Reviews tagging 'Confinement'

Cumbres borrascosas by Emily Brontë

72 reviews

ghostsversion's review against another edition

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adventurous challenging dark emotional funny tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

This book really was… something. Compared to Agnes Grey, this was like going from learning how to swim to diving in the middle of the ocean. This is of course a different type of book so it isn’t really a shock. I was shocked though when finding out that
the POV of this book were a Mr Lockwood and Ellen Dean, and not at the very least Catherine Linton nee Earnshaw.
It was a really interesting read and I might have rated it higher if not for
the excessive amount of incest and the constant racism and stereotyping of Romani people.
Also to the people who consider this a romance, I hear you and I somehow get you but please don’t go looking for this.

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bashsbooks's review against another edition

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challenging dark emotional tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

Writing reviews for classics that I like is never easy - I always feel immense pressure to say something profound and original about a work that 1) I enjoyed and 2) so did everyone else. Of course, the trouble with such a well-liked book is that everything profound and original about it has already been said, more or less.

So let me say some basic and trite (but none the less true to how I feel) things about Wuthering Heights.
 
First and foremost, Brontë's toxic, passionate speeches from Heathcliff and Catherine (Sr.) about each other fuck severely. Catherine's "Nelly, I am Heathcliff" confession? Healthcliff's proclamation about the depth of Catherine's affection for him compared to Linton? The "You say I killed you - haunt me, then!" argument? All bangers. Go off, you absolute maniacs. 

Secondly, and speaking of the haunting by Catherine of Heathcliff, the thread of her ghost trying to get into Wuthering Heights throughout the tale is sewn into the story with just enough detail to be compelling without being overwrought - from the early scene Lockhood witnesses all the way to Heathcliff's death under the open window. I especially like the lack of concrete proof of the ghost and the skepticism of the storytellers themselves. 

And now, thirdly, the storytellers and the frame story in general have been fun to turn over in my head. From the beginning, I wondered, why are Lockwood and Nelly our narrators? I think there are dozens of valid answers to this question. Two of my favorites includeto create distance from the narrative to drop details & increase unreliability and to provide perspectives closer to the intended readers. I'm especially obsessed with Nelly Dean and the constant interjections of her opinions into her retelling. 

Something specific to the audiobook version that I listened to - the Spotify version read by Billie Fulford-Brown - is that it was read fantastically. Fulford-Brown clearly had a great handle on the text, reading all the dialogue with accurate emotion. She also gave the characters distinct voices without being over-the-top. Her performance made Brontë's mid-19th century prose much more accessible.

Anyway. There's a lot more I could say about Wuthering Heights - for example, Brontë's descriptions of the moors are a masterclass in thematic use of setting - but I'll cut myself off here, lest I write a whole paper. Let me end by saying it's fucked up that Kate Bush managed to successfully summarize and convey the main storyline of such a complex book in a 4.5-minute song after only watching the last ten minutes of a movie adaptation.

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asrasher's review against another edition

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dark emotional funny mysterious reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

intense, absurd, bizarre, but I ended the book with a resounding emotion of "damn, I get why people love this book." 

it takes you on a truly immense character journey spanning 3 generations and 50 years - and doesn't start coming together till the last chapter or so. 

overall, completely worthy of its legendary status. I felt like honestly it could have been longer/more fleshed out at the end, that's my only critique. The wrap up of the younger generations story and the breaking of the cycle of trauma felt possibly like something EB struggled to write, or express. Which to be fair, makes sense.

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kimveach's review against another edition

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dark reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

I assumed this novel was a romance, but it was a tale of class, obsession, and revenge.  While I can appreciate this classic, I didn't enjoy it.

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goodolnicole's review against another edition

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dark sad tense slow-paced
  • Plot- or character-driven? Character
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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riverofhorton's review against another edition

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This book is incredibly violent, with every kind of toxic relationship and abuse you can think of, with the kind of casual racism and misogyny that I have at this point come to expect from 19th Century fiction. That said, I may well return to this book at a later date, since there were a few scenes that I found to be quite thrilling, and I do find myself invested in the characters and their development. Right now just isn't the right time for me to be reading a book with this amount of violence.

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eva_vva's review against another edition

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dark emotional mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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renorsomethin's review against another edition

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dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

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mirandahems's review against another edition

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dark emotional sad tense slow-paced
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No

2.0

none of the characters are likable except the narrator Nelly, and maybe on a good day cathy linton. but heathcliff is literally the worst??? and actually evil??? and why do they hate children so much. also, they need to get out of the holler and stop marrying their cousins

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bxnnny's review against another edition

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dark sad
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

this was such a slog to get through. this writing style is both so boring and so overly dramatic. just about every character was detestable and when they weren't, they were in love with someone so obviously detestable that i was annoyed and frustrated nearly the entire time i read this. i don't understand why anyone loved catherine sr. as much as they did when she was overtly manipulative, selfish, and instigative.
her dying literally halfway through the book seemingly in childbirth when there was not a single hint to her being pregnant, even when she had a doctor checking in on her constantly confused me so much and caught me by such surprise that i had to reread the passage a few times just to be sure i read it right. it just made no sense how that even happened without anyone knowing or even suspecting she was pregnant. especially when it starts out that she's faking her illness initially for attention and to manipulate everyone to give her what she wants.
i did not understand catherine sr. and heathcliffe's obsession with each other when it seemed that they rarely even had any time together between being forbidden to speak to/spend time with each other, being mad at one another, or heathcliffe just straight up disappearing for years.
heathcliffe's obsession with her made even less sense to me after she died and was honestly so disturbing. he dug up her grave!!! what do you even mean!!! his behaviour throughout this entire book was so revolting and violating.
i also could not understand why catherine jr. liked linton so much when he was just a big, whiny, manipulative baby! like what even is the attraction there at all? all these characters were so unreasonably attached and unwaveringly loyal to the most insufferable people and i just didn't get it. it was truly so frustrating. also, heathcliffe holding such a crazy and intense grudge against the people who wronged him for their and his entire life, so much so that he holds the grudge against their ENTIRE bloodline and makes it his life's mission to ruin all of their lives and disrespect their wishes in even death is WILD. what a fucking loser. also, how are you going to have whole ass characters with dialogue that is so indecipherable and incomprehensible to any person on earth that you have to have an actual glossary to translate it for the reader??? that isn't a language, by the way! the book is bad, argue with the wall.

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