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bookishbrenbren's review against another edition
emotional
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Um what. This book make no fking sense. Bc the characters are underdeveloped and have no internal arc/growth. So their decisions and choices make no sense and are not connected to who they supposedly are as people. The story is all plot *things are happening and there is sex!* but I need something deeper to believe true love is real lmao this book made me feel nothing except these two horndogs have sexual chemistry.
The very icky premise is laid out in the first chapter: the pair is a woman whose sister committed suicide and the man who was driving the car when she ran into traffic. Um why??? Why did that need to be a couple?!?! so anyway, i go on reading because it's so highly hyped, waiting for the ickiness to smooth itself out and for all these characters to like work through their collective, shared trauma and like let that emotional work bring them closer lol no none of that happens. For some reason, the main character is not turned off enough by her own grief and her partner's role in that grief - or at least his connection to it - to not have sex with him. And it's very weird like all around like have any of the people on the production side of this book ever lost a family member and/or experienced grief?? Like I know they must have, but I'm just wondering how this book ends up the book that it is. Idk call me crazy but grief is not a huge turn on for me. Much less grief by suicide! Were there sensitivity readers? I'm dying to know because some of the language used in this book seems very yeah I'm just gonna say it again icky.
If this was real like and the girl you ran over's sister asked you to fuck off their show's adaptation writing team, why would you say No!? Obviously he's not hurting for opportunities. And why would you EVER forgive him for saying no???? Can I not just suffer once, you want me to suffer every day I show up to work? Again I return to the idea that none of these editors, agents, writer, have ever actually lost anyone close to them.
Anyways. Ultimately the biggest issue here is that there is no character development. The pair has sexual chemistry as I mentioned before, but we have no idea why they do the things they do. Like it's clear, given their shared trauma, why they would *not* want to get together but what is making them ignore all of that self preservation? We'll never know because these characters are like an inch deep.
The very icky premise is laid out in the first chapter: the pair is a woman whose sister committed suicide and the man who was driving the car when she ran into traffic. Um why??? Why did that need to be a couple?!?! so anyway, i go on reading because it's so highly hyped, waiting for the ickiness to smooth itself out and for all these characters to like work through their collective, shared trauma and like let that emotional work bring them closer lol no none of that happens. For some reason, the main character is not turned off enough by her own grief and her partner's role in that grief - or at least his connection to it - to not have sex with him. And it's very weird like all around like have any of the people on the production side of this book ever lost a family member and/or experienced grief?? Like I know they must have, but I'm just wondering how this book ends up the book that it is. Idk call me crazy but grief is not a huge turn on for me. Much less grief by suicide! Were there sensitivity readers? I'm dying to know because some of the language used in this book seems very yeah I'm just gonna say it again icky.
If this was real like and the girl you ran over's sister asked you to fuck off their show's adaptation writing team, why would you say No!? Obviously he's not hurting for opportunities. And why would you EVER forgive him for saying no???? Can I not just suffer once, you want me to suffer every day I show up to work? Again I return to the idea that none of these editors, agents, writer, have ever actually lost anyone close to them.
Anyways. Ultimately the biggest issue here is that there is no character development. The pair has sexual chemistry as I mentioned before, but we have no idea why they do the things they do. Like it's clear, given their shared trauma, why they would *not* want to get together but what is making them ignore all of that self preservation? We'll never know because these characters are like an inch deep.
Content Warnings
Graphic: Medical content, Car accident, Child death, Cursing, Grief, Alcohol, Death, Panic attacks/disorders, and Suicide
internationalreads's review against another edition
dark
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Grief, Suicide, Sexual content, Medical content, Cursing, Car accident, and Death
jillkaarlela's review against another edition
emotional
hopeful
reflective
sad
4.75
Taylor Swift songs: “I can see you (tv)”, “Dancing with our hands tied”
Age rating: 17+ (5 ish spicy scenes, 2/5🌶️)
The tension between them is sizzling, and the emotional vulnerability between them is amazing! I trust her 100% to write and direct Emily Henry’s films! Kuang made me feel so seen and supported and loved!! If you like dual pov, workplace, and where the MMC falls first and falls harder, this is for you!!! I loved getting to witness Grant love Helen the way that she deserves to be loved. It healed a little piece of my heart.
I also loved the focus on Helen and her parents’ relationship, specifically with being the child of immigrant parents! It was so well done! And Helen finding herself and her friendships/found family in her thirties!! I love it!
This does deal with some very sensitive themes, so please read with care. I took more time reading this one for that reason.
Tw: suicide, grief, death
Age rating: 17+ (5 ish spicy scenes, 2/5🌶️)
The tension between them is sizzling, and the emotional vulnerability between them is amazing! I trust her 100% to write and direct Emily Henry’s films! Kuang made me feel so seen and supported and loved!! If you like dual pov, workplace, and where the MMC falls first and falls harder, this is for you!!! I loved getting to witness Grant love Helen the way that she deserves to be loved. It healed a little piece of my heart.
I also loved the focus on Helen and her parents’ relationship, specifically with being the child of immigrant parents! It was so well done! And Helen finding herself and her friendships/found family in her thirties!! I love it!
This does deal with some very sensitive themes, so please read with care. I took more time reading this one for that reason.
Tw: suicide, grief, death
Content Warnings
Moderate: Cursing, Grief, Suicide, and Sexual content
gabichatslit's review against another edition
4.0
Wow. Wow. Wow.
*Thank you to NetGalley and Avon Books for gifting an eARC of this book in exchange for review*
This book kept me enraptured, had my emotions up and down, and felt like watching an impending train crash at times. But I couldn’t look away and I couldn’t stop reading.
The premise had me intrigued from the moment the book’s release was announced and I just kept thinking— “there’s no way this is gonna work. how will this possibly work?” lol And for the first 30% of the novel, I was still like how can this end well for anyone? But Kuang made it work and by 41% I was rooting for Helen and Grant.
These characters felt so so real. And I love how the POV’s flowed between the main characters multiple times in every chapter instead of bouncing between each one chapter to chapter. Helen drove me up a wall at the beginning with her insecurities but it made her feel so human because like I know her, I’ve been her. It felt so good to watch her grow and establish boundaries kind of with her parents. And see her make friends. It was nice to see Grant fight for something/someone and to not let things happen to him. They deserved a happy ending with one another because they really saw one another and pushed the other to be better.
I wish there had been more moments of watching Helen and Grant settle into their relationship after getting over their big hurdle. Only having like one or two chapters of their HEA, felt like a letdown given how much they overcame but I had a good time nonetheless.
There were moments while reading, where I was floored by the way Kuang wrote not only dialogue but prose, and I find myself reassured that us, Emily Henry fans, are in good hands with her at the helm of the PWMOV and Beach Read adaptations.
*Thank you to NetGalley and Avon Books for gifting an eARC of this book in exchange for review*
This book kept me enraptured, had my emotions up and down, and felt like watching an impending train crash at times. But I couldn’t look away and I couldn’t stop reading.
The premise had me intrigued from the moment the book’s release was announced and I just kept thinking— “there’s no way this is gonna work. how will this possibly work?” lol And for the first 30% of the novel, I was still like how can this end well for anyone? But Kuang made it work and by 41% I was rooting for Helen and Grant.
These characters felt so so real. And I love how the POV’s flowed between the main characters multiple times in every chapter instead of bouncing between each one chapter to chapter. Helen drove me up a wall at the beginning with her insecurities but it made her feel so human because like I know her, I’ve been her. It felt so good to watch her grow and establish boundaries kind of with her parents. And see her make friends. It was nice to see Grant fight for something/someone and to not let things happen to him. They deserved a happy ending with one another because they really saw one another and pushed the other to be better.
I wish there had been more moments of watching Helen and Grant settle into their relationship after getting over their big hurdle. Only having like one or two chapters of their HEA, felt like a letdown given how much they overcame but I had a good time nonetheless.
There were moments while reading, where I was floored by the way Kuang wrote not only dialogue but prose, and I find myself reassured that us, Emily Henry fans, are in good hands with her at the helm of the PWMOV and Beach Read adaptations.
Content Warnings
Graphic: Sexual content and Grief
Moderate: Death, Car accident, Cursing, and Suicide
Minor: Drug use and Injury/Injury detail
hannahmichele5's review against another edition
emotional
funny
lighthearted
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Beautiful, heartbreaking, angsty, hilarious, steamy, phenomenal, etc. etc. etc.
I might write a more coherent review someday but probably not. Fans of Emily Henry, Elissa Sussman, Tia Williams, and Ashley Poston (so, me) will INHAIL this book!
I might write a more coherent review someday but probably not. Fans of Emily Henry, Elissa Sussman, Tia Williams, and Ashley Poston (so, me) will INHAIL this book!
Content Warnings
Graphic: Panic attacks/disorders, Death, Injury/Injury detail, Sexual content, Suicide, Car accident, and Grief
Moderate: Mental illness, Cursing, and Emotional abuse
Minor: Drug use
belarna's review against another edition
emotional
hopeful
reflective
sad
tense
medium-paced
- Strong character development? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Wonderfully paced and sprinkled with just the right amount of spice and tension - How To End A Love Story is an easy recommendation from me, especially for fans of Emily Henry (the fact that Kuang is set to direct the film adaption for Beach Read and is the screenwriter for the film adaption of People We Meet On Vacation should make you want to pick this up!).
How To End A Love Story is an endearing romance with a focus on acceptance, grieving, and personal growth. Kuang writes the leads in a way that makes them feel real, which is showcased through their complex past, shared trauma, and the evident tension between the two.
This debut was exceptional, kept me thoroughly engaged, and I truely cannot wait to see what Kuang brings out next!
I’m speechless and consumed by heartache. Thank you to both Netgalley and the publisher for the complimentary e-arc in exchange for an honest review. All opinions in this review are my own.
Content Warnings
Graphic: Sexual content, Death, Suicide, Panic attacks/disorders, Car accident, Mental illness, and Grief
Moderate: Injury/Injury detail
Minor: Alcohol, Cursing, and Drug use
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