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felicitasviviancoco's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I came to realise that I truly love books which encourage reflecting my moral values and stances (like this short story or Frankenstein for example)
Moderate: Child abuse, Confinement, Violence, Excrement, and Abandonment
hapikohw's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Utopia is possible, pleasure can exist without pain giving it worth - we just can't imagine it yet.
Graphic: Child abuse, Confinement, Torture, and Abandonment
lethargicbat's review against another edition
- Plot- or character-driven? Plot
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.0
Graphic: Child abuse, Confinement, and Emotional abuse
Moderate: Excrement, Kidnapping, and Abandonment
Minor: Sexual content and Alcohol
emfass's review against another edition
- Plot- or character-driven? Plot
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.75
Graphic: Child abuse, Confinement, Emotional abuse, Torture, Forced institutionalization, and Abandonment
Minor: Sexual content and Excrement
latibluee's review against another edition
5.0
the type of story that will nestle itself in your mind and you will keep idly thinking about it days, weeks, maybe even months or years after you've read it - even though it is only 5 pages long (or maybe partly due to that fact?)
The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.
We have almost lost hold; we can no longer describe a happy man, nor make any celebration of joy. How can I tell you about the people of Omelas? They were not naive and happy children – though their children were, in fact, happy. They were mature, intelligent, passionate adults whose lives were not wretched. O miracle! but I wish I could describe it better.
The joy built upon successful slaughter is not the right kind of joy; it will not do; it is fearful and it is trivial. A boundless and generous contentment, a magnanimous triumph felt not against some outer enemy but in communion with the finest and fairest in the souls of all men everywhere and the splendor of the world’s summer; this is what swells the hearts of the people of Omelas, and the victory they celebrate is that of life.
Yet it is their tears and anger, the trying of their generosity and the acceptance of their helplessness, which are perhaps the true source of the splendor of their lives. Theirs is no vapid, irresponsible happiness.
At times one of the adolescent girls or boys who go to see the child does not go home to weep or rage, does not, in fact, go home at all. Sometimes also a man or woman much older falls silent for a day or two, and then leaves home. These people go out into the street, and walk down the street alone. They keep walking, and walk straight out of the city of Omelas, through the beautiful gates. [...] Each alone, they go west or north, towards the mountains. They go on. They leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness. I cannot describe it at all. It is possible that it does not exist. But they seem to know where they are going, the ones who walk away from Omelas.
Graphic: Child abuse and Confinement
Minor: Sexual content, Excrement, and Alcohol
kajasversion's review against another edition
- Plot- or character-driven? N/A
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
4.5
Graphic: Child abuse and Confinement
Minor: Excrement
torismazarine's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Child abuse, Confinement, and Abandonment
Minor: Drug use
abookwormspov's review against another edition
- Plot- or character-driven? N/A
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
4.0
Graphic: Ableism, Child abuse, Chronic illness, Confinement, Forced institutionalization, and Abandonment
samdalefox's review against another edition
- Plot- or character-driven? N/A
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
At first I thought those that walk away from Omelas would choose to take the place of
My favourite quotes and another member's review below:
"The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. "
"Happiness is based on a just discrimination of what is necessary, what is neither necessary nor destructive, and what is destructive."
"Their tears at the bitter injustice dry when they begin to perceive the terrible justice of reality, and to accept it. Yet it is their tears and anger, the trying of their generosity and the acceptance of their helplessness, which are perhaps the true source of the splendor of their lives. Theirs is no vapid, irresponsible happiness. They know that they, like the child, are not free."
bitchbane's review
4 ★’s — fantastic short story on morality and the value of human life.
the ones who walk away from omelas presents a unique examination of morality, the value of human life, and the cost of civilization. posing a sort of societal 'trolley problem,' le guin forces readers to consider where they draw the line between acceptable loss and unjustifiable abuse. how do you define right and wrong? what is the real cost of "civilized" society? would you shut up and let a child be neglected and abused to maintain a perfect utopia for everyone else?
this story was much different than what i thought going into it. i expected something heavy on emotional contemplation and what it means to be human, perhaps from the perspective of someone who is trying to decide if they're going to walk away or stay. instead it was more of a parable talking about a broader issue.
interestingly, none of the people who are 'the ones who walk away from omelas' rescued the child. they decided to leave the utopia rather than staying or rescuing the child. this, to me, isn't worthy of dignified praise, they've just made it 'not their problem' anymore.
i thought le guin's approach and conversation about this topic was interesting and new. it's a new take on the trolley problem, discussing ethical dilemmas, and contemplating what humanity is worth. fantastic short story!
Minor: Child abuse, Confinement, Emotional abuse, Violence, Abandonment, and Injury/Injury detail
minou_noir's review against another edition
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? N/A
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
This short story is almost 30 pages but the impact it has will haunt you for more than the next 30 years of your life. It's a question posed as a story, where the writer Ursula asks us this: would we let a small innocent child live a lonely and tormented life, if the happiness and prosperity of thousands of people depended on the way he is treated? Does inflicting harm on an innocent life become justified if more than one person gains something from it?
I would highly recommend reading the book yourself because there's no way I can do justice to the way it makes you feel, using a simple review.
I am left thinking if we are living in Omelas, and are voluntarily ignorant of the child in the closet; or if we are the ones who walked away from Omelas, and are living a sad life but feel superior to the ones who stayed because we do not have that guilt on our shoulders.
It might be easy to say that we wouldn't do that to someone at all. We would side with justice and show compassion; but really, looking around us that feeling fades until it is merely left as a question.
Graphic: Child abuse and Confinement
Minor: Sexual content