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gwenythepooh's review against another edition
adventurous
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Check the trigger warnings!
This is a rich, winding story that had me enthralled. I couldn’t stop reading. Can’t wait for the next book.
This is a rich, winding story that had me enthralled. I couldn’t stop reading. Can’t wait for the next book.
Content Warnings
Graphic: Death, Genocide, Racism, Violence, Xenophobia, Religious bigotry, Death of parent, Cultural appropriation, Colonisation, and War
Moderate: Sexual assault and Sexual harassment
sarrie's review against another edition
adventurous
challenging
dark
emotional
informative
mysterious
sad
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
3.75? Rounded up to 4
TL;DR: If you enjoy non-stop YA fantasy this is the one for you. I really enjoyed a lot of this but found the pace a bit too fast.
Song of Silver, Flame Like Night has me on the fence. It follows, primarily two characters. Lan is a 'songbird', a girl who works in a tea parlor singing for work. The city and land she lives in has been conquered by an invading force, her culture and people repressed and destroyed. Our second character is Zen, a young practitoner who is seeking out others like him and information about the magic and culture that they've lost. The two come in contact and the book explodes (almost literally) out from there.
My biggest problem with Song of Silver is the pacing which is breakneck for me. It was so fast, there were little to no quiet moments, no moments of reprieve for the characters. One good thing would happen, or five mins of dialogue and then immediately there is an emergency or a dire situation. Fast paced books are fine, but this felt almost as if our author just did not want or know how to give the characters rest. I felt so bad for them because of how much they seemed to deal with in such fast succession. There was one period of time that the characters didn't have a pressing emergency and that was described as 'And time passed'. Which during that time we had to assume that our characters grew attached to certain things and people but we never saw it.
Past this I loved a lot about this book! I want more of the characters we were introduced to, especially the side characters and the system and world is beautiful. The themes that the author is struggling with and representing, I felt were clear and heartbreaking (as they should have been). The villains did end up feeling a little over the top, especially in a final scene, but considering the wuxia/xianxia style of the action and magic in this I think that can be forgiven. The setting and magic were incredible and really that's what kept me coming back.
So while I wish the story had more time to breath and give us a breath this was a beautiful ride. If you don't mind books that just 'go, go, go' pick this up. It's got an amazing setting, beautiful magic, and over the top fighting that will not miss if you love that sort of thing.
4 out of 5 Ocarinas.
TL;DR: If you enjoy non-stop YA fantasy this is the one for you. I really enjoyed a lot of this but found the pace a bit too fast.
Song of Silver, Flame Like Night has me on the fence. It follows, primarily two characters. Lan is a 'songbird', a girl who works in a tea parlor singing for work. The city and land she lives in has been conquered by an invading force, her culture and people repressed and destroyed. Our second character is Zen, a young practitoner who is seeking out others like him and information about the magic and culture that they've lost. The two come in contact and the book explodes (almost literally) out from there.
My biggest problem with Song of Silver is the pacing which is breakneck for me. It was so fast, there were little to no quiet moments, no moments of reprieve for the characters. One good thing would happen, or five mins of dialogue and then immediately there is an emergency or a dire situation. Fast paced books are fine, but this felt almost as if our author just did not want or know how to give the characters rest. I felt so bad for them because of how much they seemed to deal with in such fast succession. There was one period of time that the characters didn't have a pressing emergency and that was described as 'And time passed'. Which during that time we had to assume that our characters grew attached to certain things and people but we never saw it.
Past this I loved a lot about this book! I want more of the characters we were introduced to, especially the side characters and the system and world is beautiful. The themes that the author is struggling with and representing, I felt were clear and heartbreaking (as they should have been). The villains did end up feeling a little over the top, especially in a final scene, but considering the wuxia/xianxia style of the action and magic in this I think that can be forgiven. The setting and magic were incredible and really that's what kept me coming back.
So while I wish the story had more time to breath and give us a breath this was a beautiful ride. If you don't mind books that just 'go, go, go' pick this up. It's got an amazing setting, beautiful magic, and over the top fighting that will not miss if you love that sort of thing.
4 out of 5 Ocarinas.
Content Warnings
Graphic: Death, Racial slurs, Racism, Violence, Blood, Colonisation, and War
Moderate: Sexual violence, Torture, Religious bigotry, Death of parent, and Sexual harassment
natashaleighton_'s review against another edition
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
A beautifully crafted and utterly compelling, Xianxia-style fantasy, steeped in Chinese mythology which was thrilling and heart-wrenching in equal measure. This is actually only the first of Amélie Wen Zhao’s books that I’ve ever read. And given the gorgeously detailed world building, complex (and multidimensional) characters and the skilful tackling of important themes (such as: generational trauma, the price of power and the untold destruction colonialism causes) it certainly won’t be the last.
It follows Lián’ér a member of the Hin people who—after her country falls to Elantian colonisers—finds herself scavenging for scraps of the past or anything that will help her to understand the strange mark burned into her arm by her mother, in her last act before death.
Having been forced to take a new name by the people who killed her mother, outlawed her country’s unique magic and steal its precious resources for its own gain; Lan—now a song girl at the Rose Pavilion Teahouse, spends her days earning her keep by singing to Madam Meng’s patrons.
No one can see the mysterious mark… until Zen appears at the teahouse and saves her life. Zen is a practitioner (a fabled magician whose magical abilities are rumoured to come from the demons they commune with.) Magic that was long thought lost, and which could be the key to understanding the mark and the secrets that died with her mother. But the magic must remain hidden at all costs.
Despite each of their own long buried secrets, Lan and Zen’s have been brought together by fate—but their destiny still has yet to be written. For the power they both hold could free the kingdom and it’s people… or cause the world’s very destruction.
This was an incredible read and I enjoyed just how all encompassing and immersive it was! The world building was especially good and soo detailed that I definitely lost myself in all the incredible descriptions for a while. And, despite the sheer depth and breadth of the mythology that Wen Zhao intricately crafts (the history surrounding the ninety nine clans, each Kingdom era and the lore surrounding the four demons) the pace was remarkably consistent and never dragged or felt slow. Likewise, the magic system was incredibly intriguing—the concept of balance being necessary for the Kingdom (and the world’s survival) was especially interesting.
But personally, it was the nuanced, flawed and multifaceted characters that I intrigued me the most. Lan, was such a sassy and genuinely funny protagonist who despite all the heartbreak and pain she’s had to endure, shows great courage in facing once again having to face the perpetrators who have caused it all. Her journey (and her path to self discovery) was truly inspiring. I don’t think I could be half a courageous if put in her position.
Zen too, was a really interesting character who is dealing with struggles of his own that we don’t really get to know a lot about until the second half of the book. I enjoyed the air of mystery that surrounds him but the exquisitely developed personal arc (in which Zen must make some truly difficult choices) was masterfully done and really kept an edge of intense ambiguity right up until that phenomenal ending.
It is told through both Lan and Zen’s alternating POVs which I really enjoyed and felt it added soo much depth to both characters, as we watch their interactions turn from reluctant allies to friends and then, into something more. I was definitely a fan of the playful teasing and flirtatious banter we’re treated to. If you love your romance swoon worthy and deliciously slow burn then you’re gonna adore these two.
I also wanted to mention that themes centred around some pretty heavy subject material are explored; involving colonialism, cultural appropriation and exploitation (as well as racism, sexism and brief mentions sexual harassment/violence) so do bare this in mind before reading. That being said, it’s definitely handled sensitively and does highlight some important and relevant issues that definitely need to be discussed further.
Overall, an exquisite and breathtakingly masterful series starter that lovers of sweeping fantasy epics and unforgettably complex characters are going to absolutely devour. I’m genuinely excited to see what happens next.
Also, thanks to Random Things Tours and Harper Voyager UK for this absolutely gorgeous finished copy.
It follows Lián’ér a member of the Hin people who—after her country falls to Elantian colonisers—finds herself scavenging for scraps of the past or anything that will help her to understand the strange mark burned into her arm by her mother, in her last act before death.
Having been forced to take a new name by the people who killed her mother, outlawed her country’s unique magic and steal its precious resources for its own gain; Lan—now a song girl at the Rose Pavilion Teahouse, spends her days earning her keep by singing to Madam Meng’s patrons.
No one can see the mysterious mark… until Zen appears at the teahouse and saves her life. Zen is a practitioner (a fabled magician whose magical abilities are rumoured to come from the demons they commune with.) Magic that was long thought lost, and which could be the key to understanding the mark and the secrets that died with her mother. But the magic must remain hidden at all costs.
Despite each of their own long buried secrets, Lan and Zen’s have been brought together by fate—but their destiny still has yet to be written. For the power they both hold could free the kingdom and it’s people… or cause the world’s very destruction.
This was an incredible read and I enjoyed just how all encompassing and immersive it was! The world building was especially good and soo detailed that I definitely lost myself in all the incredible descriptions for a while. And, despite the sheer depth and breadth of the mythology that Wen Zhao intricately crafts (the history surrounding the ninety nine clans, each Kingdom era and the lore surrounding the four demons) the pace was remarkably consistent and never dragged or felt slow. Likewise, the magic system was incredibly intriguing—the concept of balance being necessary for the Kingdom (and the world’s survival) was especially interesting.
But personally, it was the nuanced, flawed and multifaceted characters that I intrigued me the most. Lan, was such a sassy and genuinely funny protagonist who despite all the heartbreak and pain she’s had to endure, shows great courage in facing once again having to face the perpetrators who have caused it all. Her journey (and her path to self discovery) was truly inspiring. I don’t think I could be half a courageous if put in her position.
Zen too, was a really interesting character who is dealing with struggles of his own that we don’t really get to know a lot about until the second half of the book. I enjoyed the air of mystery that surrounds him but the exquisitely developed personal arc (in which Zen must make some truly difficult choices) was masterfully done and really kept an edge of intense ambiguity right up until that phenomenal ending.
It is told through both Lan and Zen’s alternating POVs which I really enjoyed and felt it added soo much depth to both characters, as we watch their interactions turn from reluctant allies to friends and then, into something more. I was definitely a fan of the playful teasing and flirtatious banter we’re treated to. If you love your romance swoon worthy and deliciously slow burn then you’re gonna adore these two.
I also wanted to mention that themes centred around some pretty heavy subject material are explored; involving colonialism, cultural appropriation and exploitation (as well as racism, sexism and brief mentions sexual harassment/violence) so do bare this in mind before reading. That being said, it’s definitely handled sensitively and does highlight some important and relevant issues that definitely need to be discussed further.
Overall, an exquisite and breathtakingly masterful series starter that lovers of sweeping fantasy epics and unforgettably complex characters are going to absolutely devour. I’m genuinely excited to see what happens next.
Also, thanks to Random Things Tours and Harper Voyager UK for this absolutely gorgeous finished copy.
Content Warnings
Graphic: Death, Misogyny, Racism, Sexism, Violence, Blood, Death of parent, Murder, Colonisation, and War
Moderate: Genocide, Sexual violence, Torture, Grief, Religious bigotry, Cultural appropriation, and Sexual harassment