rhonabro's review against another edition
lighthearted
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
veelaughtland's review against another edition
4.0
Why is that I put of Persephone books for years? I always end up really enjoying them. And this one was no different of course.
What a fantastic satire on the political landscape of post-WW2 Britain (and dare I say still as relevant in the year 2020 as it was during the 1940s?). Sharp, funny, fantastical, and full of loathsome characters - particularly the protagonist James. He is one you love to hate - haughty, privileged, and also very very stupid. This was such a good laugh, I knew Marghanita Laski wouldn't disappoint. I will need to continue working my way through her bibliography.
What a fantastic satire on the political landscape of post-WW2 Britain (and dare I say still as relevant in the year 2020 as it was during the 1940s?). Sharp, funny, fantastical, and full of loathsome characters - particularly the protagonist James. He is one you love to hate - haughty, privileged, and also very very stupid. This was such a good laugh, I knew Marghanita Laski wouldn't disappoint. I will need to continue working my way through her bibliography.
amyalicejakob's review against another edition
funny
lighthearted
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
A satirical look at how a Tory Heaven would play out, this was very tongue in cheek and I loved it. The main riff is that good things should come to those with proper breeding, and come easily, no questions asked. Intelligence is looked down upon, and women, of course, go back to breeding and homemaking. The protagonist James is an imbecile with a good surname and in normal society had found his lack of wits a barrier, but no more! In Tory Heaven, all he needs is his parents' name. This was written as a reply to the increasing mumbling of the middle classes in the time of socialism after WW2. They were of course happy that they were being looked after by the state, but not happy with the rise of the "lower classes". The levelling of the playing field under socialism. It is so, so sad to see how much of this is apparent in today's government. But light hearted and very funny. Not for Tories though. 😅
laurasaurus's review against another edition
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Flaws of characters a main focus? Yes
3.75
emmadalrymple's review against another edition
4.0
Galloped through this in one day. What would society look like if the (1940s British) Conservatives had their way? Eminently readable and just the sort of speculative story I’ve seemed to like most in these near-apocalyptic days.
elj_ne's review against another edition
4.0
Some brilliant class satire, very amusing. Also terrible considering where we are now as a country.
bananna's review against another edition
funny
reflective
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
annevh's review against another edition
dark
funny
lighthearted
fast-paced
- Strong character development? No
- Loveable characters? No
- Flaws of characters a main focus? No
3.5
balancinghistorybooks's review
4.0
(Please note: Toasted English is published as Tory Heaven or Thunder on the Right in the United Kingdom, hence my use of the latter title.)
Marghanita Laski's Tory Heaven or Thunder on the Right is one of the new Persephone titles for Spring 2018. Four of Laski's other novels have already been published by Persephone - The Victorian Chaise-Longue (number 6), Little Boy Lost (28), The Village (52), and To Bed with Grand Music (86). It seems entirely fitting for this newest Laski publication to appear in 2018; although the satirical novel first came out in 1948, many fascinating parallels can be drawn between it and the current governance of the 'dis-United Kingdom'.
Tory Heaven, as I shall refer to the novel from hereon in, has been prefaced by historian David Kynaston, the author of many books on British social history. Kynaston, as one would expect, begins his preface by recapping the feeling in Britain directly after the Second World War; the middle classes, no longer able to afford annual holidays and library subscriptions, found themselves 'increasingly aggrieved'. Kynaston writes of the middle class longing for the 'overthrow of Clement Atlee's government, and a return to the familiar Tory certainties of social hierarchy, of rigid class distinctions, and of almost unquestioned privilege and entitlement for those born on the right side of the tracks.'
In Tory Heaven, Laski 'bleakly imagines Britain under right-wing Tory rule, enduring a rigidly hierarchical system in which every citizen is graded A, B, C, D or E and only the As have any privileges: everyone else is downtrodden in varying degrees.' These five classes are later said to be those which society 'naturally comprises. Each class has, of course, its own distinctive outlook and way of life and, with those, different privileges and compensations. People like to know where they are, you see, and they like to know where other people are, too.' Laski chooses not to take a side in the tumultuous political conditions which she writes of; Kynaston believes that 'she is too subtle and elegant a writer to express her own horror at this grotesque turning back of the flock. Instead, like the best political satirists from Swift to Orwell, she leaves it entirely to others to draw out the lessons of her story. Or as Ralph Straus put it in the Sunday Times: "Conservatives with high blood pressure are advised not to read it."'
Tory Heaven opens: 'It is difficult after the passage of years to recall the precise emotions with which the population of England switched on their radio sets one summer evening in 1945 and prepared to hear that the Tories had won the General Election.' We are introduced, at this juncture, to five rather different characters, not all of whom are protagonists, but each one has been crafted for a very particular reason or outcome in the novel. These five are currently in Singapore, awaiting transport back to England. There is privileged James Leigh-Smith, the central character, and 'our hero', who drifts about from one place and one job to another; Martin Wetherall, academically brilliant, and in Singapore in order to 'study the effects of submarine blast on embryonic barnacle-geese'; Penelope Bosworth, the eldest daughter of an Earl, who has a lack of dowry and a 'mousy appearance', both prohibiting her from attracting a husband; Ughtred Thicknesse, born into a very old family who have lost all of their prior fortune; and Janice Brown, 'very blonde and very beautiful and chance remarks she let fall seemed to indicate that at the time of the debacle she had been staying at Raffles Hotel in a double room'.
James is shown as gloomy and disgruntled from the novel's outset. Laski writes: 'Ever since he'd left Oxford and started his enforced tour of the outposts of Empire, rude Colonials had everywhere failed to appreciate that they were being confronted with that perfect flowering of the class system, an English gentleman.' Soon after his musings about the lack of personal - and, he feels, prerogative - appreciation which exists around his person, he and the fellow four characters are transported back to England on that great bastion of Empire, the P&O liner. Much to James' delight - at the outset, at least - he is returned to a country in which he is the highest class of citizen. For the As, London is all clubs and tailors, pink gin and wingback armchairs, the best hotels and Sheraton desks. For the privileged class, England becomes old-fashioned and "proper", and James thinks it wonderful: 'In some peculiar way this new England seemed - not strange, but wholly familiar to him, like a dream so persistent in his subconscious that he welcomed it as part of himself.'
At first, a Labour victory is announced, but after ten days, the Tories take over. When he returns back to London, James becomes wholly satisfied, told as he is that: 'The one thing everyone had seemed anxious to assure him since was that whatever kind of government England now had, it wasn't a Socialist one.' In a tongue-in-cheek fashion, after James asked Ughtred what has happened to assure the new government's place, Laski writes: 'Apparently M.I.5 embarked on an anti-Communist drive in 1946, and being quite unable to distinguish between Intellectuals and Communists, cleared out both.' The group of politicians then joined up with M.I.5 and the police, named 'themselves finally and decisively the Tory party', and 'went into action'.
Tory Heaven is wickedly funny, and at its centre is such a clever idea. Laski, as always, writes fantastically, and each and every step of such a nightmare has been thought about and followed through. The ideas which are shown here, of a totalitarian government favouring their own kind and eschewing everyone else as not worthy, are as scary as they are familiar. They have, as James is told, 'elected to do away with all that nasty equality bosh'.
Through the framework which Laski has constructed, she is able to make use of a whole host of social problems entrenched within society. She demonstrates ways in which such a system is not at all favourable, even to those who find themselves within the privileged class. Thoughtful and engaging, witty and smart, and entirely shrewd in its depictions, Tory Heaven throws up so many valid questions about the way countries are governed, and the ways in which some people are treated as entirely different to others merely due to their ancestry, or their vast fortunes.
Marghanita Laski's Tory Heaven or Thunder on the Right is one of the new Persephone titles for Spring 2018. Four of Laski's other novels have already been published by Persephone - The Victorian Chaise-Longue (number 6), Little Boy Lost (28), The Village (52), and To Bed with Grand Music (86). It seems entirely fitting for this newest Laski publication to appear in 2018; although the satirical novel first came out in 1948, many fascinating parallels can be drawn between it and the current governance of the 'dis-United Kingdom'.
Tory Heaven, as I shall refer to the novel from hereon in, has been prefaced by historian David Kynaston, the author of many books on British social history. Kynaston, as one would expect, begins his preface by recapping the feeling in Britain directly after the Second World War; the middle classes, no longer able to afford annual holidays and library subscriptions, found themselves 'increasingly aggrieved'. Kynaston writes of the middle class longing for the 'overthrow of Clement Atlee's government, and a return to the familiar Tory certainties of social hierarchy, of rigid class distinctions, and of almost unquestioned privilege and entitlement for those born on the right side of the tracks.'
In Tory Heaven, Laski 'bleakly imagines Britain under right-wing Tory rule, enduring a rigidly hierarchical system in which every citizen is graded A, B, C, D or E and only the As have any privileges: everyone else is downtrodden in varying degrees.' These five classes are later said to be those which society 'naturally comprises. Each class has, of course, its own distinctive outlook and way of life and, with those, different privileges and compensations. People like to know where they are, you see, and they like to know where other people are, too.' Laski chooses not to take a side in the tumultuous political conditions which she writes of; Kynaston believes that 'she is too subtle and elegant a writer to express her own horror at this grotesque turning back of the flock. Instead, like the best political satirists from Swift to Orwell, she leaves it entirely to others to draw out the lessons of her story. Or as Ralph Straus put it in the Sunday Times: "Conservatives with high blood pressure are advised not to read it."'
Tory Heaven opens: 'It is difficult after the passage of years to recall the precise emotions with which the population of England switched on their radio sets one summer evening in 1945 and prepared to hear that the Tories had won the General Election.' We are introduced, at this juncture, to five rather different characters, not all of whom are protagonists, but each one has been crafted for a very particular reason or outcome in the novel. These five are currently in Singapore, awaiting transport back to England. There is privileged James Leigh-Smith, the central character, and 'our hero', who drifts about from one place and one job to another; Martin Wetherall, academically brilliant, and in Singapore in order to 'study the effects of submarine blast on embryonic barnacle-geese'; Penelope Bosworth, the eldest daughter of an Earl, who has a lack of dowry and a 'mousy appearance', both prohibiting her from attracting a husband; Ughtred Thicknesse, born into a very old family who have lost all of their prior fortune; and Janice Brown, 'very blonde and very beautiful and chance remarks she let fall seemed to indicate that at the time of the debacle she had been staying at Raffles Hotel in a double room'.
James is shown as gloomy and disgruntled from the novel's outset. Laski writes: 'Ever since he'd left Oxford and started his enforced tour of the outposts of Empire, rude Colonials had everywhere failed to appreciate that they were being confronted with that perfect flowering of the class system, an English gentleman.' Soon after his musings about the lack of personal - and, he feels, prerogative - appreciation which exists around his person, he and the fellow four characters are transported back to England on that great bastion of Empire, the P&O liner. Much to James' delight - at the outset, at least - he is returned to a country in which he is the highest class of citizen. For the As, London is all clubs and tailors, pink gin and wingback armchairs, the best hotels and Sheraton desks. For the privileged class, England becomes old-fashioned and "proper", and James thinks it wonderful: 'In some peculiar way this new England seemed - not strange, but wholly familiar to him, like a dream so persistent in his subconscious that he welcomed it as part of himself.'
At first, a Labour victory is announced, but after ten days, the Tories take over. When he returns back to London, James becomes wholly satisfied, told as he is that: 'The one thing everyone had seemed anxious to assure him since was that whatever kind of government England now had, it wasn't a Socialist one.' In a tongue-in-cheek fashion, after James asked Ughtred what has happened to assure the new government's place, Laski writes: 'Apparently M.I.5 embarked on an anti-Communist drive in 1946, and being quite unable to distinguish between Intellectuals and Communists, cleared out both.' The group of politicians then joined up with M.I.5 and the police, named 'themselves finally and decisively the Tory party', and 'went into action'.
Tory Heaven is wickedly funny, and at its centre is such a clever idea. Laski, as always, writes fantastically, and each and every step of such a nightmare has been thought about and followed through. The ideas which are shown here, of a totalitarian government favouring their own kind and eschewing everyone else as not worthy, are as scary as they are familiar. They have, as James is told, 'elected to do away with all that nasty equality bosh'.
Through the framework which Laski has constructed, she is able to make use of a whole host of social problems entrenched within society. She demonstrates ways in which such a system is not at all favourable, even to those who find themselves within the privileged class. Thoughtful and engaging, witty and smart, and entirely shrewd in its depictions, Tory Heaven throws up so many valid questions about the way countries are governed, and the ways in which some people are treated as entirely different to others merely due to their ancestry, or their vast fortunes.