Reviews tagging 'Injury/Injury detail'

Catch-22 by Joseph Heller

17 reviews

jwisener's review against another edition

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dark emotional funny hopeful sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.75

Ok imagine the speed and subject of the plot like this: completely straight and consistent line for about the first 85%, then a quick drop in tone and weirdly enough, style, then a crazy steep climb at the very end.  It is incredibly crass, vulgar, violent, gory, confusing, and humorous in the way “Who’s on first“ would be humorous if the characters were depressed, lonely, terrified, and traumatized to a great extent. 

I don’t know how I feel about it to be honest. 

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erebus53's review against another edition

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adventurous challenging dark emotional funny lighthearted reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

I knew that this was a story about war, but I really had n idea what sort of flavour it was going to have. The whole idea of Catch-22 as I understood it, is that a crazy person is not fit for military duty, but to claim that you are crazy, so as to get out of service, just proves that you are sane.

This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes.  I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".

I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.

Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu  (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.

The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.

This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.

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seapotatohowisitalrtaken's review against another edition

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adventurous dark emotional funny hopeful inspiring mysterious reflective relaxing sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.25


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kensingtonska's review against another edition

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adventurous funny reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.5


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alterdd's review against another edition

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4.75

  • 10% lusting about women 
  • 85% absurd shit happening 
  • 5% brutal depictions of henious crimes and war

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whoischels's review against another edition

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dark funny slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0

Probably the most chaotic book I've ever read. I can't say I've read a book that ignores sequential time so thoroughly. Heller jumps between events gracefully. You'll often find that the narrator begins to recount something that happened quite far in the future or past of the camp on Pianosa, but you don't quite develop an understanding of how distant future and past are until you've reached the end and various
characters have died off and been replaced by new, untrauma-ed characters.
The manipulation of time is breathtaking and exciting once you look back and think about what you've read. I'm surprised I haven't heard this book being discussed in the context of other time bending books, like To the Lighthouse, perhaps I just haven't been listening closely enough about why people read this book. 

As the classic comedy of war book, it's a very comedic read. The comedic style throughout the whole thing undergoes its own character development in a way that is quite satisfying. It works to keep the horror of the experience of war at arm's length for the majority of the book and then slowly brings it closer for the end. Heller captures the comedic dichotomy between the very visceral body horror that people experience at war and the slow machine of bureaucracy.

My only complaints are that it's a behemoth to read. Heller can be describing an event that is comedic in its conception, but do so in a way that obstructs feeling, particularly in the first 2/3. I understand this to be intentional, but was still a bit frustrated with the masculine boringness of the prose. It's an odd experience to read something that has these features but still manages to be so dynamic and flexible in its plot structure. 

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bibliorama's review against another edition

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challenging dark sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

This might change. The beast is done though.
Enjoyment - 2.5
This book really takes awhile before it starts trusting you with its emotional baggage. Most of the humor was used to mask the trauma that Joseph Heller was definitely processing through the writing. The 12 year old virgin jokes got old, milo running around got old, etc. In fact, the Milo the Mayor chapter should have been cut entirely (imo), it has some of the most dated jokes and the important info learned from the chapter is reiterated in the Milo chapter. There were heavy, poignant moments but they were covered up by the writing style and dated humor.
Characters - 3
Atmosphere - 2.5
Plot - 3
Ending - 4
Style - 3.5 

Overall - 3

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loverboy's review

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dark funny tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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nnannanna's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

2.0

I get the point of the book. I finally liked what I was reading at chapter 39. The book is a satiricak telling of men fighting in a fictional war in a fictional island. It goes to detail on how ridiculous the war and the people in the war is and shows us a good deal of sides and views on the matters. However this makes the book extremely repetitive and slow paced. Same stories are told again and again, through so many characters I stopped being able to keep track of them. I didn't need 38 chapters to finally like one. 

The way Joseph Heller writes isn't to my liking in the slightest. The explanations of events are verbose, jumping from place to place and character to character. You start a chapter from a plane in the middle of a war and end it in a fully unrelated story that happened 10 years prior. Finally I gave up on trying to understand everything and just plowed through to reach the end. 

Lastly the role of women in the book was just... Not? Every single female character is somehow connected to sex. Either they're a sex worker, a nurse that gets sexually assaulted or somehow sex is written into their description. Maybe there is a point to this and it belongs to the satire but I did not catch that. 

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mahamsiddiqui's review against another edition

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dark emotional reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

When the book first came out in 1961, the notion that war is bad might have been something new to the reader and awakening too. But, in this day and age, when there are so many opinions and lived examples available, we all know and can say with assurance that war is bad, except for fascists and dictators. So, as for the concept of 'Catch-22', it's not novel anymore. 

I felt like the novel dragged in places, it also felt like I'm reading someone's diary instead of a novel, sometimes felt like a college student looked up the synonyms in a thesaurus and put every word that they could find in the book. 

The book certainly is witty and funny. The characters are well written. Their humanness and fallibility and their complexities make you think or forces you to think, human beings are not black and white. War is evil. Human beings are mere pawns in it, and at the mercy of the fascists, who invoke wars to stroke their tiny egos. Through Yosarrian you see how a person in trying to do the right thing is always caught in exasperating circumstances. The skepticism of Yosarrian is something that I guess all of us go through after a certain point in life. It's relatable and quite understanding. 

Moving on, I absolutely did not like and was quite frankly disgusted by the rape and sexual assault scenes. They were described jn graphic details, and I believe for which there was no need. The treatment of women as mere sex toys was very disturbing. And we know that, that's how men treat women especially those who go to war. Women and children and elderly suffer the most. Women and children are raped, brutally assaulted and all because the men who go to war think that it is their right for defending their country to gain sexual pleasures by hook or crook. I just wish that the sexual scenes were described to a minimum. 

All in all, book is good, okay. 3.5 stars, .5 extra for Yosarrian. I loved him till the end. You cannot predict that the characters will have this human aspect to them when you first start the book but as you go by and the book explore similar scenes from different POVs you understand them and mildly condemn yourself for judging them too hastily. 

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