their emotions onto the fabric and that influencing the wearer or people around them is just so fascinating to me, such a wonderfully unique idea!
What didnât work for me though was plot and characters. There wasnât really a plot, which is fine if you like the characters, but I also didnât really like the characters. I think this is somewhat quite a me problem, but I found them to be one dimensional and annoying. Usually I love a grumpy x sunshine/âenemiesâ to lovers trope, but here it just didnât work for me, really it ended up being more of an âinstaloveâ trope. The twist of the scandal sheet columnist was easy to guess and overall just a predictable story.
There was a lot going on at the beginning of the story and everything towards the end felt rushed and everything fell conveniently into place. I think this is marketed as a YA title too, but for me it read towards the younger end of YA, yet there was also a not fade-to-black scene which I found quite weird to be shoehorned in? It just didnât hit the mark for me.
Thank you to Wednesday Books and Netgalley for the opportunity to review this ARC
Graphic: Homophobia and Alcoholism
annasneddon's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Homophobia