The design and UX isn't done, Rob and Abbie, okkurrrr! 😌
jwisener's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
I don’t know how I feel about it to be honest.Â
Graphic: Drug abuse, Grief, Gun violence, Pedophilia, Physical abuse, Sexual assault, War, Alcohol, Death, Gaslighting, Sexual violence, Classism, Cursing, Drug use, Genocide, Gore, Kidnapping, Medical content, Sexism, Sexual content, Sexual harassment, Violence, Infidelity, Injury/Injury detail, Medical trauma, Addiction, Adult/minor relationship, Blood, Mental illness, Misogyny, Rape, and Vomit
This is not a book for light reading. It will disgust you and horrify you. The sexual violence was most disturbing to me. I’m gonna say that again for good measure: repeated, horrifying, insane degrees of sexual violence all throughout the book.dannecingqueen's review against another edition
- Plot- or character-driven? Character
- Loveable characters? No
- Diverse cast of characters? No
4.0
Moderate: Sexism
Minor: Sexual assault and Rape
kwichris's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.25
Graphic: Death, Violence, and War
Moderate: Misogyny, Rape, and Sexual assault
erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".
I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.
Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.
The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.
This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.
Graphic: Classism, Deportation, Emotional abuse, Police brutality, Racial slurs, Racism, Stalking, Death of parent, Forced institutionalization, Mental illness, Murder, Sexism, Sexual harassment, Sexual violence, Vomit, War, Bullying, Chronic illness, Body horror, Gaslighting, Gore, Misogyny, Suicidal thoughts, Torture, Colonisation, Cursing, Alcohol, Animal cruelty, Body shaming, Fire/Fire injury, Pedophilia, Schizophrenia/Psychosis , Violence, Blood, Confinement, Death, Grief, Gun violence, Infidelity, Injury/Injury detail, Kidnapping, Medical content, Medical trauma, Panic attacks/disorders, Physical abuse, Rape, Sexual assault, and Sexual content
pkgonzales7's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.25
Moderate: Sexual assault, Sexism, Gore, and War
Minor: Rape
lordhaku's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Death, Suicidal thoughts, War, Blood, Sexual assault, Sexual content, Torture, Cursing, Mental illness, Adult/minor relationship, Murder, and Police brutality
friesenag's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
The way Heller writes gave me a headache though, as the plot would go back and forth I had to keep my spark notes open to make sure I was really comprehending what was happening. The first half of the book there is no chronological order and the repetition of words, phrases, or actions also created maximum confusion. When I think about it more it definitely is a plot device to give the book a lack of structure and repeat things which gives the reader a sensation of the chaos that is occurring in every single characters brains and on the base. Insanity and deja vu are major plot points in the book and I think Heller wanted to amplify it in the readers, which did give me the feeling that I was going crazy while reading this book. I see the genius and deliberate work that he put into it, but that does not mean I have to enjoy it.Â
I want to preface this last part by saying I know that this guy is like a boomer and it was written in 1961, but the MISOGYNY in this book was APPALLING. Women were only mentioned in a sexual connotation and used as a plot device and weren't really well thought out in my opinion. There was a character that wasn't even given a name and just referred to as "Nately's Whore" the whole time and she was bored and not interested in Nately until he "saved her" and then tried to control her and THEN he DIED and all of a sudden she cared enough about him to try to kill Yossarian???? Idk, there was just not a single female character that wasn't a sex object or stupid or a plot device.Â
Overall this book is good on the pretense that it was anti-war and the structure of the book makes you feel sick to your stomach, much like the structure of war and American bureaucracy, but I can't look past the misogyny, sexism, racism, etc. to give this more than three stars. I know I'm looking at this in a modern lens but there's not way I can separate the good and bad of this book. I would be very concerned if a man said this was their favorite book, its definitely an interesting read but I would classify it as pretty problematic.Â
Graphic: Gore, Violence, Sexual harassment, Sexism, Suicide, Sexual assault, Schizophrenia/Psychosis , Racial slurs, Misogyny, War, Death, and Vomit
Moderate: Antisemitism, Fire/Fire injury, Gaslighting, and Grief
Minor: Alcohol, Classism, Infidelity, Misogyny, Medical trauma, Mental illness, and Medical content
tildafin16's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.0
For me, I just don’t enjoy absurdist and repetitive writing; I was assured that it all comes together in the final third and becomes amazing; well, yeah, I guess I can see that , but by that time having slugged 300 plus pages of complex, constantly trying-to-be-funny-and-clever, absurd wordplay - I just didn’t care that much anymore and the impact of the ending section was lessened for me. I have read such gruesome depictions of war elsewhere and been able to immerse myself in the writing but for me, I just couldn’t with this.  There was one scene with Milo Minderbinder (the names made me want to scream) that made me laugh, I didn’t laugh out loud often as lots of folk have. (And it’s easy to make me laugh! This is just not my humour)Â
Finally as many have mentioned the depiction of female characters is just appalling. If he was making a point (and I am not convinced he really was) by this, then he succeeded in rendering all of his main male characters including his hero, absolute arseholes in that regard.Â
I always feel bad when I dislike such well loved novels but in that regard this is way up there with Walden (shudder) and Life of Pi for me.Â
Graphic: War, Rape, Sexual harassment, Violence, Sexual assault, Sexism, and Death
addictedtoanntations's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Moderate: Violence, Cursing, Racial slurs, War, and Sexual content
Minor: Terminal illness and Sexual assault
whoischels's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
As the classic comedy of war book, it's a very comedic read. The comedic style throughout the whole thing undergoes its own character development in a way that is quite satisfying. It works to keep the horror of the experience of war at arm's length for the majority of the book and then slowly brings it closer for the end. Heller captures the comedic dichotomy between the very visceral body horror that people experience at war and the slow machine of bureaucracy.
My only complaints are that it's a behemoth to read. Heller can be describing an event that is comedic in its conception, but do so in a way that obstructs feeling, particularly in the first 2/3. I understand this to be intentional, but was still a bit frustrated with the masculine boringness of the prose. It's an odd experience to read something that has these features but still manages to be so dynamic and flexible in its plot structure.Â
Graphic: Panic attacks/disorders, Death, War, Medical trauma, Injury/Injury detail, and Sexual harassment
Moderate: Sexual assault and Misogyny