Reviews tagging 'Death'

A Lady for a Duke by Alexis Hall

33 reviews

imds's review against another edition

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  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0


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warlocksarecool21's review against another edition

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emotional funny hopeful reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

I thought A Lady for a Duke was a very heartfelt (and queer!) historical romance. What strikes me across all of Alexis Hall’s books is that the characters feel like real people, they have feelings, desires and flaws and you experience all of that with them. Viola and Gracewood were such interesting and dynamic characters and I really enjoyed reading them. I thought Hall did a good job of exploring how PTSD and trauma affect a person, especially in a time period where there wasn’t a term for this condition yet. I also loved how Hall explored how a trans person might live back then, that being trans was just one part of Viola’s story, and that her version of womanhood was never made out to be less than. The romance between Viola and Gracewood was sweet and moving, although I was frustrated with them in the first half of the book, I loved how their relationship progressed and the ending they chose with one another. The only things that didn’t work for me was the pacing felt a little off at times, and I thought the conflict that Viola and Gracewood were working against in the third act was kind of ridiculous but it had its place in the story at the end. (and to anyone worried it’s not a third act break-up! so bless alexis hall for that) Other than I had a great time reading this; and I look forward to more books in this universe (because I definitely saw the seeds planted!) 

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suerte_encantada's review against another edition

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emotional funny lighthearted medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0


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ezwolf's review against another edition

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emotional hopeful reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

5.0

Been non-stop thinking of “How many times must I mourn you?”

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wildatheart1339's review against another edition

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3.75


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shae_purcell's review against another edition

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emotional funny hopeful lighthearted reflective relaxing medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

5.0


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orangewitchling's review against another edition

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emotional inspiring lighthearted reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.5

I really enjoyed the trans perspective on the Victorian romance setting. I think because the Victorian romance plot is so predictable, it was easier to focus on the characters point of view since it was all from a non-heteronormative perspective. Even though, I empathize with the LGBTQ community, I don’t have a grasp on all their struggles, so it was very refreshing to get the trans perspective in a relatable way. on a different note, it was a slow book because and there was a lot of angst at the beginning with plenty of feeling exploration. However, I think that it worked in favor of the character growth and the story. 

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madamenovelist's review against another edition

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adventurous challenging dark emotional funny informative inspiring reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

5.0


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withlivjones's review against another edition

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emotional funny lighthearted slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.25

This was such a sweet and heartfelt read, from the constant tenderness and yearning between the two main characters (some of their moments had me kicking my feet and giggling fr), to the depictions of PTSD, to the colourful side characters (Miranda absolutely stole the show for me). Even the spicy scenes felt tender and surprisingly didn’t make me cringe. And no third act breakup!! Hooray!! I love how Hall’s writing feels like it belongs in a classic novel without it being overly dense and clunky, especially the dialogue which is quick and witty. I kind of wish we had a little more time with Amberglass before the end of the book to really set him up as the villain, but I understand the sequel will focus on him a fair amount which will give his character the chance to be explored in a lot of depth. 

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booksthatburn's review against another edition

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emotional funny hopeful reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

In the two years since Normandy, Viola's best friend, Gracewood, has thought she was dead. In reality, Viola was figuring out how to be herself rather than the boy she was raised to be, and assumed that her best friend would move on with his life when she was no longer in it. Instead, she discovered that in his grief he had turned to drink and laudanum, terrifying his sister and staff with the depths of his despair. 

When Gracewood finally learns that Viola and his best friend are the same being, a new set of complications arise, as the social pressures on the lives of a duke and a lady's companion are deeply felt, and seem inescapable. As a trans person, it's tough to read what seems like transphobia coming from the love interest, even briefly, but the way it's handled and how both characters react to that moment serves to make the story stronger overall. 

I like the care paid to developing Gracewood's relationship with his sister, dealing with the trouble has in relating to a teenage girl when he is a man who was raised to give orders rather than to listen. Viola and Gracewood were both changed by the war, but Gracewood's experiences left him visibly scarred and mentally shaken in ways that affect him on a daily basis. This is handled variously throughout, as Gracewood gradually becomes confident to not accept casual ableism from others, but it takes a while.

I love how Gracewood slowly notices more and more of Viola's wardrobe, appreciate that she designs and sews/embroiders it herself. It's made clear that Viola hasn't had previous sexual experiences because she would have either had to have them as a man (which she was uncomfortable doing, even before figuring out her gender), or would need a partner who was not scared off by her body after meeting her as a woman. The eventual sex scenes with Gracewood are careful and intimate, treading the line between being specific about the logistics involved involved and giving Viola space to be feminine and sexual without triggering dysphoria. More than that, with Gracewood's support as a partner she gets to feel good about her body in a sexual context, that it is a woman's body because it is hers, and not based on whether it aligns with some standard of gender presentation. 

Things I love, in no particular order: Viola's sister-in-law, and her interactions with her nephew; the audiobook narrator's excellent performance; the way the b-plot gradually becomes more important as the initial tension from the social difficulties of Viola and Gracewood's relationship fade in the face of their care for each other.

A LADY FOR A DUKE is self-contained and ends very satisfactorily, but it does appear that a sequel is planned (which I will eagerly await). Everything I could want handled is covered either in detail, or implicitly by the epilogue, which is set several years after the events of the main story. It seems that future books would be unlikely to feature Viola and Gracewood as main characters, but, based on the title of the sequel I think it will involve one of their relatives (which would be great, I'd love to have them play a role again after they were so wonderful here).

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