Reviews tagging 'Sexual harassment'

The Goblin Emperor by Katherine Addison

14 reviews

onironic's review

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emotional hopeful tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

5.0

I listened to this with a mid-quality screen-reader and I had no problems following it, except for some confusion between who was who in a couple minor characters with similar sounding names. Nothing that caused any major problems understanding what was happening, though. I'll admit though, I wasn't sure how I'd feel about it when the very first thing I heard was a five minute list of names, but I am SO glad I stuck it out. I feel like any way I could talk about this book wouldn't do it justice. On the surface, it maybe doesn't sound like it should be as interesting as it is. It's very politics-heavy and takes place nearly entirely in just a few rooms. The story is in the intricacies of the court and politics, and the world-building, all fleshed out by the amazing cast of characters and the slightly unorthodox found family plot that builds throughout the book. Very, very dark things happen, but the purpose of the book isn't to be edgy or to ride realism straight into the ground. It's about people being people, in the worst and best ways. It's hopeful. It's about how important it is to be kind, even when it's hard, and to listen, and to care. I don't regret reading this book at all. 
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kitausu's review against another edition

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adventurous emotional medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

Honestly the only reason this isn't 5 stars is because the elven names were so difficult to keep straight I had to switch to the audiobook. Otherwise, fantastic!
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seanml's review against another edition

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hopeful lighthearted mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.75

The book’s one word premise is a royalty-focused fantasy set in a steampunk world populated by elves and goblins (Which are more like orcs here). Unfortunately, you don’t get to see too much of the steampunk part. The primary messages focus on the power of goodness, and sexism is a heavy undertone throughout the narrative. My two main detractions: While there is certainly a plot, the book is much more slice of life than I expected; which doesn’t detract from it, but it may not be what you’re thinking. Additionally, there’s a complex naming convention system at play here which leads to more confusion than A Clockwork Orange. 7.5/10.
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thevampiremars's review against another edition

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emotional hopeful tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.0

I suppose I’ll start with a note on this book’s use of language: I found the grammar easy to understand, but the vocabulary not so much – unwieldy words like “Nazhmorhathvereise” and “Untheileneise’meire” disrupted my reading, and there are a lot of characters with confusingly similar names. The worldbuilding could have done with a little more depth, I think, though I do appreciate the steampunk flavour (clocks are a recurrent motif, and airships are prominent too). The story is largely confined to imperial palaces, so we don’t get to see the intricacies of everyday life in the Ethuveraz – rather, we learn about court etiquette and the inner workings of the government, which isn’t for everyone.
Maia, the protagonist, is by far the most fleshed-out character. He doesn’t have a lot of influence on the direction of the plot but, at the same time, his thoughts and feelings are the focus of the story. This book is something of a Maia character study.

I’ve seen other reviewers both fawningly and disparagingly call Maia a cinnamon roll who can do no wrong, but I don’t read him that way at all. In fact, Maia can be pretty awful at times. He crashes a funeral to make a point, with little to no regard for the mourners he’s intruding on. He bullies a messenger boy and then feels bad about it, not because he hurt the boy’s feelings but because doing so made him look bad. He has absolutely zero sympathy for a girl who, in his words, “let herself be bullied” and actually punishes her for it. Truly awful. But, in a way, these flaws make him a more compelling character. Maia is a young man struggling not only with unexpected responsibilities, but also with his past. For years he had been the victim of severe abuse, but now he has a great deal of power and doesn’t know what to do with it. The instincts he developed in order to survive and cope aren’t fit for this new situation he finds himself in, and so he ends up lashing out simply because he can, and fretting over others’ opinions of him because he fears their judgement. He straddles the line between being likeable and unlikeable, but I can’t say he isn’t sympathetic.
And while I’m discussing Maia’s moral failings, I would be remiss not to mention the fact that he’s an emperor with dozens of servants tending to his every need while, in the background, children die in workhouses. Which brings me to this book’s politics.

Here we see that common fantasy trope that all the world needs is a Good Monarch™ to set things straight, unlike those Bad Monarchs who do evil. The good are good and the bad are bad, and power in the hands of a good man can only be a good thing. Blah blah blah. I don’t buy it. And there are characters in the book who don’t buy it either.
One of the major antagonistic forces is a group of radicals – terrorists – who assassinated the previous emperor and now have their sights set on Maia. They are motivated by an ideal called “Universal Ascendance” wherein “no man holds power over any other,” which is apparently “a cloud-fancy” at odds with human nature (or elf/goblin nature, I guess). The less radical adherents of this ideology believe in the perpetual accumulation of power which thereby facilitates ascension to godhood (a real-world analogue could be capitalism, perhaps?) but of course it’s the leftists who are wicked and insane. I’m not saying they’re right to plant bombs but they are right to oppose the emperor.
Towards the end of the book the threat is declared over simply because it’s time to wrap things up. It’s a pretty clumsy conclusion that doesn’t make any sense in-universe. But I suppose it’s not important. Like I said, this is an exploration of Maia’s character more than anything else. The plot (if you can call it that) is secondary.

Considering I’ve spent so long picking apart The Goblin Emperor’s flaws and shortcomings, you may be surprised to hear that I did enjoy the book. It’s well-written, it’s compelling, and though there are some aspects which irked me, it’s a good book overall. Though the story isn’t great and the political assertions are dubious, I appreciate Maia so much I can’t bear to give this book a low rating. I probably won’t read the rest of the trilogy, but I don’t regret reading this. 
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