Reviews with content warning for Sexism - The Penelopiad

Reviews tagging 'Sexism'

The Penelopiad by Margaret Atwood

34 reviews

umadaurkax's review against another edition

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dark reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.25

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kjm19's review against another edition

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adventurous emotional inspiring reflective medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

3.5

The ending was so good.

Parts of it felt too conversational and contemporary for my liking - but I appreciate this was intentional.

Loved the elements of poetry and stage play writing, it was very impactful in telling different sides of the story. And I enjoyed that Penelope’s prose was diaristic mainly and set in the present.

The last few chapters were very good and I managed to finish them in one sitting after spending a while reading the initial 65% of the book. The whole 12 maids imagery analysis - chefs kiss - and then their never-ending revenge on him in future lives.

‘We’re no more real than money’
‘Pretty maids, all in a row’

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reading__redhead's review against another edition

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adventurous lighthearted relaxing fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

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sburchart's review against another edition

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dark sad fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

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laurenzokro's review against another edition

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informative reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

So much to appreciate and consider about this book. The reinvention of relationships central to the story's telling- Penelope and Odysseus, Penelope and Telemachus, Penelope and her maids - was well done, and effectively demonstrated the value in examining <i> The Odyssey </i> from Penelope's perspective. I thought that Penelope and Telemachus' relationship was particularly fascinating to look at, with Penelope feeling disconnected from her son in many ways due to Odysseus' absence and her inability to protect their home (and his inheritance) from the suitors' pillaging. It makes for an interesting exploration of power, hierarchy, and patriarchy that we don't get from the original.

I also think that the discussion of age was a really interesting angle, one I hadn't taken into consideration when reading/learning about <i> The Odyssey </i> - to look at a few examples, how Penelope was only 15 when she got married to Odysseus, how young the suitors were (relative to her) once they started courting her, and how the maids essentially grew up with Telemachus. All of these instances felt like a true reinvention of the story, and helped put a lot of other aspects into a different context - in particular, one where Odysseus was not a clear-cut hero.

It was also interesting to look at how Atwood depicted the double standards of feminism, showing that even Penelope could be hypocritical / an unreliable narrator - after all, the maids end up distancing themselves from her in the underworld due to her treatment of them when they were being assaulted by the suitors (using them as a way to leverage information), especially ironic when considering how heavily Penelope criticised Helen's use of her sex as power and leverage against others.

Favourite quote: "Ask the Three Sisters, spinning their blood-red mazes / Tangling the lives of men and women together. / Only they know how events might then have been altered. / Only they know our hearts. / From us you will get no answer." (p. 69)

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