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starrysteph's review against another edition
dark
emotional
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
The Daughters of Izdihar is filled with elemental magic, female rage, and freedom fighters. However, to me it fell a bit flat and didn’t bring anything new to the genre.
We follow two young women from very different backgrounds in an Egyptian-inspired magical world.
Nehal is the wealthy daughter of an aristocrat, forced into an arranged marriage in order to save her family from financial ruin. But what she truly wants is to nurture her waterweaving skills and someday join the first ever all-female regiment of the army.
Giorgina is a poor bookshop worker, struggling to suppress her uncontrollable earth weaving power. She’s in love with a man who cannot publicly be with her and secretly writes for the Daughters of Izdihar, a women’s rights group.
Both women connect unexpectedly as they yearn for women’s equality and struggle to make their own choices and live (& love) freely.
The writing wavered at times - it feels very clear to me that this is a debut. Sentences were often a bit choppy or repetitive, dialogue was unnatural, and the plot felt familiar to many other fantasy reads (elemental magic has been done so often & it wasn’t really included in a new way here).
It was a bit draining to input all the sexism, and to see the women’s rights group fall into the same cycles. New protest idea, it gets squandered by men and/or corrupt politicians and police, women have to reformulate, and so on. This is most of the book, and it’s copied & pasted straight from history.
I also felt like Nehal was a stronger character - with a bit more character development. I was antsier reading from Giorgina’s POV, and didn’t care much for her conflict with her love interest. It felt like she was just one-dimensionally tossed in to suffer at the hands of various men. Contrastingly, Nehal’s growth (both in uncovering the realities of her world and discovering her sexuality) was more engaging.
But even so - the queer plotlines (Nehal’s and a random side character who shows up at two convenient moments) felt underdeveloped. And Nehal’s impulsivity grew a little tiring, alongside her unbelievably fast rise in skill with waterweaving. She also NEVER faced any consequences for her harmful actions … and it’s not particularly clear why she desires to be part of the women’s rights movement in the first place. She can’t even be bothered to read the magazines.
I felt like there were interesting ideas here - with the setting and with the characters - that simply weren’t explored enough.
CW: sexism, misogyny, murder, death, homophobia, lesbophobia, police brutality, sexual harassment, sexual assault, classism, gun violence, grief, war, abortion
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(I received a free copy of this book; this is my honest review.)
Content Warnings
Graphic: Sexual assault, Murder, Sexual harassment, Classism, Body shaming, War, Abortion, Misogyny, Gun violence, Death, Homophobia, Confinement, Lesbophobia, Police brutality, Sexism, and Grief
gigireadswithkiki's review against another edition
adventurous
emotional
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
I loved that this book told a story set in a more modern Egypt! The Daughters of Izdihar tells a harrowing tale of two girls, Nehal and Georgina, both on a journey towards freedom and choice, in a country on the brink of war. I enjoyed role of the technological levels of this story, the juxtaposition between trains and palanquins showcasing a country seemingly on the path to the future while being heavily held back by restrictions on women and their personhood. The colorful descriptions of the fashion, the cuisine, and the architecture were immersive and aids in pulling the reader into the story.
I liked the magical weaving element of the story, though I felt that at times, this component of the story felt more like an afterthought. The beginning of Nehal's story leads with a burning desire to attend the Weaving Academy due to her struggle to learn the skills of weaving on her own. Yet, the very moment she attains everything she had been striving for, Nehal never has to struggle to rise in strength and skill. Further on in the story, Nehal's fast-learned ability quickly culminates to dire consequences, but I would've liked to see a little more of the Weaving Academy.
Georgina's journey with weaving, while featuring a wildly contrasting story, had similar tones to Nehal's. With Georgina, I liked that her story showed the difficulties of weaving while coming from a less privileged background. But again, at times, it felt like her weaving abilities only come into the story as a method to lead into the next act of the book and I would've liked to see more of her relationship with her weaving abilities.
One of my struggle with the story was feeling like there were times when the actions and thoughts of the characters were told to the reader, as opposed to being showed to the reader, leading to the characters occasionally feeling very one-dimensional. For example, upon being given new information, the reader is told Nehal is reflecting on the consequences, without further delving into her thought process involved in the choices she must make about the issue at hand.
In a story showcasing police brutality and the escalation of violence at the hands of cops, I found it odd and a little distasteful that there was pro-cop rhetoric within this book. When the characters have to deal with the police force, Nehal reflects that "... there were some like Shaaban who were honorable and dedicated to maintaining the peace.." While not being a full endorsement for police, this line of thinking is all too similar to rampant "not all cops" arguments, and I did not enjoy that the issue is not reflected upon further in the story.
In the end, I did like this book for the magic elements and the setting, and the cliffhanger has me waiting impatiently for the sequel!
I liked the magical weaving element of the story, though I felt that at times, this component of the story felt more like an afterthought. The beginning of Nehal's story leads with a burning desire to attend the Weaving Academy due to her struggle to learn the skills of weaving on her own. Yet, the very moment she attains everything she had been striving for, Nehal never has to struggle to rise in strength and skill. Further on in the story, Nehal's fast-learned ability quickly culminates to dire consequences, but I would've liked to see a little more of the Weaving Academy.
Georgina's journey with weaving, while featuring a wildly contrasting story, had similar tones to Nehal's. With Georgina, I liked that her story showed the difficulties of weaving while coming from a less privileged background. But again, at times, it felt like her weaving abilities only come into the story as a method to lead into the next act of the book and I would've liked to see more of her relationship with her weaving abilities.
One of my struggle with the story was feeling like there were times when the actions and thoughts of the characters were told to the reader, as opposed to being showed to the reader, leading to the characters occasionally feeling very one-dimensional. For example, upon being given new information, the reader is told Nehal is reflecting on the consequences, without further delving into her thought process involved in the choices she must make about the issue at hand.
In a story showcasing police brutality and the escalation of violence at the hands of cops, I found it odd and a little distasteful that there was pro-cop rhetoric within this book. When the characters have to deal with the police force, Nehal reflects that "... there were some like Shaaban who were honorable and dedicated to maintaining the peace.." While not being a full endorsement for police, this line of thinking is all too similar to rampant "not all cops" arguments, and I did not enjoy that the issue is not reflected upon further in the story.
In the end, I did like this book for the magic elements and the setting, and the cliffhanger has me waiting impatiently for the sequel!
Content Warnings
Graphic: Panic attacks/disorders, Police brutality, and Sexism
Moderate: Blood, Body shaming, Bullying, Classism, Confinement, Death, Homophobia, Lesbophobia, Misogyny, Murder, Outing, and Violence
Minor: War
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