Reviews tagging 'Child death'

Desert Creatures by Kay Chronister

3 reviews

asiamd's review

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adventurous challenging dark hopeful mysterious reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.75

I went into this book genuinely not know if I was going to enjoy or not because it’s not something that I would usually read but I’m happy that I moved out my comfort zone for this. The book is like a fever dream that deals with how religion and the supernatural can change people when it’s all they have to believe in, especially when living in an extremely unforgiving world. The changing povs in the book were actually really smooth and it was one of the best things about it. I’ve also been really lucky in reading books that I’ve felt the characters personalities and backstories were so well-done and well thought out and this book didn’t disappoint with that. For example, everything we learn about the world they live in and the people they’ve become is fed to us that is in pace with the story and I really enjoyed it! While saying all that it is kind of a heavy read due to the SA, violence, and cruelty that’s depicted but PLEASE give this book a chance I promise you’ll enjoy it!!

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erinmjustice's review

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adventurous challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? It's complicated

5.0


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kiacat's review

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adventurous emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

‘Desert Creatures’ is, at its heart, a coming of age story that explores the lengths people will go, both physically and mentally, to survive, and the toll that such desperation takes on a young mind. 

The characters are significantly more the focus of the story than the plot events. Chronister did do a nice job of weaving the threads of the plot together in the end, however. Very little actually happens over the course of the story from an action standpoint, but the depth of the leads makes up for this. 

Magdala is an excellent main character. She is not your standard teenage end-of-days heroine gifted with assassin-like combat prowess — in the beginning, her plans are half-cocked, her gun is unloaded, and she has irrational moments of emotional typical of a girl her age. She gets people killed as a result of her naivety, her youthful selfishness. But Magdala is a survivor. She is tenacious and brave, and above all, she maintains her humanity, though she shields it under a grim practicality.

The book is divided into three parts with significant time jumps between each - Magdala is 9, 16, and 21 in parts I-III, respectively. The first and last are told in the third person from Magdala’s perspective while the middle is in the first person told by Arturo, the exiled priest branded a heretic whom Magdala has made an involuntary pilgrim. This shift was jarring at first, like picking up a different book, but the awkwardness is worthwhile as a trade off for the insight into the priest’s head. 

Arturo’s internal battles are poignant, palpable, and he makes a perfect foil for Magdala’s hope-filled, near manic religious devotion. Her desire to be healed at the long dead feet of a sharpshooter saint is the only thing that keeps Magdala going — there is no possible ending besides the completion of her pilgrimage. And, for her, there is no after. It is the sole purpose of her existence. Until it isn’t. By the end of the book, she started to take control of her own fate and faith, has learned and grown, while still maintaining the charm and realism of her many flaws.

The world building unfolds naturally, through stories told around campfires and in the inner reflections of the perspective characters. Chronister creates a believable post-apocalypse, one where the polar boundaries of human nature shines, while delicately weaving in fantastical elements, such as the performance of true miracles and the disturbing chimeras that walk the desert. 

While the world is fascinating and the prose lovely in parts, there was a lack of detailed descriptions to fill out the world. More time could have been dedicated to explaining the state of things after the collapse, the appearance of the monsters, and the nature of the desert sickness. Many of these unique, interesting traits felt underdeveloped or like an afterthought, which was disappointing as a reader. 

Overall, ‘Desert Creatures’ was a quick, enjoyable read with some stand-out characters and moments of beautiful prose. 

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