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terranstorm's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
Moderate: Addiction, Mental illness, Panic attacks/disorders, Kidnapping, Grief, and Dysphoria
Minor: Homophobia, Physical abuse, Transphobia, Vomit, and Lesbophobia
mk_meow's review against another edition
4.0
Graphic: Addiction, Sexual content, and Grief
Moderate: Panic attacks/disorders, Vomit, War, and Injury/Injury detail
Minor: Kidnapping and Abandonment
lipstickitotheman's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Favorite quote: "Lady Marleigh nodded. 'Exactly. Breakfast is the best meal of the day--as it should be, to console one for having to get out of bed.'" I love her.
Graphic: Ableism, Addiction, Alcoholism, Panic attacks/disorders, and Grief
Minor: Child abuse, Deadnaming, Gun violence, Misogyny, Vomit, Kidnapping, War, and Classism
ezwolf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Ableism, Addiction, Mental illness, Misogyny, Sexism, Sexual content, Violence, Kidnapping, Grief, Alcohol, Dysphoria, War, Injury/Injury detail, and Classism
Moderate: Bullying, Gun violence, Transphobia, Vomit, and Lesbophobia
Minor: Deadnaming, Death, Self harm, Sexual assault, Suicidal thoughts, Blood, and Sexual harassment
fionamclary's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I wish we'd gotten a better picture of their friendship pre-Waterloo and how that affects their present relationship. Especially after the first 150 or so pages, it often felt that little would change about the story if they were complete strangers before meeting at Morgancald post-war.
Graphic: Ableism, Addiction, Deadnaming, Drug abuse, and Sexual content
Moderate: Child abuse, Misogyny, Panic attacks/disorders, Sexism, Suicidal thoughts, Violence, Kidnapping, Alcohol, Dysphoria, War, and Injury/Injury detail
Minor: Adult/minor relationship, Cursing, Gun violence, Blood, Vomit, Death of parent, and Classism
shae_purcell's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
5.0
Graphic: Misogyny, Sexism, and Sexual content
Moderate: Ableism, Addiction, Death, Drug abuse, Gun violence, Violence, Vomit, Kidnapping, War, and Injury/Injury detail
Minor: Alcoholism, Animal death, Cursing, Deadnaming, Death, Drug use, Emotional abuse, Physical abuse, Suicidal thoughts, Suicide, Blood, Grief, Medical trauma, Death of parent, Murder, Alcohol, and Dysphoria
PTSD; Misgendering; mentions of drowning, corpsesbooksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
When Gracewood finally learns that Viola and his best friend are the same being, a new set of complications arise, as the social pressures on the lives of a duke and a lady's companion are deeply felt, and seem inescapable. As a trans person, it's tough to read what seems like transphobia coming from the love interest, even briefly, but the way it's handled and how both characters react to that moment serves to make the story stronger overall.
I like the care paid to developing Gracewood's relationship with his sister, dealing with the trouble has in relating to a teenage girl when he is a man who was raised to give orders rather than to listen. Viola and Gracewood were both changed by the war, but Gracewood's experiences left him visibly scarred and mentally shaken in ways that affect him on a daily basis. This is handled variously throughout, as Gracewood gradually becomes confident to not accept casual ableism from others, but it takes a while.
I love how Gracewood slowly notices more and more of Viola's wardrobe, appreciate that she designs and sews/embroiders it herself. It's made clear that Viola hasn't had previous sexual experiences because she would have either had to have them as a man (which she was uncomfortable doing, even before figuring out her gender), or would need a partner who was not scared off by her body after meeting her as a woman. The eventual sex scenes with Gracewood are careful and intimate, treading the line between being specific about the logistics involved involved and giving Viola space to be feminine and sexual without triggering dysphoria. More than that, with Gracewood's support as a partner she gets to feel good about her body in a sexual context, that it is a woman's body because it is hers, and not based on whether it aligns with some standard of gender presentation.
Things I love, in no particular order: Viola's sister-in-law, and her interactions with her nephew; the audiobook narrator's excellent performance; the way the b-plot gradually becomes more important as the initial tension from the social difficulties of Viola and Gracewood's relationship fade in the face of their care for each other.
A LADY FOR A DUKE is self-contained and ends very satisfactorily, but it does appear that a sequel is planned (which I will eagerly await). Everything I could want handled is covered either in detail, or implicitly by the epilogue, which is set several years after the events of the main story. It seems that future books would be unlikely to feature Viola and Gracewood as main characters, but, based on the title of the sequel I think it will involve one of their relatives (which would be great, I'd love to have them play a role again after they were so wonderful here).
Graphic: Sexual content and Grief
Moderate: Ableism, Alcoholism, Bullying, Cursing, Death, Emotional abuse, Gun violence, Panic attacks/disorders, Violence, Vomit, Kidnapping, Alcohol, War, and Classism
Minor: Adult/minor relationship, Child abuse, Deadnaming, Suicidal thoughts, Death of parent, and Sexual harassment
honeycupreads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.0
I did feel like the last 15% or so with the secondary plot line was pretty unnecessary and could’ve been excluded. It was sort of reminiscent of a wattpad plot twist and definitely threw me off, in a bad way, but overall didn’t ruin the story for me.
Moderate: Ableism, Addiction, Deadnaming, Panic attacks/disorders, and Sexual content
Minor: Violence, Vomit, Kidnapping, and War
mobymaize's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Ableism, Addiction, Alcoholism, Body shaming, Bullying, Child abuse, Cursing, Deadnaming, Death, Drug abuse, Drug use, Homophobia, Infidelity, Misogyny, Panic attacks/disorders, Sexism, Sexual content, Suicidal thoughts, Transphobia, Violence, Blood, Vomit, Medical content, Kidnapping, Grief, Medical trauma, Death of parent, Lesbophobia, Outing, Alcohol, Dysphoria, War, Injury/Injury detail, and Classism
Moderate: Gun violence
fran's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
3.75
Graphic: Drug abuse, Suicidal thoughts, Vomit, Death of parent, and War
Moderate: Homophobia, Sexual assault, and Transphobia