lorriss's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Abandonment, Animal cruelty, Animal death, Blood, Child abuse, Cursing, Death, Transphobia, Death of parent, Fire/Fire injury, Forced institutionalization, Gore, Grief, Injury/Injury detail, Kidnapping, Racism, Sexual harassment, Sexual content, Toxic friendship, Body horror, Car accident, Confinement, Deadnaming, Misogyny, Murder, Outing, Violence, and War
Moderate: Medical content, Miscarriage, Gaslighting, Racial slurs, Religious bigotry, Vomit, Alcohol, Classism, Colonisation, and Infidelity
Minor: Child death, Excrement, Lesbophobia, Pandemic/Epidemic, Rape, Slavery, Abortion, Domestic abuse, Drug use, Homophobia, Pregnancy, Sexual violence, and Toxic relationship
hematthews's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death of parent, Medical trauma, Outing, Violence, Hate crime, Gaslighting, Transphobia, and Death
Moderate: Blood, Deadnaming, Medical trauma, Alcohol, Fire/Fire injury, Grief, and Car accident
neni's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
1 - The biggest flaw for me was the writing. I'm aware this can be somewhat of a personal preference, but the writing style felt juvenile, empty and overly descriptive. There were often massive chunks of info-dumping about the world-building that could have been introduced in other ways, as well as long descriptions of common place objects/concepts intersperced with unnecessary pop culture references that just added clunk to the flow of the story. This is a great example of "telling, not showing". Everything was told to us in the same tone, so that descriptions of outfit colours and characters emotional status felt like they had the same weight.
2 - I went into this not knowing anything at all about the story, so I was quite surprised by the themes in the second half of the book. Not in a negative way. Trying to be as spoiler free as possible here, I think this was an interesting setting to explore the "arguments" that get thrown around when approaching the subject, and I wish we could have focused more on this instead of trying to do 10 other things with the story and the characters. It felt like the author wanted to cram as much representation and equality issues as possible in there, while also keeping it fun and light, and also dramatic and adventurous at the end. It all just felt shallow and not developed enough. I would have prefered to see Theo's story developed in a more sensible, complex way, instead of having the theme thrust upon the reader out of nowhere and have one of the main characters turn into an obnoxious Disney movie Villain half way through. I think it took away from the emotional connection the reader might have had with the characters, and it all ended up feeling a bit like those run of the mill adventure action movies you go see in the theater and immediatelly forget after. Then again, if you're looking for a fun fast read about LGBTQIA+ witches I suppose this isn't a bad choice.
3 - That ending! Brought the writing down half a point I'm sorry to say. I HATE it when author's do that. Just completely unnecessary, out of the blue, plotwist cliffhanger just so the reader feels compelled to immediately jump into reading the next book. I'm sorry. That's cheap af and I will not be continuing on.
Finally, and this isn't really a criticism, more of a funny observation - after the developments of the second half of the book, I cannot, for the life of me, not picture J.K.Rowling anytime a certain white rich TERF bitch is in a scene and that's kinda funny and probably on purpose lol
Graphic: Forced institutionalization, Gaslighting, Body shaming, Outing, Cursing, Deadnaming, Hate crime, Transphobia, and Kidnapping
Moderate: Animal cruelty
tofi_15's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Death, Deadnaming, Racism, Misogyny, Transphobia, and Murder
Moderate: Racism, Death of parent, Infidelity, Bullying, Car accident, Child abuse, Lesbophobia, and Gaslighting
risaleel's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Death of parent, Outing, Death, Transphobia, Racism, and War
Moderate: Sexism, Toxic friendship, Grief, Toxic relationship, Violence, and Kidnapping
Minor: Drug use, Confinement, Gaslighting, Abandonment, Infidelity, and Kidnapping
lintybird's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Toxic friendship, Outing, Emotional abuse, Violence, Gaslighting, Hate crime, and Transphobia
lacyparrish's review against another edition
4.5
Graphic: Hate crime, Murder, Gaslighting, Transphobia, Confinement, Homophobia, Violence, and War
th18's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.75
- Fast pace and seemed more YA than anything, too many modern references for me personally but each to their own.
- This also felt like the second book of the series at the start there was just so much unexplained things thrown in.
- Whilst the book did deal with modern topics such as race and trans rights, I wish it also talked a bit about harmful beauty standards due to Elle literally hiding her true self from her husband.
- I feel like the amount of swear words was also unnneeded.
- I love the idea of queer witches and empowered modern women but I feel like the talk about adulthood was very bleak
- The writing and worldbuilding also felt quite underdeveloped which was disappointing
- Finally the use of the d slur was completely unneeded
Moderate: Blood, Bullying, Death, Deadnaming, Gaslighting, Classism, Cursing, Car accident, Dysphoria, Fire/Fire injury, Grief, Hate crime, Homophobia, Transphobia, Child abuse, and Alcohol
Minor: Abandonment, Toxic friendship, Racism, Physical abuse, Toxic relationship, Misogyny, Outing, Kidnapping, Self harm, Infidelity, and Abortion
whitedaylilies's review against another edition
5.0
Graphic: Bullying, Transphobia, and Gaslighting
Moderate: Animal death
rorikae's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Niamh, Helena, Elle, Leonie, and Ciara all grew up together as budding witches. As kids they were fast friends but as women in their mid-30s and after the fallout of a war, life has changed for all of them. Helena is head of Her Majesty's Royal Coven, Niamh is a veterinarian living in a small town, Elle is taking care of her two children, and Leonie has started her own coven dedicated to marginalized witches. Ciara is in a coma after the events of the war. When Theo, a teenager with incredible magical power is discovered, Helena fears that they are the prophesized Sullied Child that will destroy the witches. Niamh on the other hand just sees a young child with too much power who has never been shown care in their life. With differing views, tensions begin to rise as they each determine what is the appropriate step forward.
Dawson has written an adult fantasy that is hard to put down while dealing with a number of different subjects. It is clear that this book is in large part inspired by She-Who-Must-Not-Be-Named and her transphobia. Dawson delves into a number of different subjects while creating a cast of characters that it is easy to love. She also does a good job of showcasing how a belief in how things should be can escalate into full bigotry. There is a twist at the end of this first book that makes me excited and terrified for where this story is going next. Dawson's writing is straightforward but the plot and characters made this a story I had a hard time putting down. If you are looking for a fast paced fantasy set in our world and dealing with many of our current issues, 'Her Majesty's Royal Coven' is a great book to pick up.
Graphic: Grief, Kidnapping, Body horror, Car accident, Fire/Fire injury, Animal death, Blood, Death, Gaslighting, Murder, Transphobia, and Toxic friendship
Moderate: War
Minor: Abandonment