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readingwithkaitlyn's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Ableism, Bullying, Child abuse, Chronic illness, Confinement, Death, Domestic abuse, Emotional abuse, Incest, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Racial slurs, Racism, Terminal illness, Toxic relationship, Violence, Blood, Kidnapping, Grief, Gaslighting, Abandonment, Injury/Injury detail, and Classism
Moderate: Alcoholism, Animal cruelty, Infidelity, Self harm, Religious bigotry, Death of parent, and Alcohol
Minor: Child death, Eating disorder, Gun violence, Suicide, Forced institutionalization, Medical content, Murder, Pregnancy, and Fire/Fire injury
bashsbooks's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
So let me say some basic and trite (but none the less true to how I feel) things about Wuthering Heights.
First and foremost, Brontë's toxic, passionate speeches from Heathcliff and Catherine (Sr.) about each other fuck severely. Catherine's "Nelly, I am Heathcliff" confession? Healthcliff's proclamation about the depth of Catherine's affection for him compared to Linton? The "You say I killed you - haunt me, then!" argument? All bangers. Go off, you absolute maniacs.
Secondly, and speaking of the haunting by Catherine of Heathcliff, the thread of her ghost trying to get into Wuthering Heights throughout the tale is sewn into the story with just enough detail to be compelling without being overwrought - from the early scene Lockhood witnesses all the way to Heathcliff's death under the open window. I especially like the lack of concrete proof of the ghost and the skepticism of the storytellers themselves.
And now, thirdly, the storytellers and the frame story in general have been fun to turn over in my head. From the beginning, I wondered, why are Lockwood and Nelly our narrators? I think there are dozens of valid answers to this question. Two of my favorites includeto create distance from the narrative to drop details & increase unreliability and to provide perspectives closer to the intended readers. I'm especially obsessed with Nelly Dean and the constant interjections of her opinions into her retelling.
Something specific to the audiobook version that I listened to - the Spotify version read by Billie Fulford-Brown - is that it was read fantastically. Fulford-Brown clearly had a great handle on the text, reading all the dialogue with accurate emotion. She also gave the characters distinct voices without being over-the-top. Her performance made Brontë's mid-19th century prose much more accessible.
Anyway. There's a lot more I could say about Wuthering Heights - for example, Brontë's descriptions of the moors are a masterclass in thematic use of setting - but I'll cut myself off here, lest I write a whole paper. Let me end by saying it's fucked up that Kate Bush managed to successfully summarize and convey the main storyline of such a complex book in a 4.5-minute song after only watching the last ten minutes of a movie adaptation.
Graphic: Death, Domestic abuse, Misogyny, Physical abuse, Toxic relationship, Violence, Grief, Death of parent, Alcohol, and Classism
Moderate: Ableism, Alcoholism, Cursing, Racism, Terminal illness, Xenophobia, and Injury/Injury detail
Minor: Confinement, Racial slurs, and Kidnapping
-Various illnesses are described in detail (some fatal and some not).cosmopsis's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Ableism, Alcoholism, Child abuse, Chronic illness, Domestic abuse, Emotional abuse, Toxic relationship, and Grief
Moderate: Death, Physical abuse, Racism, Death of parent, and Classism
acwhit17's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Child abuse, Child death, Death, Domestic abuse, Emotional abuse, Mental illness, Physical abuse, Racism, and Toxic relationship
Moderate: Ableism, Addiction, Alcoholism, Bullying, Terminal illness, and Death of parent
Minor: Animal cruelty, Misogyny, Sexism, Abandonment, and Classism
kaanda's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Bullying, Domestic abuse, Emotional abuse, and Grief
Moderate: Ableism, Addiction, Death, Misogyny, Physical abuse, Racism, Sexism, Suicidal thoughts, Toxic relationship, Violence, Death of parent, and Abandonment
ayphyx's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Ableism, Child abuse, Death, Domestic abuse, Emotional abuse, Mental illness, Physical abuse, Self harm, Toxic relationship, Violence, Toxic friendship, and Abandonment
Moderate: Alcoholism, Animal cruelty, Racial slurs, Racism, Blood, and Death of parent
wuthrinheights's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Although I do not condone their behaviours, I was still so fascinated and amazed by the intensity of the love held between Catherine and Heathcliff. They were wild and reckless and passionate, which hurt not only each other but the people around them and others that came after them. My favourite parts of the book were their love confessions spoken to Nelly. It was so intense and agonising, it plays so vividly if I were to think back on the book.
My favourite character was Nelly. Everyone was always dramatic and taken by emotions, but Nelly was always cool and focused. Her deadpan deliveries cracked me up, which gave a lighter tone amidst the gloomy setting of the Heights. She often spoke the truth and would strive to do the right thing, even if her master(s) didn't like to hear it.
It is still so mind-blowing that despite being written hundreds of years ago, Brontë was able to pen a story that covers abuse running through generational lines, when it probably wasn't that well studied back in those days. Emily was way ahead of her time and it's a shame she never got to see how well her book was loved after the publication.
Minor: Ableism, Addiction, Alcoholism, Bullying, Child abuse, Chronic illness, Death, Domestic abuse, Emotional abuse, Incest, Mental illness, Physical abuse, Racism, Toxic relationship, Violence, Blood, Grief, Religious bigotry, Death of parent, Schizophrenia/Psychosis , Abandonment, and Alcohol
lee's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
First off, I have to admit that I actually finished this book a couple days ago, but had to put off writing the review not because of lack of time, but rather, I needed to work through the seriously mixed feelings I had toward this book as a whole. This was actually my first time reading Emily Brontë’s famous “story of unrequited love” and while part of me (the literary scholar side?) can see why this classic has been lauded and held in such high regard for over a century, another part of me (the rational reader side?) honestly finds it hard to understand the appeal of such a dark, depressing story where every single character is horrid and deplorable (more on this later).
Yes, the writing is absolutely brilliant — the symbolism, the masterful use of language, the wholly developed characters, the vivid imagery, the complex and nuanced themes, the creative and clever way Brontë structures the narrative, the interesting usage of narrative voice, etc. — from a literary standpoint, this novel is a “dream” to study and analyze as a great example of brilliant and mesmerizing storytelling. With that said though, when I take off my “scholar” hat and put on my “regular reader” one, the experience is very very different. I’m the type of reader who puts a lot of weight on the characters in a story and as such, in order for me to be fully invested in the story, I need to have at least one character that I feel like I can root for. Yes, I understand that every story will have its fair share of flawed and unlikable characters and that’s perfectly fine — but the problem with this story in particular is that EVERY SINGLE character is not just unlikable, but exceedingly so, to the point that not even one character is worth rooting for. Seriously, every character in here is in some way mean, spoiled, cruel, selfish, hypocritical, vindictive, violent, self-absorbed, abusive, etc. (I could go on, but you get the point) — though of course Heathcliff tops them all by being downright evil as well (it’s not a coincidence that he is compared to the Devil at various points in the story). Based on their actions and behavior. I honestly could not bring myself to care about any of the characters (not even Nelly or Lockwood, who were somewhat more tolerable in the grand scheme of things, but still…), which unfortunately made this a brutal and deeply unpleasant read for me.
Given the above, I’m actually glad that my first experience reading this was in a group setting (again for one of my literature classes), as being able to talk through the problematic elements as well as getting more background context did help to blunt some of the unpleasantness to some extent (though not completely of course). In this light, I definitely don’t recommend picking this one up individually as a “leisure” read, as it’s best read in an environment where the events that happen can be parsed and discussed within context (in my opinion at least).
Regarding the rating — to be honest, I agonized over this for quite some time. From a writing / literary scholarship perspective, this one definitely deserves 5 stars…but at the same time, from a reading experience (unpleasant) and “how did this book make me feel” (frustrated and miserable) perspective, my irritability with all the characters and not being able to stand any of them definitely give me pause. In the end, I decided to go with the “happy medium” of 3.5 stars. I’m pretty sure I won’t re-read this on my own accord like I do with Charlotte Brontë’s Jane Eyre (speaking of which, for some reason, people like to compare both novels as in a similar vein — a sentiment I vehemently disagree with, but that’s a whole other topic altogether). If circumstances require me to reference Wuthering Heights in the future, I’ll probably just skim it so I can avoid the torture of having to endure these frustrating characters again.
Graphic: Ableism, Domestic abuse, Emotional abuse, and Violence
Lots of abuse and violence, to animals and people (physical and emotional)erebus53's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
The setting is ostensibly spooky. It's a cold and desolate windblown house, with warped trees and harsh weather. The introduction sets the reader ill at ease with a new tenant imposing himself upon the landlord's household, only to meet with dour people and rude manners. Every attempt he makes to act toward them in a warm or overly familiar way is oh so cringeworthy, and disconcerting.
The narrative is told through word of mouth stories. The main narrator on the history of the characters is a maid servant, but yet further detail is fleshed out through recounting the content of letters and anecdotes of others... this method of telling stories inside stories I have seen before in things like Shelley's Frankenstein.
The Classism in this is predictably rampant. The use of a Yorkshire accent is disparaged and laughed at. Frustratingly for me, the narrator of the audiobook couldn't do the dialect any justice and she fumbled through all the parts that are written phonetically in rustic parlance. This took a lot more work for me to interpret than if it were read fluently. Gah! t'th divvel wet ye!
Another recurring theme is the whole cliché of dark and light. A dark haired, supposedly ill-bred orphan is taken to hearth and home, and of course fair haired, light eyed, pale skinned people are seen as morally superior. A bit of vanilla Racism to rub into the literature. Well.. the book is old.. but I don't have to like it.
Honestly confused at what a teacher would hope to gain from getting teens to vivisect a book like this.. the book is pale and dreary, a litany of ills and intergenerational abuse, of slow burning insidious revenge. I mean, I used to be a goth.. I've listened to Kate Bush.. this wasn't even romantic.
Graphic: Ableism, Animal cruelty, Bullying, Chronic illness, Confinement, Death, Eating disorder, Emotional abuse, Mental illness, Misogyny, Racism, Self harm, Sexism, Suicidal thoughts, Terminal illness, Toxic relationship, Violence, Blood, Kidnapping, Grief, Religious bigotry, Death of parent, and Classism
Moderate: Child death, Cursing, Religious bigotry, and Alcohol
issyd23's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Joanne Froggatt also fucking slayed the audiobook 5🪦
NB Nelly doesn’t get paid enough to deal with all the BS from the Lintons + Earnshaws - get a better employer girl!
Graphic: Ableism, Animal cruelty, Body horror, Bullying, Child abuse, Child death, Chronic illness, Confinement, Cursing, Death, Domestic abuse, Eating disorder, Emotional abuse, Incest, Infidelity, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Racial slurs, Rape, Self harm, Sexism, Sexual assault, Sexual violence, Slavery, Suicidal thoughts, Suicide, Terminal illness, Torture, Toxic relationship, Violence, Forced institutionalization, Blood, Kidnapping, Grief, Suicide attempt, Death of parent, Murder, Pregnancy, Gaslighting, Toxic friendship, Abandonment, and Classism