Reviews
A Very Murderous Christmas: Ten Classic Crime Stories for the Festive Season by Cecily Gayford
gertrudethemoonstone's review
funny
lighthearted
mysterious
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
charlottesometimes's review against another edition
lighthearted
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
1.75
kitschbitsch's review
dark
funny
mysterious
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
niamhsewell's review
3.25
☃️ The Man with the Sack by Margery Allingham - 4 stars
☃️ The Adventure of the Red Widow by Arthur Conan Doyle - 5 stars
☃️ Camberwell Crackers by Anthony Horowitz - 3 stars
☃️ The Flying Stars by G.K. Chesterton - 3 stars
☃️ A Problem in White by Nicholas Blake - 3 stars
☃️ Loopy by Ruth Rendell - 3 stars
☃️ Morse’s Greatest Mystery by Colin Dexter - 2 stars
☃️ The Jar of Ginger by Gladys Mitchell - 3 stars
☃️ Rumpole and the Old Familiar Faces by John Mortimer - 2 stars
☃️ The Problem of Santa’s Lighthouse by Edward Hoch - 3 stars
helloitslauren_'s review
challenging
dark
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I really enjoyed the short stories; apart from Loopy which I felt wasn't anything to do with Christmas.
bookrobin's review
4.0
Really enjoyable read. The stories gave a nice taster of different classic murder mystery writers styles, I'm definately going to search for more of their work after this.
thecommonswings's review
3.0
A lot more hit and miss than the previous Christmas crime collection, mainly because all three modern attempts at the form are absolute stinkers: Colin Dexter’s central idea here is a great one but the Morse story feels like it’s his notes for a proper tale that he submitted in a panic, with most of the story just a précis; Rendell’s contribution feels like a scanty idea for a Vine novel that she realised would’ve been terrible so instead turns it into a terrible short story instead; Horowitz is the worst, with a thin joke of a story trying desperately to feel like a classic crime story but instead sounding like a jocular uncle laughing in a really strained way at you at a Christmas party to cover the fact he’s going through a bitter divorce (plus a really, really weird joke about Estonians that just dribbles out)
All the others? Absolutely great. Blake’s story is a nice touch with a puzzle for the reader; the Allingham story is a bit more conventional than the one in Murder for Christmas but still allows Campion to shine at his best; the Hoch story threatens to get very, very weird but at the last minute just about saves itself despite a decidedly dodgy motive... it just reminds you that the golden age writers were better at short stories because there was a regular audience to hone your skills with them. That’s pretty much gone now (unlike horror, which has a significantly smaller but still thriving short form world tootling along nicely) and it really tells when the modern writers try and apply it
All the others? Absolutely great. Blake’s story is a nice touch with a puzzle for the reader; the Allingham story is a bit more conventional than the one in Murder for Christmas but still allows Campion to shine at his best; the Hoch story threatens to get very, very weird but at the last minute just about saves itself despite a decidedly dodgy motive... it just reminds you that the golden age writers were better at short stories because there was a regular audience to hone your skills with them. That’s pretty much gone now (unlike horror, which has a significantly smaller but still thriving short form world tootling along nicely) and it really tells when the modern writers try and apply it
holly_mc's review
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.0