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salicer's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Body horror, Child abuse, Domestic abuse, Racism, Torture, Blood, and Murder
Minor: Homophobia
apersonfromflorida's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Death, Domestic abuse, and Violence
Moderate: Physical abuse, Toxic relationship, and Murder
Minor: Addiction, Drug abuse, and Homophobia
efearing's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Violence
Moderate: Child abuse, Child death, Domestic abuse, Sexual violence, Death of parent, Murder, and Classism
Minor: Homophobia
georgie2212's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Violence
Moderate: Suicidal thoughts and War
Minor: Addiction, Domestic abuse, Emotional abuse, Homophobia, Rape, Sexual violence, and Vomit
kassidyreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Domestic abuse, Physical abuse, Violence, Murder, and Injury/Injury detail
Moderate: Drug abuse, Toxic relationship, Grief, Death of parent, and Classism
Minor: Gun violence, Homophobia, Sexual content, and War
spicycronereads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The first ten percent or so takes patience as you get oriented to the world and the mechanics of how multiverse travel works, but after that it is engrossing, with dynamically flawed characters and twists galore.
The book has rich secondary characters whose development is rounded out by meeting the same characters in different worlds.
There is a bit of romance between the main character Cara and her colleague Dell. There is plentiful pining, punctuated with occasional moments of potential. I give it one swoony heart 💖
This book has quite a lot of diverse representation. Not only are Cara and Dell in a sapphic romance, but they are both women of color: Cara and other characters are Black, while Dell is Asian. The book deals with attitudes toward queer relationships as well as with the intersection of class, race, and sexuality.
Overall I found this to be a beautiful read. I was excited to see that Johnson’s next book is set in the same world, centered on a tertiary character from this book. I will definitely read it! ⭐️⭐️⭐️⭐️⭐️ / 💖
Graphic: Alcoholism, Drug abuse, Racism, Xenophobia, Grief, Death of parent, and Classism
Moderate: Homophobia
Minor: Suicidal thoughts
deetabz's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
Graphic: Body horror, Death, Toxic relationship, Violence, Medical content, Murder, and Injury/Injury detail
Moderate: Domestic abuse, Homophobia, Physical abuse, Sexual assault, Sexual violence, Torture, Blood, Grief, Religious bigotry, Death of parent, Lesbophobia, and Classism
Minor: Racism, Sexual content, and War
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Body horror, Death, Domestic abuse, Gore, Physical abuse, Violence, Murder, Injury/Injury detail, and Classism
Moderate: Child abuse, Panic attacks/disorders, Racism, Grief, Death of parent, and Fire/Fire injury
Minor: Addiction, Child death, Drug abuse, Drug use, Homophobia, Miscarriage, Sexual content, Suicide, Vomit, and War
tangleroot_eli's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
Johnson's worldbuilding is exquisite. I got attached to her characters within paragraphs of their introductions. Her portrayals of classism, racism, and colonialism felt like constant gut-punches. If Spouse weren't waiting to read it before we have to return this copy to the library, I might've flipped right back to the beginning and started reading it again the moment I finished it.
Graphic: Death, Domestic abuse, Physical abuse, Toxic relationship, Murder, and Classism
Moderate: Addiction, Body horror, Child abuse, Child death, Confinement, Gore, Homophobia, Racism, Violence, Blood, Vomit, Medical content, Death of parent, Injury/Injury detail, and Deportation
Minor: Gun violence, Miscarriage, Suicidal thoughts, Suicide, Kidnapping, Religious bigotry, and War
Graphic: Environmental degradation Minor: Whorephobia, Child laborlooseleafellie's review against another edition
5.0
My favorite book is This Is How You Lose the Time War, and I picked up The Space Between Worlds because it seemed similar. It’s a short-ish sci-fi book with alternate universes, sapphic yearning, and evil organizations to thwart.
However, The Space Between Worlds is more character-focused and contained. I loved how none of the characters — including Cara — are all good or all bad, especially when their alternate selves come into play. The book explores how your background and relative privilege can shape your personality and motivations, even if you’re technically the same person, which was very interesting. The romantic tension between Cara and Dell weaves throughout, but as a side plot to the main story.
Even in 330-ish pages, the world drew me in. The setting is grounded in the neighboring cities of Ashtown and Wiley City: one an impoverished community of survivors, the other a high-tech utopia (for those who have citizenship). While I expected a wider scale, the focused setting strengthened the book by allowing for exploration of the themes in a confined space.
One drawback of the short length is I found the ending a bit rushed. When I had 30 pages left, I thought, “they have to end all this in 30 pages?” I still enjoyed the ending, but would have liked extra time to sit in the emotions and feel things out more.
Overall, I really enjoyed this book, and I think it’s great for fans of This Is How You Lose the Time War — or people who like character-focused stories about alternate universes in general.
CWs: Gore, violence, death, domestic abuse, classism, and mentions of drug addiction, homophobia, child neglect, and suicide.
Graphic: Death, Gore, Violence, and Blood
Moderate: Domestic abuse and Classism
Minor: Child abuse, Drug abuse, Homophobia, and Suicide