Reviews with content warning for Death of parent - Our Missing Hearts

How eerie reading this in between seeing headlines about book bans in Florida. This was a compelling dystopian novel. I agree with other reviewers that the second half struggled at times compared to the first half.

Spoiler

The conceit of Margaret narrating her whole life to Bird didn't always work when she was going into intimate details which were great for the reader but made less sense as dialogue with her son. I was also disappointed in the lack of information about the aftermath of Margaret's plan. We got a few flashforward glimpses but no information on the political fallout.

The writing was really beautiful. I liked seeing the world through Bird's eyes, a child's perspective in a novel aimed at adults. I enjoyed the use of folktales, etymology, and gardening through out. There were many horrifying bits in the book. I can tell it will stay with me for a long time.

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theblushbookworm's review

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emotional reflective medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.5

Wow this book really struck me. I grew up on dystopian novels, and Ng pulls all the best parts of the genre to give a message on Asian American hate, children being taken as a means of control, and the dangers of bystander culture. This novel is powerful, well-written, and a worthy read for anyone.

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ciwanski's review against another edition

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challenging dark emotional hopeful informative inspiring mysterious sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.5

What a chilling premonition of what our future could very much become. Ng puts together the ugly puzzle pieces of American racism, otherness, ethnocentrism, and xenophobia into the full picture of some of the very worst ways our country could “progress” and does so in such beautiful and easy language to make a very powerful story.

Honestly at first I genuinely thought the novel was based in the 40s/50s and thought I might be a bit bored by it, but I was very much mistaken. I flew through this audiobook in just about a day.

I know Ng quotes Margaret Atwood in her author’s note, and it brought to mind how complimentary their story telling is. I’m not sure if this would be classified as a dystopian novel (since it’s so based in reality, but aren’t they all?), but it definitely should be!

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katrinky's review against another edition

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challenging dark emotional hopeful mysterious reflective sad tense fast-paced

4.0

not an easy book to read. imagine the handmaid's tale, but about anti-asian racism and xenophobia. the book touches on linguistics, guerilla art, including yarn bombs, and folklore, so of course I was compelled from start to finish. read it in 1.5 days, both of them work days, so that tells you something about the pace and the ease with which I got invested in bird, his mom, margaret, and their lives under PACT ACT America. chilling, maybe hopeful? mostly wary, and clear-eyed about America's worst propensities.

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crownoflaurel's review against another edition

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emotional hopeful sad slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

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cocacolor's review against another edition

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emotional inspiring sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.25

This is a difficult book to review; I was unbelievably excited for it as soon as I heard of it, and certainly part of the disappointment comes from how high my expectations were. It's not Ng's best effort. It's almost too timely; I don't think it'll hold up as well 25 or even 5 years from now (depending on how the political climate goes). And it's a book whose reception depends on the reader being exactly as far left as Ng, and no more. This novel's audience seems to be speaking to a particular demographic, the comfortable "moderate, don't-do-politics" upper middle class, particularly Asian American members; there's an almost cloying expectation that you empathize with Margaret and Bird's discoveries of all that's wrong in the world, because you've gone through a similar wake-up call yourself recently.

Personally, as a Chinese American reader who's probably farther left than Ng, I found it embarrassing. Part of the novel still feels, to me, like an attempt to co-opt the suffering of Black and Indigenous communities, an almost childish, cynical attempt to insist, "Hey, Asian Americans have it bad, too, where's our solidarity?" Eventually my attitude toward the premise mellowed; Ng does make a good-faith effort to acknowledge that if the state using family separation as a tactic is news to you, that's willful blindness on your part, and to include the history of how this violence has been and is still being used against Black and Indigenous families, even if I don't think she goes far enough in that respect to really acknowledge who is actually being subjected to this tactic today.

Beyond the somewhat disrespectful nature of the premise, I found that Ng's writing suffered as well from its clumsy politics. There's none of the complexity of character from LITTLE FIRES EVERYWHERE or EVERYTHING I NEVER TOLD YOU here;

Spoiler

Bird and Margaret and Ethan are almost saintly, the resentments disappearing easily, seeming betrayals turning out to be partnership and devotion after all.

The

Spoiler

sexual violence Margaret experiences at the hands of a cop

comes out of nowhere and feels like a cynical, clumsy shortcut to convey how bad the world has gotten--again, de-centering the Black and Indigenous women overwhelmingly affected by this kind of violence.

Still, Ng's half-hearted effort is beyond what most writers could achieve on their best day, and I don't want to hold Ng to a higher standard than I do her contemporaries; if I found OUR MISSING HEARTS to be clumsy or self-centered at times, I'd definitely feel the same and more of the vast majority of writers if they'd tried to write this novel. Her prose is as beautiful as ever, and understanding this novel is meant to be read as a fable about the power of art and narrative turns issues I'd had with the early parts of the book into unexpected joys. Overall, not as good as I hoped but not as bad as I feared. Still eagerly looking forward to Ng's next project.

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