purechaos's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Hate crime, Racial slurs, Sexism, Xenophobia, Racism, Stalking, Violence, Misogyny, and Police brutality
Moderate: Sexual harassment, Sexual violence, Rape, Sexual content, and Sexual assault
cherrycoloredphoenix's review
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Moderate: Body horror, Sexual violence, and Racism
mags_'s review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Hate crime, Racism, Sexual harassment, Sexual violence, and Sexism
ava_can_read's review
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
it has some pacing issues, it's both to slow and too fast. 'the city unborn' felt like a wholly self-contained story and was a satisfying read. and it had all the exposition needed to carry this premise for a whole series. this book says no actually it's just a prologue. and then the whole book feels like a prologue and exposition dump. it would have left me waiting for more, if the book was better.
however my main gripe is, that for a story that is so heavily about who makes up nyc (and its culture) and, very obviously cares about representation, it is missing jews and trans women. having only one minor jewish character - who is only there to be antisemiticly harrassed and threatened -and no trans femmes is just really fucking disappointing. and inaccurate. Jemisin's New York doesn't need an alien enemy (more on that in a minute), to be a distopia. It already is. A city that is so heavily influenced by jewish people and jewish culture can't be so devoid of jews in it's representatives, without some sort of antisemitic catastrophe happening before the events of the book. similiarly for trans women: all my friends who have lived in, or visited nyc, tell me how different it is compared to the other places they have been. we actually have community there. so much important trans history has happened there. but nyc in this book doesn't have any trans character, besides one british guy who just moved there. to me that kinda implies some really, really bad shit must have happened to make one of the most hypervisible groups of people – who shape so much of what new york is and means to people – completly absent from this narrative.
the next main problem i have is: i don't like the whole white tendrils/the enemy makes you more violent and racist thing. it just doesn't work as an explanation for how people will act as agents of white surpremacy, seemingly on command. taking away their agency by making them influenced by a lovecraftian evil makes it appear as if they wouldn't act exactly the same without it. which, you know, is bad.
i am disappointed because i love genius loci. the world jemisin is building is really awesome. the concepts and ideas are so strong (and cool), but the execution is lacking. one of the reasons i am writing this review, is because over 2 years after reading this book once, i still think about it. i wonder what berlin looks like in it's universe and I have almost written an unhinged fanfic about it before. but everytime i think about this i also remember how disappointing the actual novel was. and until writing this, i forgot it was supposed to be a series, even though it only exists to set up the "great citys series", or whatever.
I'll give it 3 Stars, one for the worldbuilding, one for Bronca and Veneza – who might make me pick up the next books after all – and one for the handful of memorable scenes.
ps: jemisin is still bad at writing trans people. and it's so weird. cos her trans characters feel like real people – and i actually really love Tonkee from broken earth, one of the girls of all time – but then immediatly jemisin uses some tired old trope. it's disappointing.
pps: also i really dislike the thing the primary and manny have? are gonna have? yeah. it feels forced and the power dynamics and selfcesty vibe are a big yikes.
Graphic: Misogyny, Police brutality, Racism, Sexual violence, Antisemitism, Colonisation, and Homophobia
Moderate: Transphobia
voxelbee's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Body horror, Sexual violence, Classism, Sexual assault, Sexism, Racism, Misogyny, Death, Xenophobia, Violence, Hate crime, and Emotional abuse
Minor: Blood, Cancer, Transphobia, Kidnapping, Islamophobia, Antisemitism, Cannibalism, Sexual harassment, Religious bigotry, Racial slurs, Police brutality, Panic attacks/disorders, Colonisation, Injury/Injury detail, and Alcohol
celines_schemes's review
2.75
Graphic: Cursing, Misogyny, Police brutality, Racial slurs, Racism, Violence, and Xenophobia
Moderate: Homophobia and Injury/Injury detail
Minor: Colonisation, Domestic abuse, Lesbophobia, Abortion, Sexual violence, and Rape
skudiklier's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Racism, Violence, Xenophobia, War, Cursing, and Death
Moderate: Abortion, Addiction, Sexual violence, Sexual harassment, Cannibalism, Hate crime, Religious bigotry, Racial slurs, Police brutality, Misogyny, Islamophobia, Homophobia, and Grief
Minor: Sexual content, Ableism, Cancer, Car accident, Colonisation, Kidnapping, Gun violence, and Genocide
zombiezami's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
It was also super intense. The white supremacist groups and individuals mobilized by the enemy hit very close to home. I also observe that the book was clearly in conversation with Lovecraft. The ending was
Spoiler
definitely a deus ex machina, but I still liked it. I just hope there isn’t a contingent trying to have a redemption arc for Aislyn but I mean cmon there probably is one isn’t there.Graphic: Cursing, Death, Hate crime, Homophobia, Islamophobia, Misogyny, Murder, Police brutality, Racial slurs, Racism, Religious bigotry, Antisemitism, Xenophobia, Transphobia, and Body horror
Moderate: Genocide
Minor: Sexual violence, Rape, Ableism, Miscarriage, Abortion, and Slavery
keen's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
As for negatives: sometimes this book got a little too preachy. I will say, I think this may be because the characters of the books are more or less personified concepts, but I don't think that entirely fixes my issue. The issue being that it feels like each character has to preach to the audience about what is good or bad. How calling a woman a "bitch" is sexist, how cutting off a woman is sexist, that racism is bad, that cops are scary, etc. I'm a black trans-masc person and will always appreciate representation, but when the only transgender man in the book is brought in for a few pages, gives some speech about the transphobia he's faced (and later has a small panic that someone found out he's trans), it gets tiring. Sometimes I just want to read a book about diverse characters without needing to be reminded that the world at large hates you.
Secondly, which I can't go into as much detail with, it feels like character development wasn't that focused on in the book. The one who got the most development in my opinion was Staten Island, and unless the sequels expand more on her, she got done the dirtiest. This isn't helped by how sudden the ending is. Everything moves so fast. Conflict sky-rockets, we're thrown into the middle of it, a few pages later, it's over and everything is happy and nice. I suspect this is so the drama the next book brings hits hard, but currently? It's just unsatisfying. I believe a book in a series, or at least the first book of a series, should be strong on its own. It's not fun to read a story, get invested, then be thrown into a brick wall until the author's finishing painting the door, leading into the next story. At least slow me down a little?
Graphic: Panic attacks/disorders, Racial slurs, Racism, Toxic relationship, and Xenophobia
Moderate: Grief, Police brutality, Sexism, Sexual violence, and Suicidal thoughts
Minor: Abortion and Addiction
for_esme_with_love's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Racism, Sexual assault, and Sexual violence
Minor: Car accident, Domestic abuse, Police brutality, Racial slurs, Racism, and Toxic relationship