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uselesspirateraven's review against another edition
challenging
emotional
hopeful
mysterious
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Content Warnings
Graphic: Child abuse, Child death, Death, Emotional abuse, Genocide, Hate crime, Rape, Self harm, Sexual assault, Sexual violence, Slavery, Violence, Kidnapping, Abortion, and Murder
Moderate: Infidelity, Physical abuse, Grief, Colonisation, War, and Classism
Minor: Physical abuse, Torture, Xenophobia, Blood, Vomit, and Death of parent
grets_reads's review against another edition
adventurous
challenging
emotional
hopeful
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Child death and Death of parent
Moderate: Bullying, Child abuse, Death, Genocide, Sexual violence, Violence, Xenophobia, Blood, Kidnapping, Grief, Murder, and Injury/Injury detail
Minor: Rape and Pregnancy
carolined314's review against another edition
adventurous
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Enjoyed this one a lot, and also it really missed the mark with racism allegories and some odd depictions of trauma. I am also soooo tired of the magical orphan saving the day by being fancy.
Content Warnings
Graphic: Slavery and Xenophobia
Moderate: Bullying, Child death, Confinement, Death, Rape, Violence, Kidnapping, Grief, Death of parent, and Colonisation
Minor: Sexual content and Pregnancy
amallard's review against another edition
adventurous
lighthearted
mysterious
relaxing
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.25
I put this down as lighthearted but you might like to check the content warnings, because I get that folks who resonate with the writing may feel differently. To be clear - I'm not dismissing or downplaying these traumas. I am dismissing the way they were done here, please don't come for me, it just elicited nothing in me.
Revision: theadult/minor relationship did elicit something in me because wtf was that, lads, wtf wtf that was not cool but it was written as Something Beautiful.
Let me splat down the good. Imagery was a happening thing. Backstory was a smoothly-delivered thing. Dialogue was a frequently-fun thing. Mystery was a suspenseful thing.
Let me splat down the bad I could take. Imagery sometimes happened too much. Tropes sometimes delivered too stereotypically. Explanation was sometimes exposition. I run low. Let's move on.
What did I ardently dislike? Unmarked spoilers from here on out.
Look away if you don't want spoilers.
Look away.
Okay.
Returning to the point made above: a guy who has been raised with four girls his whole life says that they're like sisters to him...but not quite. He then proceeds to have sex with the littlest, who is fifteen. She's fifteen. I don't care if they gave her a fake birthday so she could pretend to be sixteen - she's fifteen. Also, as someone who was raised with not-brother brothers, this whole speel is so gross to me. What, are adopted siblings not siblings? Does biology trump everything? Are platonic bonds worthless? Is that the case here? They. Shared. A. Mother.
I don't like Sarai but I'm being brave about it. Passion brings a character to life, makes me care for them. Give them an interest. Give them a hobby. Let me know how they spend their quiet minutes, their free time when they can steal it. Lazlo had a passion, Minya had a passion, Calixte had a passion, Sparrow had a passion, even the "it-might-be-love-what-we-have" paedophile had a passion.
Luckily, so did Sarai. You're gonna call me hypocritical but hers was complaining. I'm a very positive and optimistic character on the whole, with a lot going for me; I assure you that my hobby is not. If you think I'm being harsh on this book, please remind yourself of the last paragraph.
My final issue. Maybe we can kick it off with an anecdote: at one point in this book, a girl forces a man to kiss her. He's deeply uncomfortable - no, more than that. He's in a very traumatic situation and she uses him against his will.
It's played for a laugh. It made me wonder if I was being too SJW about the whole thing. But it struck me as upsetting, and a dismissal of consent. If the roles had been reversed, it would have been blatantly wrong, right?
That excuse, that the perpetrator was a girl, ties into the heternormativity that permeates this. By default, the girls only think about kissing boys, the boys only think about wanting girls. Guys are masculine and strong. Girls are pure and chaste. There's a couple of token sapphics who break the mould, plus some dweeby dudes, but it's a deeply straight book.
I’m not “obsessed with forcing diversity” or “pushing an agenda” and i am not trying to overlay stories with my own false reading of queer-coding when it doesn’t exist. But it’s funny to me when a writer writes a book with homoerotic overtones, when all the coding is blatantly THERE, and then they try to do damage control. Please please believe me when I say this story felt like it was supposed to be gay.
We get introduced to Thyon Nero and he is magnificently beautiful and desperately alone with the truth of his sins and secrets, and he’s a prince but he carries the scars of his beatings, and Lazlo’s a pauper but he knows those wounds well, and when they meet in the present day there is an immense amount of fear fluttering between them, and nerves, and history, and disappointment. And there is a smart man, with an insight that rivals Lazlo’s, that grounds where his dreams. And there is a good man buried somewhere within him. And there is an interesting journey for him to take to that stage.
Look, there are intended enemies-to-lovers which have worse setups than this. It’s so natural. It’s the story offered that has a spark.
Did Taylor miss the opportunity? Did she have too many plans for the way things already went? Not much would have been lost if Lazlo and Sarai had been friends instead; on the contrary, I think an intense platonicism would have been so beautiful. He could have carried his lifeless friend’s body and its impact would not have been lost. She could have visited her friend’s dreams and their visions together would not have been diminished.
Revision: the
Let me splat down the good. Imagery was a happening thing. Backstory was a smoothly-delivered thing. Dialogue was a frequently-fun thing. Mystery was a suspenseful thing.
Let me splat down the bad I could take. Imagery sometimes happened too much. Tropes sometimes delivered too stereotypically. Explanation was sometimes exposition. I run low. Let's move on.
What did I ardently dislike? Unmarked spoilers from here on out.
Look away if you don't want spoilers.
Look away.
Okay.
Returning to the point made above: a guy who has been raised with four girls his whole life says that they're like sisters to him...but not quite. He then proceeds to have sex with the littlest, who is fifteen. She's fifteen. I don't care if they gave her a fake birthday so she could pretend to be sixteen - she's fifteen. Also, as someone who was raised with not-brother brothers, this whole speel is so gross to me. What, are adopted siblings not siblings? Does biology trump everything? Are platonic bonds worthless? Is that the case here? They. Shared. A. Mother.
I don't like Sarai but I'm being brave about it. Passion brings a character to life, makes me care for them. Give them an interest. Give them a hobby. Let me know how they spend their quiet minutes, their free time when they can steal it. Lazlo had a passion, Minya had a passion, Calixte had a passion, Sparrow had a passion, even the "it-might-be-love-what-we-have" paedophile had a passion.
Luckily, so did Sarai. You're gonna call me hypocritical but hers was complaining. I'm a very positive and optimistic character on the whole, with a lot going for me; I assure you that my hobby is not. If you think I'm being harsh on this book, please remind yourself of the last paragraph.
My final issue. Maybe we can kick it off with an anecdote: at one point in this book, a girl forces a man to kiss her. He's deeply uncomfortable - no, more than that. He's in a very traumatic situation and she uses him against his will.
It's played for a laugh. It made me wonder if I was being too SJW about the whole thing. But it struck me as upsetting, and a dismissal of consent. If the roles had been reversed, it would have been blatantly wrong, right?
That excuse, that the perpetrator was a girl, ties into the heternormativity that permeates this. By default, the girls only think about kissing boys, the boys only think about wanting girls. Guys are masculine and strong. Girls are pure and chaste. There's a couple of token sapphics who break the mould, plus some dweeby dudes, but it's a deeply straight book.
I’m not “obsessed with forcing diversity” or “pushing an agenda” and i am not trying to overlay stories with my own false reading of queer-coding when it doesn’t exist. But it’s funny to me when a writer writes a book with homoerotic overtones, when all the coding is blatantly THERE, and then they try to do damage control. Please please believe me when I say this story felt like it was supposed to be gay.
We get introduced to Thyon Nero and he is magnificently beautiful and desperately alone with the truth of his sins and secrets, and he’s a prince but he carries the scars of his beatings, and Lazlo’s a pauper but he knows those wounds well, and when they meet in the present day there is an immense amount of fear fluttering between them, and nerves, and history, and disappointment. And there is a smart man, with an insight that rivals Lazlo’s, that grounds where his dreams. And there is a good man buried somewhere within him. And there is an interesting journey for him to take to that stage.
Look, there are intended enemies-to-lovers which have worse setups than this. It’s so natural. It’s the story offered that has a spark.
Did Taylor miss the opportunity? Did she have too many plans for the way things already went? Not much would have been lost if Lazlo and Sarai had been friends instead; on the contrary, I think an intense platonicism would have been so beautiful. He could have carried his lifeless friend’s body and its impact would not have been lost. She could have visited her friend’s dreams and their visions together would not have been diminished.
Content Warnings
Moderate: Adult/minor relationship, Death, Racism, Rape, Sexual violence, Slavery, Xenophobia, and Blood
vagrantheather's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.5
World building is thorough and lovely. Writing is moderate to nice. Plot driven - can't really say the characters go through much development - book is formatted around want thing > get to place > try to accomplish thing > thing done. It's a nice book, but missing the tension that would make me curious what happens next. I mean the characters have their goals, and we know there'll be a face off between humans and godspawn, but . . . I am not sure what it lacks, maybe it's the perspective of the writing. Other reviewers call out issues with pacing and perhaps that's it.
I loved the bits in Lazlo's dreams. The whole book does have a dreamy, timeless quality.
"Good people do all the things bad people do, Lazlo. It's just that when they do them, they call it justice."
I loved the bits in Lazlo's dreams. The whole book does have a dreamy, timeless quality.
"Good people do all the things bad people do, Lazlo. It's just that when they do them, they call it justice."
Content Warnings
Graphic: Death
Moderate: Child death, Violence, Xenophobia, and Death of parent
Minor: Body horror, Emotional abuse, Genocide, Fire/Fire injury, and Injury/Injury detail
midnightverde's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This fantasy novel is beautifully written. There are clues throughout the story to the mysteries of the lost city of Weep, yet there are still so many questions. The characters are full of depth and it’s easy to fall in love with many of them (and passionately hate others). There is a cliffhanger at the end of the book and I have to go put the final book of the duology on hold now.
Content Warnings
Graphic: Child death, Confinement, Death, Emotional abuse, Genocide, Rape, Sexual assault, Sexual violence, Toxic relationship, Violence, Xenophobia, Blood, Kidnapping, Grief, Death of parent, Murder, Fire/Fire injury, and Abandonment
Moderate: Pregnancy
cookiecat73's review against another edition
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.75
Content Warnings
Graphic: Body horror, Confinement, Death, Emotional abuse, Genocide, Rape, Sexual assault, Sexual content, Sexual violence, Slavery, Suicidal thoughts, Violence, Xenophobia, Blood, Grief, Suicide attempt, Murder, Toxic friendship, Sexual harassment, and Injury/Injury detail
Moderate: Child death, Kidnapping, Death of parent, and Fire/Fire injury
Minor: Misogyny and Pregnancy
janereads1989's review against another edition
adventurous
challenging
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Moderate: Child death, Death, Rape, Sexual content, Sexual violence, Xenophobia, Blood, and Abandonment
anushar's review against another edition
adventurous
emotional
hopeful
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
I’m in a reading slump right now but this book was beautiful. The story itself was not incredibly exciting or as action packed as most fantasies, but the way the author described everything with such care and reverence sucked me in. The prose of this book is incredibly hyped up and for good reason, this reads like a fairy tale but more personal. I honestly adored the characters, they were complex and funny and each relatable in their own way. I feel like this book was great at subtly tackling racism, the effects of war and how those things affect peoples characters. Overall this was very well done, however I struggled a bit while reading it simply because of the slower pace of the book.
4/5 stars!
4/5 stars!
Content Warnings
Moderate: Child death, Death, Rape, Xenophobia, and Death of parent
Minor: Child abuse, Sexual assault, Sexual content, Sexual violence, Abandonment, and Sexual harassment
whatiskatelynreading's review against another edition
adventurous
emotional
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
5.0
Content Warnings
Graphic: Genocide, Xenophobia, Blood, and Grief
Moderate: Adult/minor relationship, Child death, and Rape