Reviews with content warning for Panic attacks/disorders - The Rose Code

A sweeping historical war-time novel; almost a math geek's League of Their Own. I enjoyed learning about an aspect of WWII history that I had not previously heard about. I also thoroughly enjoyed coming along for the ride of the (fictionalized) rise, fall, and rise again of a trio of war-time friends. As one would expect with a novel set in England during WWII, there is a fair amount of discussion around loss and violence. As the book is centered on a trio of women, the loss and violence they experience is, to a certain degree, reflective of their gender and the patriarchal constructs of the time, though I do appreciate the author's challenge to these experiences. There was just enough romance blended into the book and a solid HEA/HFN for each of the primary characters to keep it from being a complete, war-time downer, though please do read through the content warnings if you have any sensitivity to specific issues because, in more than 600 pages, pretty much every type of loss/traumatic experience is explored to some degree. I did not love that the character coded as autistic ends up spending

three and half years in a mental institution

, even if it was completely irrelevant to their neurodiversity. It just felt kind of ick. Though I, overall, enjoyed the character development, after about 500 pages, had to chuckle at the neat twists that had to snap into place to get to the HEA/HFN. While improbable on balance, those twists make for a satisfying (if not slightly madcap) outcome to an interesting corner of well-fictionalized history.

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sh543's review against another edition

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adventurous challenging emotional hopeful inspiring mysterious sad slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.0

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rc05's review against another edition

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adventurous emotional hopeful informative inspiring mysterious sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.5

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fifteenthjessica's review against another edition

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challenging dark emotional funny informative mysterious sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

This will probably be my last finished novel of 2022, and I'll definitely check out more by Kate Quinn.

World War II is in full swing, and decrypting German and Italian messages may be the difference between victory and defeat. Bletchley Park becomes a center of British Intelligence activity, and with many men at war, women are among the people brought in to help. Three of the women--Osla Kendall, a witty socialite who aspires to be seen as more than a ditzy debutante; Mab Churt, a jaded young woman from the poor side of London determined to make a better life for herself; and Beth Finch, a spinster near Bletchley Park who after years of bullying from her mother thinks she's not good for much else other than household help and solving crossword puzzles--form a strong friendship that breaks before the end of the war. A few years later, as the world prepares to watch Osla's war time beau Philip marry Princess Elizabeth, Osla and Mab receive coded letters from Beth saying that there was a traitor at Bletchley Park who was behind her commitment to an insane asylum, and she needs their help get out and catch them.

The novel is overall excellent, most of the characters are lovable (although the traitor felt very two-dimensional), and Quinn shows skill with the genres she blends for this. As someone who isn't that big on romance, I did find myself rooting for most of the couples, even to a certain extent Philip and Osla's doomed romance, however, it would have been nicer if there was more code breaking and mystery worked in. At times, Bletchley Park feels like it's only present in the novel to put higher stakes into the 1947 portion. Another thing is that Quinn paints a great portrait of how, even in relatively egalitarian places like Bletchley Park, misogyny still rears its ugly head.

I was initially going to give it 5 stars, but looking back over my notes, I remembered some pacing issues. At times the narrative switching between the war years and the madcap hunt for the traitor before Philip and Elizabeth's wedding (as well as between the three main characters' POV) was well done, other times it was questionable. Probably the worst incident of this is Beth coming to a (false) conclusion of who the traitor is, only for the very next chapter to reveal the traitor's real identity when they literally show up and tell her. Not to mention, chapter 3 gave such a strong portrait of Mab and Osla's characters that Chapters 1 and 2 seemed extraneous except for bring up some important relationships they have with people outside of Bletchley Park.

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jlewis's review against another edition

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adventurous emotional hopeful inspiring tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

There are a good many flaws in this book, which is a pity, but even so I enjoyed it (audio version) immensely. Set in WW2 at Bletchley Park, the protagonists are 3 very different women who work there and the relationship between them. Even though I have been to Bletchley Park, I felt I had a much better idea of the work there after reading this book, but it wasn’t heavy-handed in too much technical detail.
The book moves between the war years and 1947, with a slow build-up to why the relationship between the 3 women has gone so badly wrong, and then quite a fast-paced and tense resolution at the end.
So what are the faults? Well, the author is American and there is quite a lot of American vocabulary that could have done with being edited by a British editor. And she seems oblivious to how rare household telephones were in the war years in Britain, and certainly would not have been found in an impoverished East End house. Worst of all, in the audio version, the narrator pronounces Keswick as Kes-Wick.
Some of the plot centres around one of the lead characters being in a relationship with Prince Philip. While I think his character is drawn with a good deal of respect, I’m not sure it adds much to the book and an alternative, fictional aristocrat would have fitted the bill equally.
But my biggest complaint is the liberties she takes with her characters, particularly Beth, in order to drive the plot along. Her behaviour in the situation in which she finds herself in 1947 is utterly out of character, and there are other anomalies earlier in the book.
Having said which, I look forward to reading more by this author.

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