timeswary's review against another edition
dark
mysterious
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
alibi313's review against another edition
3.0
Rather rudimentary police procedural, awkwardly translated. Second in a highly acclaimed series of books--either they must increase in quality over time or are simply better in the original Norwegian.
deniqd's review against another edition
1.0
I don't know how to start describing how much I disliked this book, there is actually nothing I enjoyed about it other than it's short and even that could have been made better by making it even shorter, as there are many sentences and even paragraphs that aren't needed and feel as if they were thrown in there to make the word count larger: starting with all the mentions and descriptions about the weather (and there are many and have nothing to do with the story!) and ending with sentences such as 'The bedroom was located where bedrooms usually are'... I mean, what the actual fuck?!
Then we have the characters: a lesbian policewoman who has been living with her partner for 15 years but nobody knows about it, I repeat, NOBODY!, not a single member of her family or friends know that she is a lesbian... 15 years! Next, Kristine, the rape victim and Finn, her dad, who decide to take matters in their own hands, no, no, no!
Finally, the translation was painful to read: I don't speak Norwegian so I can't really compare it to the original but it just felt too literal and unnatural, for example: 'It was raining cats and dogs. Not to mention elephants and minke whales'... what the what?
I felt cheated with this book as the comments on the jacket compare Anne Holt with Agatha Christie and, I'm sorry but no... just NO!
Then we have the characters: a lesbian policewoman who has been living with her partner for 15 years but nobody knows about it, I repeat, NOBODY!, not a single member of her family or friends know that she is a lesbian... 15 years! Next, Kristine, the rape victim and Finn, her dad, who decide to take matters in their own hands
Spoiler
when they find out where the rapist lives...Finally, the translation was painful to read: I don't speak Norwegian so I can't really compare it to the original but it just felt too literal and unnatural, for example: 'It was raining cats and dogs. Not to mention elephants and minke whales'... what the what?
I felt cheated with this book as the comments on the jacket compare Anne Holt with Agatha Christie and, I'm sorry but no... just NO!
spiderwitch's review against another edition
challenging
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? Yes
4.0
Content Warnings
Graphic: Xenophobia, Racism, Rape, Misogyny, and Sexual assault
stinajohanns's review against another edition
2.0
I didn’t really connect with and I didn’t find the main characters really interesting.
fictionfan's review against another edition
4.0
A crime wave in Oslo...
There seems to be a crime wave going on in the heat of the Oslo summer, and Detective Inspector Hanne Wilhelmsen and her colleagues are feeling the strain. There's been a spate of rapes, and though many of them are 'self-inflicted', as Hanne's boss charmingly puts it – i.e., date rapes – one is different. A stranger invades a young girl's flat and the rape is particularly violent and degrading. Meantime, some practical joker is spending Saturday evenings creating what look like blood-soaked crime scenes around the town, but with no bodies. Hanne's not convinced it is a joker though...
Hanne is a likeable detective - functional, hard-working, relates well to the people in her team. Her private life is stable, though she's hiding her long-term gay relationship from her colleagues and family – the book was only written a couple of decades ago, but oddly that strand already feels outdated, and rather clichéd. This means she doesn't socialise much with the team, so in some ways she's a bit isolated, though not a traditional loner. And she has a good friend in her colleague Billy T, who maybe knows her even better than she thinks.
Both strands of the plot – the rape and the Saturday night “massacres” - are interesting and Holt is excellent at setting the scene. The description of the rape is graphic without being gratuitous, but for my taste there's too much dwelling on the despair of the rape victim and her father in the aftermath. My views on misery-fests are well known to anyone who reads my reviews, but I do read crime primarily as entertainment and sometimes the voyeuristic wallowing becomes a bit much. However, the characterisation of both victim and father is very well done and their actions are for the most part believable.
Holt gets off to a great start, letting us know enough about the recurring characters to make this work fine as a standalone, and introducing the two major plot-lines nice and early so that the reader is hooked. And the ending takes on aspects of the thriller. It goes pretty far over the credibility line in places - one of these ones where you feel if people would just have a quick conversation a lot of angst could be avoided - but the quality of the writing carries it.
The major problem with the book is the tricky middle. For long stretches of time the police don't actually seem to do anything much, while constantly complaining of overwork. Can it really take three weeks to determine whether the blood left in the “massacre” scenes is human? And while they wait for results they do nothing else to try to find out who might be behind it. Is it really credible that the rape victim's father is able to find clues about the rape that the police missed, by merely questioning neighbours? If so, the competence of Hanne and her team can't be terribly high. Even I might have thought to ask if anyone had seen a strange car around the neighbourhood on the night in question. The overwork excuse is dragged out to cover every lapse that is required to allow the plot to develop into a thriller, but that leaves credibility as the major victim.
All this lack of investigation allows plenty of time for personal relationship stuff, though – most of which I could cheerfully have lived without, but that's just personal preference. And then when Holt finally moves towards the denouement she does so by having Hanne have a couple of those brilliant moments of inspired guesswork, based on pretty much nothing, so beloved of the fictional detective.
This is the second book in the successful Hanne Wilhelmsen series, which now stands at nine, though I think only eight have been translated into English so far. As so often, I jumped into the middle of this series with the third book, [b:Death of the Demon|17251274|Death of the Demon (Hanne Wilhelmsen, #3)|Anne Holt|https://d.gr-assets.com/books/1365969531s/17251274.jpg|13192612], which I thoroughly enjoyed. This one didn't impress me quite so much, but its problems are of the kind that often infect authors' early books. On the whole, they were outweighed by the strengths – the quality of the writing enhanced by a good translation from Anne Bruce, the excellent characterisation, and the basic idea behind the plot, even if the execution of it wasn't quite as good. And knowing that by the time of Death of the Demon, Holt was more in control of her plotting and pacing means this is a series I will look forward to returning to in the future. 3½ stars for me, so rounded up.
www.fictionfanblog.wordpress.com
There seems to be a crime wave going on in the heat of the Oslo summer, and Detective Inspector Hanne Wilhelmsen and her colleagues are feeling the strain. There's been a spate of rapes, and though many of them are 'self-inflicted', as Hanne's boss charmingly puts it – i.e., date rapes – one is different. A stranger invades a young girl's flat and the rape is particularly violent and degrading. Meantime, some practical joker is spending Saturday evenings creating what look like blood-soaked crime scenes around the town, but with no bodies. Hanne's not convinced it is a joker though...
Hanne is a likeable detective - functional, hard-working, relates well to the people in her team. Her private life is stable, though she's hiding her long-term gay relationship from her colleagues and family – the book was only written a couple of decades ago, but oddly that strand already feels outdated, and rather clichéd. This means she doesn't socialise much with the team, so in some ways she's a bit isolated, though not a traditional loner. And she has a good friend in her colleague Billy T, who maybe knows her even better than she thinks.
Both strands of the plot – the rape and the Saturday night “massacres” - are interesting and Holt is excellent at setting the scene. The description of the rape is graphic without being gratuitous, but for my taste there's too much dwelling on the despair of the rape victim and her father in the aftermath. My views on misery-fests are well known to anyone who reads my reviews, but I do read crime primarily as entertainment and sometimes the voyeuristic wallowing becomes a bit much. However, the characterisation of both victim and father is very well done and their actions are for the most part believable.
Holt gets off to a great start, letting us know enough about the recurring characters to make this work fine as a standalone, and introducing the two major plot-lines nice and early so that the reader is hooked. And the ending takes on aspects of the thriller. It goes pretty far over the credibility line in places - one of these ones where you feel if people would just have a quick conversation a lot of angst could be avoided - but the quality of the writing carries it.
The major problem with the book is the tricky middle. For long stretches of time the police don't actually seem to do anything much, while constantly complaining of overwork. Can it really take three weeks to determine whether the blood left in the “massacre” scenes is human? And while they wait for results they do nothing else to try to find out who might be behind it. Is it really credible that the rape victim's father is able to find clues about the rape that the police missed, by merely questioning neighbours? If so, the competence of Hanne and her team can't be terribly high. Even I might have thought to ask if anyone had seen a strange car around the neighbourhood on the night in question. The overwork excuse is dragged out to cover every lapse that is required to allow the plot to develop into a thriller, but that leaves credibility as the major victim.
All this lack of investigation allows plenty of time for personal relationship stuff, though – most of which I could cheerfully have lived without, but that's just personal preference. And then when Holt finally moves towards the denouement she does so by having Hanne have a couple of those brilliant moments of inspired guesswork, based on pretty much nothing, so beloved of the fictional detective.
This is the second book in the successful Hanne Wilhelmsen series, which now stands at nine, though I think only eight have been translated into English so far. As so often, I jumped into the middle of this series with the third book, [b:Death of the Demon|17251274|Death of the Demon (Hanne Wilhelmsen, #3)|Anne Holt|https://d.gr-assets.com/books/1365969531s/17251274.jpg|13192612], which I thoroughly enjoyed. This one didn't impress me quite so much, but its problems are of the kind that often infect authors' early books. On the whole, they were outweighed by the strengths – the quality of the writing enhanced by a good translation from Anne Bruce, the excellent characterisation, and the basic idea behind the plot, even if the execution of it wasn't quite as good. And knowing that by the time of Death of the Demon, Holt was more in control of her plotting and pacing means this is a series I will look forward to returning to in the future. 3½ stars for me, so rounded up.
www.fictionfanblog.wordpress.com
oblivione's review against another edition
challenging
dark
mysterious
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
inamerata's review against another edition
dark
tense
4.0
Blessed Are Those Who Thirst is both a solid sequel and mystery/thriller in its own right. I enjoyed this even more than Blind Goddess, and I wonder if part of that is the skill of the new translator, Anne Bruce. The flow here is more engaging, while retaining a distinctive voice.
It helps a lot because the plot is heavy: Hanne is tracking a serial rapist and killer who targets immigrants, while an ethnically Norwegian woman who survived an attack struggles to cope. Holt does a good job portraying how society at large enables these crimes — the killer and Hanne both know it — by classifying some people as forgettable, expendable, or even deserving of wrongdoing. It was interesting to see the characters explore what justice means in these situations, and I was satisfied with the ending.
To help balance such grim material, we see Hanne have more sweet, lighter interactions with her girlfriend Cecile and friend/colleague Billy T, which is nice. She is still struggling with internalized homophobia and fears of what might happen if she were outed, but reaches the point she can let the smallest, closest corners of two of her worlds intersect.
My biggest complaint is we never learn the name of the Iranian woman. I understand it not being revealed immediately to show her isolation and the language barriers, but she’s also a POV character! Why don’t we know her name when we are in her own head, and see her other thoughts? This undermined the care and recognition of outsiders the rest of the novel worked toward.
Content Warnings
Graphic: Rape, Racism, Murder, and Misogyny
Moderate: Xenophobia and Homophobia
caseythecanadianlesbrarian's review against another edition
4.0
The subject of this 2nd installment is more disturbing than the 1st, but I liked this one even more. You get to see more into Hanne's personality and her struggle with internalized homophobia, plus Billy T, her awesome colleague who hints that he knows she's gay & is cool with it! The bad guy in this one is a serial rapist/murderer, so definite content warning for that, but I did like how the novel dealt with the issues surrounding sexual assault (in particular, addressing the (racist) assumption that brown immigrant men are more likely to be offenders than white Norwegians and victim-blaming).