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xanderelmore's review against another edition
challenging
dark
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Moderate: Alcoholism, Drug use, Racial slurs, Racism, and Sexual content
thatswhatshanread's review against another edition
informative
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Hmm. This is my first foray into Burroughs’s work and, admittedly, I only read it because of the film adaptation coming out soon. I found it to be a pretty divisive novel in relation to its own characters, with little to no resolution. Which I am quite conflicted about.
This is a novel about the complexity of enduring longing and, at the same time, the simplicity of raw lust.
However, some notes—
Queer is a vast commentary on the queer scene of 1950s Mexico City, with strong emphasis on the different “classes” of queerness. Vague expatriate Lee’s attention to subtlety when discussing it aloud to someone he’s interested in (Allerton) vs his physical desires perhaps is quite obvious. The younger, more handsome Allerton is very aloof, whether by design or creation, which frustrates Lee as much as it fuels his need to be around Allerton, to capture Allerton’s gaze. Lee is a lonely extrovert seeking refuge in various rendezvous when what he desperately needs—what he finds hard to comprehend in what he wants from Allerton—in all actuality, is someone who is consistent in his affections and everyday company and will do what he asks. Allerton, meanwhile, could take him or leave him, though Lee does provide him with a sort of strange companionship he never completely disregards.
The admittance of anything is avoided outright, emotions squandered under the masculine idealisms of the times. Lee represses parts of himself that Allerton would possibly see as weak, whereas Allerton suppresses parts of himself which Lee desires. They are constantly at odds with the other even when they are under some agreement, a rather daunting dynamic that’s never really fully formed.
Lee is judgy and needy but wants to appear as a very nonchalant traveler. Except he is a drug user intent on finding some sort-of unknown stability within the unstable of another country. I found his character to be very closed-minded and biased in spite of his apparent need for universal validation, and ultimately his sexuality.
Allerton, on the other hand, is hard to define. He goes along with ideas and plans until he doesn’t, his emotional intelligence waning more often than not; however, he does have some clear lines of limitations. Though they are not always consistent.
Lee definitely takes advantage of Allerton, but then again Allerton also takes advantage of Lee; just in different ways. If Lee really is a direct reflection of Burroughs, it says a lot about his assertive nature that often seems to blur the lines when it comes to defining consensual.
The writing drew me in easily and kept me reading at a quick pace, but the story left me with many questions and concerns, especially for the real life counterparts. I don’t know what to think about Burroughs and his alternate persona, but I am excited for Luca Gaudagnino’s take on it and for the movie to expand more on nearly every point.
TL; DR situationships are probably never the answer to any of life’s questions!!
This is a novel about the complexity of enduring longing and, at the same time, the simplicity of raw lust.
However, some notes—
Queer is a vast commentary on the queer scene of 1950s Mexico City, with strong emphasis on the different “classes” of queerness. Vague expatriate Lee’s attention to subtlety when discussing it aloud to someone he’s interested in (Allerton) vs his physical desires perhaps is quite obvious. The younger, more handsome Allerton is very aloof, whether by design or creation, which frustrates Lee as much as it fuels his need to be around Allerton, to capture Allerton’s gaze. Lee is a lonely extrovert seeking refuge in various rendezvous when what he desperately needs—what he finds hard to comprehend in what he wants from Allerton—in all actuality, is someone who is consistent in his affections and everyday company and will do what he asks. Allerton, meanwhile, could take him or leave him, though Lee does provide him with a sort of strange companionship he never completely disregards.
The admittance of anything is avoided outright, emotions squandered under the masculine idealisms of the times. Lee represses parts of himself that Allerton would possibly see as weak, whereas Allerton suppresses parts of himself which Lee desires. They are constantly at odds with the other even when they are under some agreement, a rather daunting dynamic that’s never really fully formed.
Lee is judgy and needy but wants to appear as a very nonchalant traveler. Except he is a drug user intent on finding some sort-of unknown stability within the unstable of another country. I found his character to be very closed-minded and biased in spite of his apparent need for universal validation, and ultimately his sexuality.
Allerton, on the other hand, is hard to define. He goes along with ideas and plans until he doesn’t, his emotional intelligence waning more often than not; however, he does have some clear lines of limitations. Though they are not always consistent.
Lee definitely takes advantage of Allerton, but then again Allerton also takes advantage of Lee; just in different ways. If Lee really is a direct reflection of Burroughs, it says a lot about his assertive nature that often seems to blur the lines when it comes to defining consensual.
The writing drew me in easily and kept me reading at a quick pace, but the story left me with many questions and concerns, especially for the real life counterparts. I don’t know what to think about Burroughs and his alternate persona, but I am excited for Luca Gaudagnino’s take on it and for the movie to expand more on nearly every point.
TL; DR situationships are probably never the answer to any of life’s questions!!
Content Warnings
Graphic: Addiction, Alcoholism, Drug abuse, Drug use, Infidelity, Panic attacks/disorders, Toxic relationship, Cultural appropriation, and Alcohol
Moderate: Cursing, Emotional abuse, Homophobia, Racism, Sexual content, Abandonment, Sexual harassment, Colonisation, Classism, and Deportation
Minor: Adult/minor relationship, Hate crime, Pedophilia, Racial slurs, Rape, Violence, Grief, War, and Injury/Injury detail
the_clueless_tourist's review against another edition
challenging
dark
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Addiction, Alcoholism, Drug abuse, Drug use, Homophobia, Pedophilia, Racism, Cultural appropriation, Toxic friendship, and Alcohol
Moderate: Sexual content
Minor: Antisemitism and Cultural appropriation
avoticat's review against another edition
challenging
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.5
I just don't think Beats style writing is for me. I did not particularly enjoy my reading experience, largely due to the flow of the narrative moreso than the very dislikable main character (the characters can be loathable and it can still be an enjoyable read if well-written). I don't necessarily think the style is bad, just not for me.
Content Warnings
Graphic: Addiction, Drug abuse, Drug use, Emotional abuse, Homophobia, Pedophilia, Racial slurs, Racism, Sexism, Sexual assault, Sexual content, Toxic relationship, Xenophobia, Grief, Stalking, Alcohol, and Sexual harassment
The main character is responsible for most of the content warnings, he's not at all likeable. There is also a degree of financial abuse he holds over his romantic relationship, which feeds into the emotional and sexual manipulation and abuse.earth_to_mars's review against another edition
challenging
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.25
My feelings for Queer are mixed and the only thing saving this book from a one star rating is Burroughs' straightforward and raw writing style. This book suffers severely from being a product of its time and if you are able to push through the obvious orientalism and offensive portrayal of South America, you will be met with a disgusting excuse of a main character.
Speaking of Lee, he is absolutely an unlikeable protagonist, which wouldn't have been an issue (I like BoJack Horseman and Catcher and the Rye) if it weren't for how gross this guy actually is. He is angry, manipulative, narcissistic and downright pathetic. He doesn't do anything redeemable and his constant racist and antisemetic tangents make for a rough read. On top of that, he is constantly trying to get into the pants of a straight man, Allerton (to the point of coercing him into sex to pay for a trip ) and lusts after and abuses young boys in Chapter Nine which almost made me DNF this book if it hadn't been for the fact that I had one chapter left.
If you're expecting a plot, there is no plot, and very little happens and it can feel like a drag.
The only positive I can find in this book is the little bits of theme exploration. The isolation and yearning for human connection as a queer person in a world that has effectively turned its back on you. The despair and pain in those little excerpts make me rate it as high as I did, and maybe had Burroughs focused more on that rather than his obvious biases and worrisome behaviors, this could have been a better book about yearning for human connection.
Speaking of Lee, he is absolutely an unlikeable protagonist, which wouldn't have been an issue (I like BoJack Horseman and Catcher and the Rye) if it weren't for how gross this guy actually is. He is angry, manipulative, narcissistic and downright pathetic. He doesn't do anything redeemable and his constant racist and antisemetic tangents make for a rough read. On top of that, he is constantly trying to get into the pants of a straight man, Allerton (
If you're expecting a plot, there is no plot, and very little happens and it can feel like a drag.
The only positive I can find in this book is the little bits of theme exploration. The isolation and yearning for human connection as a queer person in a world that has effectively turned its back on you. The despair and pain in those little excerpts make me rate it as high as I did, and maybe had Burroughs focused more on that rather than his obvious biases and worrisome behaviors, this could have been a better book about yearning for human connection.
Content Warnings
Graphic: Addiction, Drug use, Racial slurs, and Antisemitism
Moderate: Adult/minor relationship, Cursing, Pedophilia, and Racism
Minor: Gun violence, Hate crime, and Schizophrenia/Psychosis
get_wrecked_mate's review against another edition
dark
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
All the beat lit guys are a circle of bad fucking vibes
Edit: just found out this is matty healy's favorite book and the math is mathing
Edit: just found out this is matty healy's favorite book and the math is mathing
Content Warnings
Graphic: Addiction, Pedophilia, Racism, and Sexual harassment
ethanethan's review against another edition
3.5
Content Warnings
Graphic: Drug abuse, Drug use, Racial slurs, and Racism
Minor: Addiction and Alcohol
marianneiriss's review against another edition
challenging
dark
mysterious
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Addiction, Alcoholism, Cursing, Drug abuse, Drug use, Homophobia, Racial slurs, Racism, Sexual content, Toxic relationship, Xenophobia, and Alcohol
Minor: Ableism, Adult/minor relationship, Gun violence, Hate crime, Pedophilia, Police brutality, Antisemitism, and Schizophrenia/Psychosis
rhii_reading's review against another edition
challenging
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Content Warnings
Graphic: Addiction and Drug use
Moderate: Pedophilia and Racism
h_motionless's review against another edition
adventurous
dark
emotional
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Queer is shockingly risky for its time; it's crass, filthy, offensive, and of course, very queer. However, despite how filthy it is, it's somehow beautiful. It may not be politically correct, but its undoubtedly authentic. Burroughs masters verisimilitude in this novel, and even though not much happens, it still feels engaging. Overall, it feels like the plot of James Baldwin's Giovanni's Room, mixed with the style of Murakami's Hear the Wind Sing and Pinball, 1973, but if Charles Bukowski wrote the whole thing. It's marvellous.
Content Warnings
Graphic: Drug use, Homophobia, and Racial slurs
Moderate: Racism and Xenophobia
Minor: Schizophrenia/Psychosis