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mirificmoxie's review against another edition
challenging
dark
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Emotional abuse, Physical abuse, Toxic relationship, and Gaslighting
Moderate: Child death, Torture, Blood, Murder, and Injury/Injury detail
Minor: Confinement, Sexual content, Kidnapping, and Abandonment
dkgreads's review against another edition
adventurous
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
This was . . . disappointing. Which is frustrating because it had SO much potential. The concept is mysterious and magical, but the world building could have used more depth. The characters were flat and lacked a tangible connection. And, in the end, I felt like we were left with more questions (plot holes) than answers.
Content Warnings
Graphic: Death, Violence, Blood, and Kidnapping
Minor: Sexual content
lilifane's review
adventurous
dark
emotional
hopeful
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
WTF did I just read?
I was really expecting something totally different but was pleasantly surprised by this book.
The writing is so beautiful, lush, sensual and the atmosphere it creates reminded me immensely of The Starless Sea (which might be my favorite book of all times, so I was pretty biased once I noticed the similarities). They have some plot points, themes and imagery in common, but it's mostly the vibes I'm talking about. Mainly, the no plot just vibes attitude.
I did enjoy the plot, it felt like a dark fairy tale, and it went darker places than I expected. There were pacing issues, though, and a lot of conveniences and weird character decisions. Speaking of the characters, since the focus is mostly on the vibes and the fairy tale story structure, the characters were not as flashed out as I usually like. Especially Violet, the protagonist, felt one dimensional. Secondary characters like Penelope and Aleksander were way more memorable than Violet, and their motivations were more nuanced and intriguing.
But again, the way the atmosphere and the vibes were making me feel... I was longing for this feeling since I've read The Starless Sea for the first time. And it's really hard to find, so I'm just happy to have experienced it again with this book. And despite it not being a perfect book, I loved it with all my heart.
I was really expecting something totally different but was pleasantly surprised by this book.
The writing is so beautiful, lush, sensual and the atmosphere it creates reminded me immensely of The Starless Sea (which might be my favorite book of all times, so I was pretty biased once I noticed the similarities). They have some plot points, themes and imagery in common, but it's mostly the vibes I'm talking about. Mainly, the no plot just vibes attitude.
I did enjoy the plot, it felt like a dark fairy tale, and it went darker places than I expected. There were pacing issues, though, and a lot of conveniences and weird character decisions. Speaking of the characters, since the focus is mostly on the vibes and the fairy tale story structure, the characters were not as flashed out as I usually like. Especially Violet, the protagonist, felt one dimensional. Secondary characters like Penelope and Aleksander were way more memorable than Violet, and their motivations were more nuanced and intriguing.
But again, the way the atmosphere and the vibes were making me feel... I was longing for this feeling since I've read The Starless Sea for the first time. And it's really hard to find, so I'm just happy to have experienced it again with this book. And despite it not being a perfect book, I loved it with all my heart.
Content Warnings
Graphic: Body horror, Confinement, Death, Emotional abuse, Toxic relationship, Blood, Gaslighting, Toxic friendship, Abandonment, and Injury/Injury detail
Moderate: Child death, Gore, Kidnapping, Grief, Stalking, and Fire/Fire injury
Minor: Sexual content
snowwhitehatesapples's review against another edition
adventurous
challenging
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
2.0
Also on Snow White Hates Apples.
I’ve been incredibly excited to read this standalone fantasy since many of the Hodder & Stoughton titles I read have been utter delights. Sadly, this streak is now broken by The City of Stardust .
Although it has a very intriguing premise and a fascinating magic system where special keys can open doors to anywhere in any world, the execution is lacking. For a standalone, too many aspects of the world-building are left unexplained. Sure, I got the gist of how the world works but it could’ve been more lush, more alive. There were moments when the imagery did this, only to retreat and let the too-detailed actions or conversations of the characters take centre stage instead.
Moreover, it really doesn’t help that there’s a strong lack of urgency despite the literal deadline. The first part of the book is set during the time Violet was kept in the dark regarding the Everly curse — which is practically her entire childhood and a part of her young adulthood. Truthfully, I don’t see the necessity of this first part because much of the information could’ve been interwoven elsewhere.
The second part is where the pace picks up, but it isn’t ideal either because there are only three months left before the deadline and that’s a big difference from the first part’s meandering 10 years. Even worse? As the story progresses, the pacing gets clumsier and the plot convenience gets more and more obvious. Violet wastes a lot of precious time doing unnecessary things like being with a boy she clearly shouldn’t be falling for. Like, hello? For someone who wants to break the curse, the legit deadline for when you get disappeared like the other Everly’s doesn’t seem much of a priority for you??
Staying interested in the story whenever the focus was on Violet was a struggle, largely because she’s no more than a plot device. I love that she’s a bibliophile and I found her inner and outer struggles well expanded. However, she’s just so dull, so painfully naive and fragile despite receiving the all-powerful Main Character Buff that I irrevocably felt that Penelope and Aleksander hard carried the book. Both of them created much-needed tension and moved the plot forward whereas Violet’s simply being led by the plot.
Furthermore, the romance between Violet and Aleksander felt too tryhard at convincing that it isn’t underdeveloped, particularly when shown through Violet’s perspective. It was also difficult to root for them because their characterisations weren’t strong… In fact, all of the characters suffer from weak characterisation at varying extents. The many side characters weren’t even memorable and it was hard to keep track of them.
Other than that, while I normally appreciate things coming to a full circle, the last two parts of the book make everything that came before it feel convoluted. I liked all the different iterations of the fable between the astral and the mortal. I liked the thin line between gods and monsters as well. But, all that isn’t enough to make up for everything else.
All in all, The City of Stardust has so much promise that it’s such a shame that it fell short.
I’ve been incredibly excited to read this standalone fantasy since many of the Hodder & Stoughton titles I read have been utter delights. Sadly, this streak is now broken by The City of Stardust .
Although it has a very intriguing premise and a fascinating magic system where special keys can open doors to anywhere in any world, the execution is lacking. For a standalone, too many aspects of the world-building are left unexplained. Sure, I got the gist of how the world works but it could’ve been more lush, more alive. There were moments when the imagery did this, only to retreat and let the too-detailed actions or conversations of the characters take centre stage instead.
Moreover, it really doesn’t help that there’s a strong lack of urgency despite the literal deadline. The first part of the book is set during the time Violet was kept in the dark regarding the Everly curse — which is practically her entire childhood and a part of her young adulthood. Truthfully, I don’t see the necessity of this first part because much of the information could’ve been interwoven elsewhere.
The second part is where the pace picks up, but it isn’t ideal either because there are only three months left before the deadline and that’s a big difference from the first part’s meandering 10 years. Even worse? As the story progresses, the pacing gets clumsier and the plot convenience gets more and more obvious. Violet wastes a lot of precious time doing unnecessary things like being with a boy she clearly shouldn’t be falling for. Like, hello? For someone who wants to break the curse, the legit deadline for when you get disappeared like the other Everly’s doesn’t seem much of a priority for you??
Staying interested in the story whenever the focus was on Violet was a struggle, largely because she’s no more than a plot device. I love that she’s a bibliophile and I found her inner and outer struggles well expanded. However, she’s just so dull, so painfully naive and fragile despite receiving the all-powerful Main Character Buff that I irrevocably felt that Penelope and Aleksander hard carried the book. Both of them created much-needed tension and moved the plot forward whereas Violet’s simply being led by the plot.
Furthermore, the romance between Violet and Aleksander felt too tryhard at convincing that it isn’t underdeveloped, particularly when shown through Violet’s perspective. It was also difficult to root for them because their characterisations weren’t strong… In fact, all of the characters suffer from weak characterisation at varying extents. The many side characters weren’t even memorable and it was hard to keep track of them.
Other than that, while I normally appreciate things coming to a full circle, the last two parts of the book make everything that came before it feel convoluted. I liked all the different iterations of the fable between the astral and the mortal. I liked the thin line between gods and monsters as well. But, all that isn’t enough to make up for everything else.
All in all, The City of Stardust has so much promise that it’s such a shame that it fell short.
Thank you so much Hodder & Stoughton and Netgalley for providing me a copy of this in exchange for an honest review! The City of Stardust by Georgia Summers is available at all good bookstores.
Content Warnings
Moderate: Body horror, Blood, Abandonment, and Injury/Injury detail
Minor: Addiction, Bullying, Child death, Confinement, Death, Emotional abuse, Panic attacks/disorders, Sexual content, Violence, Murder, and Gaslighting
skillyillian's review against another edition
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
Thank you to netgalley and the publisher for an eARC of this book in exchange for my honest review.
I really wanted to love this book. The concepts are insanely cool and the author's writing style is very interesting, but beyond that, it felt like a lot of potential that was left to the wayside. The entire story feels like just a bunch of things that happen to someone, instead of a series of challenges that directly affect the FMC and push her past some kind of boundary. The logic of this story is so broken in most places that, if it weren't for the author basically going "she's necessary to this event because I said so" then the FMC's presence wouldn't have made a difference for half this story in the first place.
The story revolves around Violet Everly and the curse that haunts her family. They're given ten years to find her missing mother, who left to apparently find a way to break this curse. Eventually, the task falls to Violet, who is suddenly savvy enough to travel the world on her own despite having been homeschooled and has never left the small town she's spent her entire life in. Whatever, not a huge problem, except that most of the time she spends traveling is summed up in less than a page. She learns so much about the world, the scholars of the magical city from the other world, etc etc over the course of a year and it's boiled down to a few paragraphs that list some cities and that she went to some parties. it was really disappointing, i would've loved to have seen more of violet's world travels. things about the scholars are brought up later, and it's basically explained away as "she learned this while she was travelling" without any further context. it made her entire journey, that supposedly shaped who she was for the last half of the book, fall flat.
The logic in this book is my biggest complaint. Most of the major plot points, and even several smaller ones, feel like they got thrown in despite or without any prior context or consideration for what it would mean for characters, further plot, external or internal consequences, just .. anything, really. Everything felt very surface level plot without any deeper meaning or explanation, like the book was written and then someone went through and cut out almost all of the deeper context that would explain why things happened the way they did or why people made certain choices. There were a few major plot points that, had they felt like they had been genuine to the story and not just included to add drama, would have had serious emotional impact. But instead, it felt forced, and left me asking, "wait why did that just happen? if xyz just happened then how does abc even work???" multiple times.
One of the other things that disappointed me was the magic system. it could've been so cool, but beyond "this is a special material and only special people can manipulate it" there was almost no other explanation, or other use of it, period. violet is described as having this insane talent that should make her crazy powerful, but at the end of the day, she uses it once time to find out that something is magic, and that's it. that's literally it. the whole build up of all of her talent and she does not even touch it. why???
the ending was a let down, in all honesty it made violet's entire journey feel completely pointless and like she didn't even need to be involved in the first place. violet's blood is needed to open a millennia-old door because she's an everly. but penelope has been harvesting everlys for centuries, soooo. why not use one of them? and the entire everly lineage exists because ever and penelope's daughter somehow escaped penelope's slaughter of the entire city. soooo either neither of them knew where she was and she was lucky enough to hide from her mom, she had already run away or been taken away, or penelope saved her? but if so then why didn't penelope explain it. and she couldn't have run away anyway. the child would've been less than a year old. so why was penelope hunting everlys to get back to elandriel if she saved her daughter? her daughter was an everly. why not use her daughter on the door. someone please explain. i don't get it. i genuinely hope i'm missing something because there were things like this all throughout the book.
There were also multiple POVs, which i usually love, but they would switch in the middle of chapters without any prior warning whatsoever, you'd just be reading from violet's pov and the next paragraph is somewhere else entirely, and from aleksander's pov.
This book is described as romance, but there was almost no romance other than a very sudden dedication between Violet and Aleksander that felt like it came out of nowhere. In the same way Violet's travels are skipped over, so too was the romance. The scenes where they were supposed to be falling in love were just "they spent hours together talking" with almost no real dialogue or even really what they talked about besides "he told her some stuff about where he came from" and that was pretty much it. The romance felt like it was just there so that Violet and Aleksander were willing to die for each other by the end of the book, instead of them genuinely caring about each other and being in love. It was all the dedication with none of the romance. You'd die for your dog the same way those two would die for each other.
One last note, there's a very dark event that happens towards the end of the book that, to me, just felt like it was thrown in to try to escalate the situation, and not because it made sense for the story. Fuel for the fire instead of what actually fit, so it felt gratuitous. TW // child death penelope goes insane and slaughters the entire scholar tower, including the children. violet and aleksander find adult bodies at the door of the tower, go up and up, and eventually find the bodies of the children. the adult bodies would continue going up the stairs, but instead, violet and aleksander turn around and start heading towards the lowest basement of the tower, finding a room that was specifically stated as "penelope murdered anyone that knew about this until it was forgotten and no one knows this exists". did they only go up the stairs to find the kids, receive their designated trauma and motivation, and then go "welp anyway on to where we know she really went" despite penelope's quarters being above the children's floor? why would they ignore her rooms entirely, when they don't know where she is, and go somewhere else, let alone somewhere they had no way of knowing even existed? and then violet just stares at the fancy everly-blood-only door before KMSing. and then she just??? lives??? and it's literally never explained how ever saved her life and brought her back from being DEAD. it gets skipped over entirely. why? how? what?????? we're just gonna move on from "you were dead and he brought you back"???? ok sure. i guess.
Overall, there's a ton of potential in this book, but I wish someone had gone over the logic with a fine toothed comb before calling it a day. A lot of things happened without any further context and it felt like they were added for momentary drama before moving on and glazing over it entirely. Characters were brought in, only to be disappeared and suddenly no longer in the story at all as soon as the convenience of their threat ended. It's like they never existed. I ended up questioning more than half the events of the story and felt very passive about the rest of it. I know several others really liked it so maybe this just wasn't for me, but I couldn't get past all of the glaring flaws in the logic.
I really wanted to love this book. The concepts are insanely cool and the author's writing style is very interesting, but beyond that, it felt like a lot of potential that was left to the wayside. The entire story feels like just a bunch of things that happen to someone, instead of a series of challenges that directly affect the FMC and push her past some kind of boundary. The logic of this story is so broken in most places that, if it weren't for the author basically going "she's necessary to this event because I said so" then the FMC's presence wouldn't have made a difference for half this story in the first place.
The story revolves around Violet Everly and the curse that haunts her family. They're given ten years to find her missing mother, who left to apparently find a way to break this curse. Eventually, the task falls to Violet, who is suddenly savvy enough to travel the world on her own despite having been homeschooled and has never left the small town she's spent her entire life in. Whatever, not a huge problem, except that
The logic in this book is my biggest complaint. Most of the major plot points, and even several smaller ones, feel like they got thrown in despite or without any prior context or consideration for what it would mean for characters, further plot, external or internal consequences, just .. anything, really. Everything felt very surface level plot without any deeper meaning or explanation, like the book was written and then someone went through and cut out almost all of the deeper context that would explain why things happened the way they did or why people made certain choices. There were a few major plot points that, had they felt like they had been genuine to the story and not just included to add drama, would have had serious emotional impact. But instead, it felt forced, and left me asking, "wait why did that just happen? if xyz just happened then how does abc even work???" multiple times.
One of the other things that disappointed me was the magic system. it could've been so cool, but beyond "this is a special material and only special people can manipulate it" there was almost no other explanation, or other use of it, period. violet is described as having this insane talent that should make her crazy powerful, but at the end of the day, she uses it once time to find out that something is magic, and that's it. that's literally it. the whole build up of all of her talent and she does not even touch it. why???
the ending was a let down, in all honesty it made violet's entire journey feel completely pointless and like she didn't even need to be involved in the first place.
There were also multiple POVs, which i usually love, but they would switch in the middle of chapters without any prior warning whatsoever, you'd just be reading from violet's pov and the next paragraph is somewhere else entirely, and from aleksander's pov.
This book is described as romance, but there was almost no romance other than a very sudden dedication between Violet and Aleksander that felt like it came out of nowhere. In the same way Violet's travels are skipped over, so too was the romance. The scenes where they were supposed to be falling in love were just "they spent hours together talking" with almost no real dialogue or even really what they talked about besides "he told her some stuff about where he came from" and that was pretty much it. The romance felt like it was just there so that Violet and Aleksander were willing to die for each other by the end of the book, instead of them genuinely caring about each other and being in love. It was all the dedication with none of the romance. You'd die for your dog the same way those two would die for each other.
One last note, there's a very dark event that happens towards the end of the book that, to me, just felt like it was thrown in to try to escalate the situation, and not because it made sense for the story. Fuel for the fire instead of what actually fit, so it felt gratuitous. TW // child death
Overall, there's a ton of potential in this book, but I wish someone had gone over the logic with a fine toothed comb before calling it a day. A lot of things happened without any further context and it felt like they were added for momentary drama before moving on and glazing over it entirely. Characters were brought in, only to be disappeared and suddenly no longer in the story at all as soon as the convenience of their threat ended. It's like they never existed. I ended up questioning more than half the events of the story and felt very passive about the rest of it. I know several others really liked it so maybe this just wasn't for me, but I couldn't get past all of the glaring flaws in the logic.
Content Warnings
Graphic: Child death, Death, Emotional abuse, Gore, Physical abuse, Suicide, Violence, Blood, Suicide attempt, and Murder
Moderate: Body horror, Confinement, Cursing, Genocide, Sexual assault, Sexual content, Torture, Kidnapping, Fire/Fire injury, Abandonment, and Injury/Injury detail
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