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senga15's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Panic attacks/disorders, Suicidal thoughts, Suicide, Grief, Car accident, and Suicide attempt
Minor: Drug use
krisloveskihei's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Drug use, Panic attacks/disorders, Suicide, and Car accident
kimapede's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Moderate: Death, Panic attacks/disorders, Grief, and Car accident
Minor: Drug use, Suicide, Medical content, and Injury/Injury detail
thatswhatshanread's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I think, if you’re looking for a modern book that has the vibes of Jane Austen when it comes to YEARNING and dramatic romance, this one has to be it??? That may sound crazy to say. But I couldn’t help feeling that familiar great tug and ache of Georgian-era stories. Okay, maybe this one has more of the tragedy synonymous with the Brontes. In any case, Kuang’s writing swept me away. The desperation on the pages gripped me to the bone. The way Grant wanted and needed Helen was so TANGIBLE.
“How To End A Love Story” was much more romantic and sexual than I thought it would be, especially considering the cold beginning and introduction to these two characters with the worst kind of shared tragedy. It worked so well obviously because one second I’m like okay and then I’m obsessed with the way they sink deeper into each other’s orbits and forgive themselves for being who they once were. I love that Grant falls first and isn’t afraid to tell Helen what he wants. It’s so genuine and so soft. Helen is more the stand-offish unsure one and their pairing doesn’t feel forced at all, even with the circumstances of their past and present. Kuang’s writing is harsh in a whimsical way, somehow an oxymoron of sweet subtle sentences and hard honest dialogue. There are heavy overall themes of suicide, grief, panic attacks. The story is very demanding of all of your emotions. It is definitely not a romcom. It’s a romantic drama for sure, with lots of deep trauma and healing.
THIS is how you do the grumpy x sunshine trope. It’s not too much of either, one character being a little ball of rainbow and glitter, the other the grim reaper who hates children and animals. It’s just the right amount of give and take, of one falling first and the other afraid to admit it. That’s that on tortured slow burns, baby. Lololololol the head of The Tortured Poets Department will see you now.
“Loving can hurt, and I want to do it anyway.”
READ THIS BOOK!!!!! Sorry if you cry but actually not really because crying is HEALTHY!!!!
Graphic: Child death, Cursing, Death, Panic attacks/disorders, Self harm, Sexual content, Suicidal thoughts, Suicide, Medical content, Grief, Medical trauma, Car accident, and Injury/Injury detail
Moderate: Addiction, Drug abuse, Drug use, Mental illness, and Alcohol
Minor: Blood
hellarachel's review against another edition
3.25
Graphic: Sexual content and Suicide
Minor: Drug use
lisacanteven's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I'm also surprised the editor didn't make the author remove the use of "tattoo of his heartbeat" about 3 times. The fact that it appeared in the books 4 times (or more if I missed one) is outrageous.
I did really love the look into Helen and Grant's jobs. I would love to have that job if it didn't mean living in LA, so I really appreciated how much detail the author went into the scenes surrounding their jobs.
Graphic: Child death, Death, Mental illness, Panic attacks/disorders, Suicide, Medical trauma, and Car accident
Moderate: Addiction, Drug abuse, Drug use, Medical trauma, and Alcohol
btwnprintedpgs's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
I found Helen so relatable. There was one part in particular that was so familiar. She talks about picking up her feelings and putting them aside for others, which made her more fragile as an adult. That was 100% me in university. It got to the point where I was so damn depressed, emotionally repressed, and unable to process my own feelings that I was crying on a daily basis without a full understanding of my own feelings. Some of the stuff her parents say to her felt like they'd been pulled from my life. That side of things was written to perfection.
What lost me was the romance. She spews venom at him, she gives him a panic attack, then nothing happens, she has a sex dream, and suddenly they're doing it everywhere. It was not the vibe for me and came out of left field. The build up felt like an attempted montage of nothing that should've been comraderie where there was none. They lacked the communication I needed to buy into their relationship and that was a huge disappointment. Even at the end of the day, I didn't fully understand their love for each other and why it should've worked. This felt the same for most of Helen's and Grant's outside relationships. There never felt like there was a foundation of something stronger than convenience or a passing moment at a bar or cafe. I wanted more substance there, and never got it.
I'm keeping this book because I felt seen by it, but I think that my least favourite part of this romance was the romance, so I don't quite know what to do with that. All in all, I see why people love it, but I also see why people didn't.
TW: death of a sibling/child, car accident, panic attack, sexual content, alcohol consumption, grief, drug use, suicide
ARC gifted by HarperCollins in exchange for an honest review. Audio ARC gifted by Libro.fm in exchange for an honest review.
Graphic: Death, Panic attacks/disorders, Sexual content, and Car accident
Moderate: Drug use, Suicide, Grief, and Alcohol
silverhill's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
Graphic: Death, Grief, and Car accident
Moderate: Panic attacks/disorders, Sexual content, Suicide, and Injury/Injury detail
Minor: Drug use, Medical content, and Alcohol
kitcat_reads's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Panic attacks/disorders, Suicide, Grief, and Car accident
Moderate: Addiction, Drug abuse, Drug use, Sexual content, Toxic relationship, Medical content, Medical trauma, and Injury/Injury detail
meredith_williams_'s review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Overall, I feel like this book would have been better edited for and marketed as contemporary fiction instead of romance. I will definitely pick up whatever Yulin Kuang puts out next, but this one was not an all time favorite for me.
Graphic: Panic attacks/disorders, Sexual content, Suicide, Grief, and Car accident
Moderate: Cursing and Drug use