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kateofmind's review against another edition
3.0
Oh man, if I had known from the beginning just how literally this title, Cities in Flight, was meant -- I took it to feature the word "flight" in the sense of fleeing pursuit, rather than maneuvering through air or space -- I would have attacked this book a lot sooner. That's one of the disadvantages of scooping up a whole lot of ebook titles at once; if you don't examine the cover art, you're just going on author and title unless you take the trouble to look up the blurb. And the author.*
Cities in Flight is actually an omnibus edition of four novels Blish published in the 1950s: They Shall Have Stars, A Life for the Stars, Earthman Come Home, and The Triumph of Time. I could have read them discretely as I often do with such collections, but I found the central conceit of these stories -- that a pair of technologies developed in the early 21st century allowed entire Earth cities like New York and Los Angeles and Pittsburgh and Scranton to lift themselves bodily, buildings, subways and all, from the planet's surface and go into space as giant spaceships** -- so compelling that I just kept right on going after the first novel, which detailed the development of the twin technologies, a gravity defying/harnessing field called the "spindizzy" and anti-aging drugs, that would allow this weird feat to be possible. Rather than just function as an elaborate prologue to the "real" narrative of the spacefaring cities, though, They Shall Have Stars is a great novel all on its own, as I'll get to in a bit.
But first, I want to share this cool fan-made video by Charlie McCullough. Just because it sells the concept so marvelously, and is cool in its own right:
But so anyway, the novels. These span from the political/budgetary machinations that made the spacefaring "Okie" cities possible, to a tale of a young man kidnapped by the departing city of Scranton, Pennsylvania who later rises, out in the galaxy, to become a man of some importance after he is traded off as useless to New York, NY, to the story of the mayor of New York's thousand-year reign and the tribulations faced by a city whose motto "Mow your lawn, lady?" encapsulates its willingness to do any crappy job, anywhere in the universe, in a universe whose economy is collapsing, to that same city's final establishment as actually being the center of the universe that many of us assume New Yorkers think it to be anyway. Heh.
So, this one has a lot in common with Olaf Stapledon's Last and First Men, except its eons of time are spanned by a single generation of essentially immortal human beings, which means it has characters of a kind, but don't go looking here for people you'll love or hate or feel like you know. Blish is interested in charting a vast future history, just as Stapledon was; he just chose to give it a slightly more human scale for the benefit of his readers. So Senator Bliss Wagoner's story of secret research projects and financial shenanigans bleeds into Chris DeFord's rise to prominence bleeds into John Amalfi's tribulations at the helm of the city so nice they named it twice bleeds into Amalfi and a bunch of pseudo-cosmologists doing pseudo-cosmology until the reader's face melts... They could just as easily all be the same guy. Why they're not is anybody's guess. But that's okay. What these novels lack in character they make up for in grandiosity, imagination and occasional goofiness -- as well as the odd (and I do mean odd) moral dilemma of a kind that could only occur when big industrial cities are out in the universe doing odd jobs, planet by planet, solar system by solar system.
And hey, if you're going to do science fiction, might as well really freaking do science fiction, right?
*I have mostly known Mr. Blish as the constructor of novelizations of episodes of Star Trek (original series). He did this very competently, no complaints, but since the reader already knew the story from having seen it enacted by Shatner and Nimoy et al, his skill and imagination were eclipsed by memories of Shatner and Nimoy et al. At least they were for me. But then there was Spock Must Die! And Spock's Must Die! was more than a bit brilliant, and it was on the strength of this (and the inclusion of two Blish works in the SF Masterworks series) that made me want to read the man's "own" work.
**Doctor Who fans will be hopping up and down and screaming about The Beast Below, and surely that episode owes a lot to these novels. No starwhales, though.
Cities in Flight is actually an omnibus edition of four novels Blish published in the 1950s: They Shall Have Stars, A Life for the Stars, Earthman Come Home, and The Triumph of Time. I could have read them discretely as I often do with such collections, but I found the central conceit of these stories -- that a pair of technologies developed in the early 21st century allowed entire Earth cities like New York and Los Angeles and Pittsburgh and Scranton to lift themselves bodily, buildings, subways and all, from the planet's surface and go into space as giant spaceships** -- so compelling that I just kept right on going after the first novel, which detailed the development of the twin technologies, a gravity defying/harnessing field called the "spindizzy" and anti-aging drugs, that would allow this weird feat to be possible. Rather than just function as an elaborate prologue to the "real" narrative of the spacefaring cities, though, They Shall Have Stars is a great novel all on its own, as I'll get to in a bit.
But first, I want to share this cool fan-made video by Charlie McCullough. Just because it sells the concept so marvelously, and is cool in its own right:
Cities In Flight from Charlie McCulloch on Vimeo.
But so anyway, the novels. These span from the political/budgetary machinations that made the spacefaring "Okie" cities possible, to a tale of a young man kidnapped by the departing city of Scranton, Pennsylvania who later rises, out in the galaxy, to become a man of some importance after he is traded off as useless to New York, NY, to the story of the mayor of New York's thousand-year reign and the tribulations faced by a city whose motto "Mow your lawn, lady?" encapsulates its willingness to do any crappy job, anywhere in the universe, in a universe whose economy is collapsing, to that same city's final establishment as actually being the center of the universe that many of us assume New Yorkers think it to be anyway. Heh.
So, this one has a lot in common with Olaf Stapledon's Last and First Men, except its eons of time are spanned by a single generation of essentially immortal human beings, which means it has characters of a kind, but don't go looking here for people you'll love or hate or feel like you know. Blish is interested in charting a vast future history, just as Stapledon was; he just chose to give it a slightly more human scale for the benefit of his readers. So Senator Bliss Wagoner's story of secret research projects and financial shenanigans bleeds into Chris DeFord's rise to prominence bleeds into John Amalfi's tribulations at the helm of the city so nice they named it twice bleeds into Amalfi and a bunch of pseudo-cosmologists doing pseudo-cosmology until the reader's face melts... They could just as easily all be the same guy. Why they're not is anybody's guess. But that's okay. What these novels lack in character they make up for in grandiosity, imagination and occasional goofiness -- as well as the odd (and I do mean odd) moral dilemma of a kind that could only occur when big industrial cities are out in the universe doing odd jobs, planet by planet, solar system by solar system.
And hey, if you're going to do science fiction, might as well really freaking do science fiction, right?
*I have mostly known Mr. Blish as the constructor of novelizations of episodes of Star Trek (original series). He did this very competently, no complaints, but since the reader already knew the story from having seen it enacted by Shatner and Nimoy et al, his skill and imagination were eclipsed by memories of Shatner and Nimoy et al. At least they were for me. But then there was Spock Must Die! And Spock's Must Die! was more than a bit brilliant, and it was on the strength of this (and the inclusion of two Blish works in the SF Masterworks series) that made me want to read the man's "own" work.
**Doctor Who fans will be hopping up and down and screaming about The Beast Below, and surely that episode owes a lot to these novels. No starwhales, though.
rhleblanc963's review against another edition
5.0
Yeah, it's dated now, but when I first read it opened a world of possibilities. Virtually the only book I've read more than once. Still enjoy the characters.
ianjsimpson's review against another edition
3.0
https://theforgottengeek.wordpress.com/2017/12/24/the-history-of-science-fiction-literature-challenge-cities-in-flight-by-james-blish-1950/
borisignatievich's review against another edition
3.0
This was fun, but a bit hit and miss. The second and third books which tell the rise and fall of space travelling 'Okie' cities were really good fun, just the right balance of world building where you know the culture and focus on the characters operating in that space so it never feels dry like some worlds can. Slightly spoilery bit about the end of the third book, Earthman, Come Home - I think they way he introduced the myth of the Vegan orbital fort was excellent, in that it was mentioned just enough for me to have that "oh, it might be that fort thing" moment when reading about the March on Earth.
These two books excel at taking you into a strange culture and having you believe that world (or galaxy, since Blish doesn't fuck about with small scale here!)
The first book is essentially a prologue, focussing on the decline of Western culture and how it made the necessary science developments to transition into this Okie culture, and I really didn't enjoy it. To m, it was everything bad about the pulp era sci fi I thought. The final book, Triumph of Time, deals with the inevitable end of the universe. It was OK, but nowhere near as good as the middle two. It fell back into the intense technobabble of the first book (tbf, I have no idea what the state of physics was in the early 50s so it could have been very well researched, but I don't read sci-fi to read vague metaphysical descriptions using scientific terminology of concepts that can be summed up in a paragraph of normal english - it bores me) and I think mostly why I liked it more was the fact I could relate to the characters a bit from earlier stories.
Overall, worth checking out if you like sci-fi, but you won't miss much if you only get Earthman Come Home and possibly A Life For The Stars while ignoring the other two.
6.5/10
These two books excel at taking you into a strange culture and having you believe that world (or galaxy, since Blish doesn't fuck about with small scale here!)
The first book is essentially a prologue, focussing on the decline of Western culture and how it made the necessary science developments to transition into this Okie culture, and I really didn't enjoy it. To m, it was everything bad about the pulp era sci fi I thought. The final book, Triumph of Time, deals with the inevitable end of the universe. It was OK, but nowhere near as good as the middle two. It fell back into the intense technobabble of the first book (tbf, I have no idea what the state of physics was in the early 50s so it could have been very well researched, but I don't read sci-fi to read vague metaphysical descriptions using scientific terminology of concepts that can be summed up in a paragraph of normal english - it bores me) and I think mostly why I liked it more was the fact I could relate to the characters a bit from earlier stories.
Overall, worth checking out if you like sci-fi, but you won't miss much if you only get Earthman Come Home and possibly A Life For The Stars while ignoring the other two.
6.5/10
tundragirl's review against another edition
3.0
I have mixed feelings about this novel. On the one hand, it's a pretty good example of classic sf. On the other, even though there are some big ideas, what's missing is pretty stark. It's several thousand years in the future, and apparently we still use slide rules and mimeographs. Computers are present, but mostly as an afterthought.
And of course, because the books were written in the 50s and 60s, women are either absent or drawn as mere cartoons, not fully fleshed-out people.
There were several times that I got caught up in the story, but there were also many times where James Blish got a little too didactic with the math for my taste.
And of course, because the books were written in the 50s and 60s, women are either absent or drawn as mere cartoons, not fully fleshed-out people.
There were several times that I got caught up in the story, but there were also many times where James Blish got a little too didactic with the math for my taste.
arbieroo's review against another edition
4.0
This is a review of the first two books of the quartet. The first is in a style I have come to expect from Blish; a rather high brow and deep philosophical discussion masquerading as an eventful piece of pulp. Dubious science fiction is carried off by a presentation indebted to a knowledge and understanding of real science, unlike many modern approaches where any attempt to explain the nature of advanced technology is not forthcoming. The book does take oblique looks at two common Blish themes: religion and the search for knowledge, which are closely interwoven in Black Easter, A Case of Conscience and Doctor Mirabilis.
THIS REVIEW HAS BEEN CURTAILED IN PROTEST AT GOODREADS' CENSORSHIP POLICY
See the complete review here:
http://arbieroo.booklikes.com/post/335149/post
THIS REVIEW HAS BEEN CURTAILED IN PROTEST AT GOODREADS' CENSORSHIP POLICY
See the complete review here:
http://arbieroo.booklikes.com/post/335149/post