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3.86 AVERAGE
3.86 AVERAGE
I was just exposing myself to classic literature and was surprised at how easy this was to read. Recommended.
adventurous
challenging
funny
reflective
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
Never having read any Voltaire, I have to say that I was hoping for more from these two stories. I expected philosophical insight coupled with wit, but instead I found thinly-veiled parables which dragged interminably on through frustrating repetition and good events inevitably followed by their undoing. Candide and Zadig were similar tales which reached opposite conclusions, I suppose due to the different merits of each protagonist. The so-called morals of each story were wholly simplistic, ridiculous and not worthy of an Enlightenment writer.
adventurous
funny
lighthearted
fast-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
emotional
funny
lighthearted
reflective
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
dark
reflective
sad
medium-paced
I'm saving Candide for later, but I read Zadig and the 14 other stories in this lovely volume packed full of Voltaire at his satirical, philosophical, humorous, bureaucracy-hating, freedom-loving best.
adventurous
challenging
reflective
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
I got to know Voltaire through his work, and I like his views and character. Very much a philosophical exploration of life, love, and faith. Told through some very unfortunate, and brutal adventures.
Enjoyed this book. Candide is continuously getting himself into a mess!heheheh
OK, so apparently Candide was first and foremost intended as a swipe at Philosophical Optimism, an idea championed by Leibnitz, the guy who we remember today as The Other Guy Who Developed Calculus. Philosophical Optimism was – so far as I can tell – the semi-theological (or maybe totally-theological) notion that this crazy old world is necessarily the best of all possible worlds, even if it often doesn’t seem much like that to those of us who happen to live here. And wow, Voltaire really lays into Philosophical Optimism with a vengeance in this novel! Leibnitz must have been all, like, "Ouch!" But since nobody has really been pushing Philosophical Optimism per se for, oh, a couple of centuries now, the book has necessarily lost some of its intellectual punch.
No matter. Even having lost its raison d'etre, Candide is good, madcap fun. In fact, it would be exaggerating only a little to say that it still retains a certain comic freshness after 251 years. It is a little amazing to a modern reader – or at least to me – to find such an anarchic, absurdist sense of humor in a book that predates.... well, that predates almost everything we might read, hear, watch, or experience in everyday life (excepting certain very old buildings in participating locations).
Voltaire writes with a straight-faced silliness that is likely to resonate with Monty Python fans. The eponymous hero, whose name gives away his perfect naiveté, is raised in a German castle called “Thunder-ten-tronckh.” Early on, he falls into service in the “Bulgarian” (but clearly the Prussian) army, and learns how to drill magnificently; later in the book he will, like Colonel Scheisskopf in a much later book, be considered a military genius due to his acumen on the parade ground.
Lots of silly and random misadventures befall Candide and everyone he meets. Voltaire makes not the slightest gesture towards making the progression of events plausible or even logical, and indeed characters that have been killed off in early chapters are forever reappearing with miraculous stories of how they weren’t really dead after all. This free-wheeling style lets Voltaire make fun of pretty much everything, everybody, and everyplace. From Germany, Candide will find his way to Spain, Portugal, Brazil, Paraguay, El Dorado, Surinam, Paris, England, Venice, and Turkey – if I’m not forgetting anything – and the rulers and institutions of all these places, even the imaginary one, are lampooned with merciless, equal-opportunity gusto.
In addition to his social satire, Voltaire also breaks down and satirizes the conventional logic of the novel. No doubt he has long since been claimed as a pre-modern exponent of post-modernity by those in charge of mapping such terrain. If not, you are more than welcome to take this up as a dissertation topic. Mention me in the acknowledgements, is all.
What makes Voltaire a top-notch satirist is his ability to see both sides of an issue and mock them both ruthlessly, often leaving you with no idea where he stands on the issue himself. A character called Pococurante, for instance, is used to make fun of mindless adulation of the classics. Here he is talking about the Iliad:
Once I was made to believe I took pleasure in reading it. But that continual repetition of combats that are all alike, those gods that are always active and never do anything decisive, that Helen who is the subject of the war and who has hardly any part in the action, that Troy which is always besieged and never taken – all that caused me that most deadly boredom. I have sometimes asked learned men whether they were as bored as I was in reading it. All the sincere ones admitted to me that the book fell out of their hands, but that you always had to have it in your library, like an ancient monument, or like those rusty coins which cannot be used in commerce.
So wow! He’s taking the piss on Homer! In 1759! That's pretty radical! But then, a few pages later, a sentence from his airhead hero, Candide, makes fun of people who create the impression of great intelligence by taking surprising contrary opinions:
"Oh, what a superior man!” said Candide under his breath. “What a great genius this Pococurante is! Nothing can please him.”
So, does Voltaire think the Iliad is boring and overrated? Or does he think that it would be ridiculous to think so? No tellin'!
Prognosis: Still an easy and entertaining read after all these year, Candide is a funny and humane parody of the ways of the world. Reading it today, it’s nice to see that, to an extent, the ways of the world have made some progress. One always wishes that one could say that we've made so MUCH progress that Voltaire’s satire has lost its bite, and is now of purely historical interest. But no. Still funny, still biting, and all too often still on target.
No matter. Even having lost its raison d'etre, Candide is good, madcap fun. In fact, it would be exaggerating only a little to say that it still retains a certain comic freshness after 251 years. It is a little amazing to a modern reader – or at least to me – to find such an anarchic, absurdist sense of humor in a book that predates.... well, that predates almost everything we might read, hear, watch, or experience in everyday life (excepting certain very old buildings in participating locations).
Voltaire writes with a straight-faced silliness that is likely to resonate with Monty Python fans. The eponymous hero, whose name gives away his perfect naiveté, is raised in a German castle called “Thunder-ten-tronckh.” Early on, he falls into service in the “Bulgarian” (but clearly the Prussian) army, and learns how to drill magnificently; later in the book he will, like Colonel Scheisskopf in a much later book, be considered a military genius due to his acumen on the parade ground.
Lots of silly and random misadventures befall Candide and everyone he meets. Voltaire makes not the slightest gesture towards making the progression of events plausible or even logical, and indeed characters that have been killed off in early chapters are forever reappearing with miraculous stories of how they weren’t really dead after all. This free-wheeling style lets Voltaire make fun of pretty much everything, everybody, and everyplace. From Germany, Candide will find his way to Spain, Portugal, Brazil, Paraguay, El Dorado, Surinam, Paris, England, Venice, and Turkey – if I’m not forgetting anything – and the rulers and institutions of all these places, even the imaginary one, are lampooned with merciless, equal-opportunity gusto.
In addition to his social satire, Voltaire also breaks down and satirizes the conventional logic of the novel. No doubt he has long since been claimed as a pre-modern exponent of post-modernity by those in charge of mapping such terrain. If not, you are more than welcome to take this up as a dissertation topic. Mention me in the acknowledgements, is all.
What makes Voltaire a top-notch satirist is his ability to see both sides of an issue and mock them both ruthlessly, often leaving you with no idea where he stands on the issue himself. A character called Pococurante, for instance, is used to make fun of mindless adulation of the classics. Here he is talking about the Iliad:
Once I was made to believe I took pleasure in reading it. But that continual repetition of combats that are all alike, those gods that are always active and never do anything decisive, that Helen who is the subject of the war and who has hardly any part in the action, that Troy which is always besieged and never taken – all that caused me that most deadly boredom. I have sometimes asked learned men whether they were as bored as I was in reading it. All the sincere ones admitted to me that the book fell out of their hands, but that you always had to have it in your library, like an ancient monument, or like those rusty coins which cannot be used in commerce.
So wow! He’s taking the piss on Homer! In 1759! That's pretty radical! But then, a few pages later, a sentence from his airhead hero, Candide, makes fun of people who create the impression of great intelligence by taking surprising contrary opinions:
"Oh, what a superior man!” said Candide under his breath. “What a great genius this Pococurante is! Nothing can please him.”
So, does Voltaire think the Iliad is boring and overrated? Or does he think that it would be ridiculous to think so? No tellin'!
Prognosis: Still an easy and entertaining read after all these year, Candide is a funny and humane parody of the ways of the world. Reading it today, it’s nice to see that, to an extent, the ways of the world have made some progress. One always wishes that one could say that we've made so MUCH progress that Voltaire’s satire has lost its bite, and is now of purely historical interest. But no. Still funny, still biting, and all too often still on target.