Reviews with content warning for Domestic abuse - The Metamorphosis

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The Metamorphosis by Franz Kafka

17 reviews

buzzinfly's review against another edition

challenging dark emotional informative inspiring mysterious reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

A fairly conceptually challenging novella from Kafka, though it's one of his shorter and easier reads. Ha.

The story famously opens up with our protagonist, Gregor Samsa, waking up from "troubled dreams" to discover that he has transformed into a "kind of giant bug" or "monstrous vermin."
This creates an image of something like a beetle, centipede, or cockroach in the reader's mind.

Samsa's first thought, unlike I would have thought, was not how to adapt to his transformation or how to somehow reverse it, but how he is going to manage to get to his work, which, implied by the narrator, Samsa hates. Further into the book, it is also revealed that his father went bankrupt before the events of the story, and Gregor took the role of the breadwinner to support his parents and teenage sister Grete.

After contemplating on his current situation for several hours, Gregor's boss comes to the house in person to either scold Samsa, or - the less likely option - simply to see if he was okay. After panicking, Gregor forces himself out of bed, and uses his teeth to unlock the door. His new appearance surprises his family and boss,

though instead of showing sympathy, his family gradually begin to ungratefully complain that he is a burden, despite the fact that Gregor in fact provided the family with food and a roof under their heads;

he was clearly

struggling with this pressure already,

as implied by the

flashbacks and reminiscing

at the start of the book.

The family begins to rent out rooms in their house to earn more money, and after the charlady neglects to close Gregor's door,

(nobody ever goes in there anymore, and Gregor had been surviving on miniscule amounts of rotten food given to him by his sweet younger sister) Gregor travels to the room where his family are watching Grete play violin. The tenants catch sight of Gregor, and immediately leave, complaining that the house is unsanitary and not fit for them to stay in.

This causes Grete to

lose her patience, and tell her parents to get rid of "it" or they will all be "ruined."

Gregor,

realising he is not wanted, returns to his room

and

commits suicide by starving himself;

he is

dead when the charlady enters his room the next day.

The family

travels to the countryside

after

disposing of Gregor's corpse, and think about moving to a smaller apartment.

The book ends on a

sardonic note, with Mr and Mrs Samsa noticing that Grete has grown into a beautiful young woman, and they must find her a husband.

And what an end to the book that was. Was Gregor's metamorphosis literal, or was it something to be understood much deeper? Was it all a metaphor for work, stress, finance, or something else? Despite the novella's message being quite a mystery, Gregor's burdens and struggles seem to be pretty relatable to most readers.

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lovorka's review against another edition

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dark emotional mysterious reflective sad tense

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated

4.5

So sad

Content Warnings

jsuispoesie's review against another edition

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dark emotional sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Entrato nell'immaginario comune come un libro bizzarro e grottesco, La metamorfosi nasconde in realtà una serie di metafore personali e universali. Gregor Samsa si risveglia un giorno trasformato in un enorme insetto (un insetto parassita ad essere precisi), ma il suo primo pensiero non è verso sé stesso, bensì verso il suo lavoro, assolutamente indispensabile per il mantenimento della famiglia. Il padre, la madre e la sorella infatti dipendono economicamente da lui.
La metamorfosi di Gregor non termina al momento del risveglio, ma continua per tutta la durata del racconto. Gregor si renderà lentamente conto di non riuscire più a parlare, a mangiare i cibi che consumava abitualmente, a guardare lontano alla finestra; con il tempo inizia a dimenticare cosa significava essere un essere umano e la cosa lo spaventa molto. Secondo me questo è dovuto allo stato di abbandono emotivo in cui viene lasciato: nonostante i tentativi della sorella di mantenere la camera pulita, nessuno ha davvero a che fare con lui, tanto che i suoi parenti stessi finiscono con non considerarlo più un (fu) essere umano. La metamorfosi però è anche quella che si presenta nell'animo e nelle azioni dei suoi parenti: da accoglienti, ma nullafacenti, diventano rabbiosi e impauriti. Dai discorsi che fanno si capisce perfettamente che essi non facevano nulla, facendo ricadere su Gregor tutto il peso del mantenimento famigliare, nonostante essi fossero in grado di contribuire economicamente.
Il gran numero di metafore che possono essere rintracciate hanno a che fare sia con la vita di Kafka (il complicato rapporto con il padre, l'impossibilità di esprimersi artisticamente...), che con una situazione più universale. Il racconto scritto nel 1912 anticipa sui tempi gli orrori della Grande Guerra, dalla quale moltissimi soldati tornano sfigurati. La metamorfosi può quindi essere vista come metafora della disabilità, del cambiamento che questi uomini conoscevano sia dal punto di vista fisico che dal punto di vista affettivo, nel momento in cui non potendo essere più "utili" (economicamente) diventavano semplicemente "mostri", guardati con sospetto e risentimento per una condizione che non potevano controllare.
Non nascondo che il racconto mi ha fatto parecchio impressione in certi passaggi, specialmente nelle parti dove vengono descritte le pene provate da Gregor, la forza della narrazione sta proprio qui: nonostante il lettore sia ripugnato da quanto legge, non può fare a meno di provare simpatia e pena per il protagonista, mettendo il lettore in una posizione molto scomoda. Come conciliare sentimenti così contrastanti? Cosa avremmo fatto noi? Siamo forse meglio dei famigliari di Gregor?

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cat12345's review against another edition

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challenging dark emotional reflective sad fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.75

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wuthrinheights's review against another edition

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dark emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

I first read this story for my class and I read it again almost immediately. Today I reread it after years of not coming in contact with it, and I think it was better when I first read it.

The Metamorphosis was a strange, sad and almost funny (in a way that you pity him so much, you almost want to laugh at its absurdity) story.

I couldn't help but feel that it was more than just a nonsensical fictional story, that it was symbolic of his own life. It felt a bit too personal, as if Kafka himself woke up one day feeling like a monster who disappointed his family, in which their confusion, fear, and worries quickly turned to resentment. My heart goes out to Kafka, I hope he's resting peacefully.

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