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marthaos's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The Greens move to London from Ireland in the eighties to escape the judgment and social castigation that a teenage pregnancy would bring. Carmel, young, beautiful and with an imagined future of success, has to sacrifice much of what she wanted for herself but despite the sacrifices, cannot give herself to motherhood fully, remaining detached and cold towards her child Lucy. Lucy is the ten-year-old in question accused and questioned about the tragedy involving Mia, and when reporter Tom gets hold of the story, we see how a family can be scapegoated for no reason other than their position in society.
Through wonderfully rich character portrayals and descriptions, we learn how a series of ordinary human failings can compound a family, how shame and secrecy can feed off each other and over time smother a family and stop any growth. As we learn about the various members, we see how alcoholism and addiction can burn deep, we see how dreams and hopes can be buried in a culture of shame and failure and ultimately how it takes an open and brave confrontation with truth to break the cycles that can keep a family bound.
While this was quite a dark book, it was nuanced in its tone. The characters were very believably portrayed; ordinary humans who were neither vilified nor deified but who were navigating this life as best they could.
Overall this was a rich and immersive read and the Green family will stay with me for a long time and the quality of writing made it an enriching and enjoyable listen.
Moderate: Addiction, Child abuse, Child death, Death, Emotional abuse, Infidelity, Sexual assault, Grief, Death of parent, and Pregnancy
_inge's review
- Plot- or character-driven? Character
- Flaws of characters a main focus? Yes
3.5
This book doesn’t use quotation marks, and the numbered chapters usually indicate a shift in perspective. This does make it a bit confusing to follow sometimes. You could be reading multiple chapters from Carmel’s perspective, only to find a chapter from Ritchie’s point of view following those up without a prior warning. There’s quite a few characters to keep up with too, initially. I had to backtrack sometimes, either to figure out who’s who, but also to see who’s perspective I’m reading from. It doesn’t help that certain segments are paragraphs filled with a character’s thoughts, either.
In the interview on the last pages of my paperback copy, the author states they’d decided to remove major parts featuring Tom’s perspective as the focus should be on the family, not on him. I do get where this is coming from, but at the same time I thought Tom was always meant to be the one tying the story together. He’s the only character completely outside of the family, and he’s pretty one-sided most times (which the family isn’t either). He’s downright awful! But that’s what made his perspectives a nice change. He’s the only character who’s this full of himself, thinks this lowly of others and who has ulterior motives. I found his character fascinating and would’ve liked to see more of him. Once again during my Women’s Prize For Fiction 2024 reading I’m also noticing the blurb doesn’t really do this justice. The blurb made it out to be like Tom is the main focus here, so going into this I thought we’d get a deep delve into how the press works and what they’re capable of to get to a story first. These elements were there, but they never felt that important now.
Similarly, Lucy’s perspective wasn’t needed, in my opinion. In the interview Nolan says she wrote from her perspective when Lucy becomes a teen, to avoid having to write for a kid. But because the writing style doesn’t change from any of the (adult) characters in this book whatsoever, Lucy’s perspective felt a bit off. I knew she wouldn’t be thinking in the way she’s described to be doing here, which is lengthy sentences and an expansive vocabulary for how she really feels.
This is a really captivating read, every character felt alive to me. I would’ve liked less of Lucy and more of Tom, but that’s all personal preferences and I get why the author chose to go in this direction instead.
Graphic: Addiction, Adult/minor relationship, Alcoholism, Child death, Death, Drug use, Mental illness, Abortion, Pregnancy, Abandonment, and Alcohol
Moderate: Drug use, Eating disorder, Infidelity, Physical abuse, Self harm, Violence, Vomit, and Death of parent
terrimisu's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Alcoholism, Child death, Infidelity, Abortion, Death of parent, and Pregnancy
brinnavirginia's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.25
Graphic: Adult/minor relationship, Child death, and Violence
Moderate: Alcoholism, Bullying, Death, Drug abuse, Drug use, Emotional abuse, Infidelity, Mental illness, Pedophilia, Rape, Sexual content, Xenophobia, Blood, Abortion, Death of parent, Alcohol, Injury/Injury detail, and Classism
readingwithgoose's review against another edition
- Plot- or character-driven? Character
- Flaws of characters a main focus? Yes
3.0
Graphic: Alcoholism, Child death, Murder, and Pregnancy
Moderate: Infidelity and Death of parent
lianne_rooney's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Moderate: Alcoholism, Child death, Infidelity, Death of parent, and Pregnancy
bubblegum_or_books's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
Graphic: Alcohol
Moderate: Adult/minor relationship, Alcoholism, Child death, Death, Terminal illness, Abortion, Murder, and Pregnancy
Minor: Cancer, Infidelity, and Grief