Reviews with content warning for Torture - The Nickel Boys

Having also read Whitehead’s The Underground Railroad, going in I knew it’d be intense, and I knew it’d be worth it.

First, I found the writing style very interesting in The Nickel Boys. Much like the environment and happenings in the book, the writing style was not flowery or flowing. At times it was curt, it was precise, it would cut a sentence into two or three short ones. Very contrary to what I normally read and enjoy, it really made me stop, literally, multiple times to make me focus on the “why” of the styling chosen, which I think made things more impactful for me; at times I even reread to see if there was a hidden meaning of intent. It wasn’t so much that it was difficult or confusing, but more so gave me pause.

The tale itself is sad: full stop. Sure there are moments of positivity, of hope and optimism. But ultimately, it is a tragic, yet necessary, fictional telling of the worst of humanity. And being fiction, it is easy to understand and digest. I will say the ending threw me - I guessed it a bit before the Epilogue, but not early enough that it spoiled anything. And honestly it makes me want to reread it to see if I can pick out the context clues which were sprinkled along the way.

Can definitely understand why this won a Pulitzer. Definitely recommend. I finished it in ~6 hours over two days.

Content Warnings

agavemonster's review against another edition

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dark reflective sad fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

"When he was little, he kept lookout on the dining room of the Richmond Hotel. It had been closed to his race and one day it would open. He waited and waited. In the dark cell, he reconsidered his vigil. The recognition he sought went beyond brown skin—he was looking for someone who looked like him, for someone to claim as kin. For others to claim him as kin, those who saw the same future approaching, slow as it may be and overfond of back roads and secret hardscrabble paths, attuned to the deeper music in the speeches and hand-painted signs of protest. Those ready to commit their weight to the great lever and move the world. They never appeared. In the dining room or anywhere else."

A sober, cynical, heartbreaking work written in the long dark shadow cast by true history. As in the great American novels, each character serves to symbolize a social role or system, but is starkly and truthfully etched in the details of their own specific existence as well. Elwood and Turner could be perceived as ciphers of the two survival strategies of Black Americans pre-civil rights—standing up straight in a shirt and tie to demand your dignity like Elwood's hero MLK, and doing what needs to be done to run the "obstacle course" in which Turner has lived his whole life—but they're also two young boys who are caught in the crosshairs of this Jim Crow-era torture house, and you can't forget it. The daily degradations are inescapable, and the horrors you don't see are sketched in light pencil contour, just enough to wrench your gut as you fill in the rest of the picture. This happens again and again. The intimately depicted evil of the white superintendents and staff runs the gamut from complicity to sadism. "The sons held the old ways close." Griff and Chet's boxing match really killed me. Finally, I should have seen the well-foreshadowed turn near the end, but it still blew me apart: brilliance and tragedy. One of my best books of the year.

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